Commentary or commentaries may refer to:
Philology is the study of language in oral and written historical sources; it is the intersection of textual criticism, literary criticism, history, and linguistics with strong ties to etymology. Philology is also defined as the study of literary texts as well as oral and written records, the establishment of their authenticity and their original form, and the determination of their meaning. A person who pursues this kind of study is known as a philologist. In older usage, especially British, philology is more general, covering comparative and historical linguistics.
The Sumerian King List or Chronicle of the One Monarchy is an ancient literary composition written in Sumerian that was likely created and redacted to legitimize the claims to power of various city-states and kingdoms in southern Mesopotamia during the late third and early second millennium BC. It does so by repetitively listing Sumerian cities, the kings that ruled there, and the lengths of their reigns. Especially in the early part of the list, these reigns often span thousands of years. In the oldest known version, dated to the Ur III period but probably based on Akkadian source material, the SKL reflected a more linear transition of power from Kish, the first city to receive kingship, to Akkad. In later versions from the Old Babylonian period, the list consisted of a large number of cities between which kingship was transferred, reflecting a more cyclical view of how kingship came to a city, only to be inevitably replaced by the next. In its best-known and best-preserved version, as recorded on the Weld-Blundell Prism, the SKL begins with a number of antediluvian kings, who ruled before a flood swept over the land, after which kingship went to Kish. It ends with a dynasty from Isin, which is well-known from other contemporary sources.
The Epic of Gilgamesh is an epic poem from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh, king of Uruk, dating from the Third Dynasty of Ur. These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, Shūtur eli sharrī. Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru. Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal.
Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons.
Servius, distinguished as Servius the Grammarian, was a late fourth-century and early fifth-century grammarian. He earned a contemporary reputation as the most learned man of his generation in Italy; he authored a set of commentaries on the works of Virgil. These works, In Tria Virgilii Opera Expositio, Commentarii in Virgilium, Commentarii in Vergilii Opera, or Vergilii Carmina Commentarii, constituted the first incunable to be printed at Florence, by Bernardo Cennini, in 1471.
Humbaba, originally known as Ḫuwawa, was a figure in Mesopotamian mythology. The origin and meaning of his name are unknown. He was portrayed as an anthropomorphic figure comparable to an ogre, giant or demon. He is best known from myths focused on the hero Gilgamesh, including short compositions belonging to the curriculum of scribal schools, various versions of the Epic of Gilgamesh, and additionally Hurrian and Hittite adaptations. He is invariably portrayed as the inhabitant or guardian of the cedar forest to which Gilgamesh ventures with his companion Enkidu. They clash, which leads to the death of Humbaba. The event typically causes the anger of the gods. He is also attested in other works of Mesopotamian literature. Multiple depictions of him have also been identified, including combat scenes and apotropaic clay heads.
Exegesis is a critical explanation or interpretation of a text. The term is traditionally applied to the interpretation of Biblical works. In modern usage, exegesis can involve critical interpretations of virtually any text, including not just religious texts but also philosophy, literature, or virtually any other genre of writing. The phrase Biblical exegesis can be used to distinguish studies of the Bible from other critical textual explanations.
Biblical studies is the academic application of a set of diverse disciplines to the study of the Bible. For its theory and methods, the field draws on disciplines ranging from ancient history, historical criticism, philology, theology, textual criticism, literary criticism, historical backgrounds, mythology, and comparative religion.
Alulim was a mythological Mesopotamian ruler, regarded as the first king ever to rule. He is known from the Sumerian King List, Ballad of Early Rulers, and other similar sources which invariably place him in Eridu and assign a reign lasting thousands of years to him. The tablet of Old Babylonian period from Ur describing the divine appointment of Alulim by the gods notes that he was chosen among "vast and many people," and appointed by gods for the "shepherdship of the entirety of the many people". Another myth describing his appointment by the gods and incantations treating him as the creator of insects are also known. He is absent from Early Dynastic sources, and he is considered fictional by Assyriologists. His name was preserved in later Greek, Arabic and Persian works.
Simo Kaarlo Antero Parpola is a Finnish Assyriologist specializing in the Neo-Assyrian Empire and Professor emeritus of Assyriology at the University of Helsinki.
Andrew R. George is a British Assyriologist and academic best known for his edition and translation of the Epic of Gilgamesh. Andrew George is Professor of Babylonian, Department of the Languages and Cultures of Near and Middle East at the School of Oriental and African Studies, University of London.
Jeremy Allen Black was a British Assyriologist and Sumerologist, founder of the online Electronic Text Corpus of Sumerian Literature.
Wilfred George Lambert FBA was a historian and archaeologist, a specialist in Assyriology and Near Eastern Archaeology.
Theodore Bar Konai was a distinguished Syriac exegete and apologist of the Church of the East who seems to have flourished at the end of the eighth century. His most famous work was a book of scholia on the Old and New Testaments.
An eduba (Sumerian: 𒂍𒁾𒁀𒀀, romanized: E2-DUB-ba-a, lit. 'house which distributes tablets') is a scribal school for the Sumerian language. The eduba was the institution that trained and educated young scribes in ancient Mesopotamia during the late third or early second millennium BCE. Most of the information known about edubas comes from cuneiform texts dating to the Old Babylonian period (ca. 2000-1600 BCE).
The cuneiform sign tu, and for TU-(the Sumerogram, capital letter, in the Hittite language and other cuneiform texts, is a common-use syllabic sign for tu, and also with a syllabic use for "t", or "u". It is not a multi-use sign, with other alphabetic sub-varieties.
The cuneiform sign MÁ denotes a ship or boat. It is used in Sumerian and as a Sumerogram for the Akkadian word eleppu. MÁ is usually preceded by the determinative for items made of wood, namely GIŠ: GIŠ.MÁ, or GIŠ.MÁ, .
Ninĝidru was a Mesopotamian goddess who most likely represented a deified scepter. She played a role in coronation rituals. She often appears in association with Ninmena, who represented the deified crown. A recently published hymn additionally attests that she was the sukkal of Sud, the tutelary goddess of Shuruppak.
