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Cultural retention is the act of retaining the culture of a specific ethnic group of people, especially when there is reason to believe that the culture, through inaction, may be lost. Many African-American, European and Asian organizations have cultural retention programs in place. [1]
Cultural retention refers to the attempts made to preserve the cultural practices of a defined group, when many of their other forms and rituals have already been lost. This erosion is seen in minority groups feeling alienated from the dominant majority around them. They may strive to retain their traditional cultural practices because they give them joy and pride. [2] This is also an attempt to prevent or reverse the effects of cultural erasure. Cultural erasure happens when cultural practices and customs are forgotten or abandoned by the community, as they adopt customs from the more dominant cultural group or more modernized practices. [3]
People generally attempt to preserve their culture with social practices, ritual and festive events that usually mark the seasons, events in the agricultural calendar, or the stages of a person's life. Examples of this are worship rites, birth, wedding, funeral rites; relationship and kinship practices; traditional games and sports. Other facets of life, where cultural retention could be displayed are in everyday day to day life activities. Examples for this are seen in the music, dance, food (cooking practices and traditional recipes), clothing, art and craft, proverbs, special gestures, and modes of formal and informal greetings. [2]
Retaining and protecting culture is a conscious and intentional process. Cultural heritage can be categorized under two categories - tangible and intangible. Tangible cultural heritage is something that we could touch, like traditional clothing, tools, artwork, buildings, to name a few. While examples of intangible resources are folklore, social norms, music, language, dance, to name a few. The following are some of the ways that could be practiced for retaining traditional cultural norms. [2]
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A tradition is a system of beliefs or behaviors passed down within a group of people or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or impractical but socially meaningful clothes, but the idea has also been applied to social norms and behaviors such as greetings etc. Traditions can persist and evolve for thousands of years— the word tradition itself derives from the Latin word tradere literally meaning to transmit, to hand over, to give for safekeeping. While it is reportedly assumed that traditions have an ancient history, many traditions have been invented on purpose, whether it be political or cultural, over short periods of time. Various academic disciplines also use the word in a variety of ways.
Ukrainian culture is composed of the material and spiritual values of the Ukrainian people that has formed throughout the history of Ukraine. Strong family values and religion, alongside the traditions of Ukrainian embroidery and folk music are integral aspects of the country’s culture. It is closely intertwined with ethnic studies about ethnic Ukrainians and Ukrainian historiography which is focused on the history of Kyiv and the region around it.
The culture of Indonesia has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is centrally-located along ancient trading routes between the Far East, South Asia and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Buddhism, Christianity, Confucianism, Hinduism, and Islam, all strong in the major trading cities. The result is a complex cultural mixture, often different from the original indigenous cultures.
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage and encourage local communities to protect them and the local people who sustain these forms of cultural expressions. Several manifestations of intangible heritage around the world were awarded the title of Masterpieces to recognize the value of the non-material component of culture, as well as entail the commitment of states to promote and safeguard the Masterpieces. Further proclamations occurred biennially. In 2008, the 90 previously proclaimed Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries.
Punta is an Afro-indigenous dance and cultural music of the Garifuna originating prior to their exile to Roatan from the Caribbean island of Saint Vincent And The Grenadines. Which is also known as Yurumei. It has African and Arawak elements which are also the characteristics of the Garifuna language. Punta is the best-known traditional dance belonging to the Garifuna community. It is also known as banguity or bunda.
The Culture of Africa is varied and manifold, consisting of a mixture of countries with various tribes depicting their unique characteristic and trait from the continent of Africa. It is a product of the diverse populations that inhabit the continent of Africa and the African diaspora. Generally, Culture can be defined as a collective mass of distinctive qualities belonging to a certain group of people. These qualities include laws, morals, beliefs, knowledge, art, customs, and any other attributes belonging to a member of that society. Culture is the way of life of a group of people.
Cultural heritage is the heritage of tangible and intangible heritage assets of a group or society that is inherited from past generations. Not all heritages of past generations are "heritage"; rather, heritage is a product of selection by society.
An intangible cultural heritage (ICH) is a practice, representation, expression, knowledge, or skill considered by UNESCO to be part of a place's cultural heritage. Buildings, historic places, monuments, and artifacts are cultural property. Intangible heritage consists of nonphysical intellectual wealth, such as folklore, customs, beliefs, traditions, knowledge, and language. Intangible cultural heritage is considered by member states of UNESCO in relation to the tangible World Heritage focusing on intangible aspects of culture. In 2001, UNESCO made a survey among States and NGOs to try to agree on a definition, and the Convention for the Safeguarding of the Intangible Cultural Heritage was drafted in 2003 for its protection and promotion.
The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.
Dancing in Zimbabwe is an important aspect of the Zimbabwean culture, tradition, spirituality and history. There are many dances that reflect the culture of the people, although the dances may have changed throughout the years. Ethnic diversity is also a key factor in influencing the dances of the Zimbabwean culture. These dances are self-reflective, for the entire community because all music and dance are communal events. Dance to Zimbabweans is a very spiritual, powerful tool that carries on traditions, and chronicles the important events of their history and culture.
Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance. This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression.
Mbukushu is a traditional Kavango kingdom on the territory of today's Namibia, Botswana, Zambia and Angola. Its people speak the Mbukushu language. As of 2016, the Mbukushu are said to comprise 20,000 to 44,000 people. There are said to be around 20,000 Mbukushu people in Botswana, around 6,900 in Namibia (2002), 5,000 in Zambia and 4,000 in Angola.
The term Caribbean culture summarizes the artistic, musical, literary, culinary, political and social elements that are representative of Caribbean people all over the world.
The Convention for the Safeguarding of the Intangible Cultural Heritage is a UNESCO treaty adopted by the UNESCO General Conference on 17 October 2003.
The Festivity of La Mare de Déu de la Salut is a festival celebrated in Algemesí (Valencia), Spain, from August 29 to September 8. The festival is in honour of the patron saint of Algemesí, La Mare de Déu de la Salut, and has been dated back to 1247. The holiday was awarded the UNESCO "Masterpieces of the Oral and Intangible Heritage of Humanity" designation on November 28, 2011.
Family folklore is the branch of folkloristics concerned with the study and use of folklore and traditional culture transmitted within an individual family group. This includes craft goods produced by family members or memorabilia that have been saved as reminders of family events. It includes family photos, photo albums, along with bundles of other pages held for posterity such as certificates, letters, journals, notes, and shopping lists. Family sayings and stories which recount true events are retold as a means of maintaining a common family identity. Family customs are performed, modified, sometimes forgotten, created or resurrected with great frequency. Each time the result is to define and solidify the perception of the family as unique.
Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community.
Folk and traditional arts are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of folklore and cultural heritage. Tangible folk art includes objects which historically are crafted and used within a traditional community. Intangible folk arts include such forms as music, dance and narrative structures. Each of these arts, both tangible and intangible, was originally developed to address a real need. Once this practical purpose has been lost or forgotten, there is no reason for further transmission unless the object or action has been imbued with meaning beyond its initial practicality. These vital and constantly reinvigorated artistic traditions are shaped by values and standards of excellence that are passed from generation to generation, most often within family and community, through demonstration, conversation, and practice.
Sebiba is the term used in Algeria to designate a festival and the Tuareg people's dance performed on this occasion and accompanied by female drummers in the Sahara oasis of Djanet in the Tassili n'Ajjer region in southern Algeria. The dance originated among the descendants of black African slaves and is part of the celebrations for the Islamic Ashura Festival. The dance was recognized by UNESCO in 2014 for its significance to humanity's intangible cultural heritage.
