Culture of Buddhism

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Buddhist culture is exemplified through Buddhist art, Buddhist architecture, Buddhist music and Buddhist cuisine. As Buddhism expanded from the Indian subcontinent it adopted artistic and cultural elements of host countries in other parts of Asia.

Contents

Features

Economics or the way in which work life is organized and the demands of production are met form an integral part of any culture. Buddhist economics forms an integral part of the Buddhist culture. Buddhist Economics does not work to maximum consumption but human well-being, which lies in a simple, purposeful and dutiful life, in which rightful livelihood is earned. Human beings must remain true to their heritage and avoid materialistic pursuit. Mechanical and redundant work that deprives the soul of meaningful pursuit is looked down upon, while too much leisure also is not approved of. Women becoming part of the active workforce is considered failure of the economic system, as women have to leave looking after the children to indulge in economic way-fare, while the children are untended for.[ citation needed ] Like language, religion has also divided the people of South Asia. The major religions in the subcontinent are Hinduism, Islam, Sikhism, Buddhism, and Christianity. Strong Indian, Chinese, Burmese and other Southeast Asian influences are still evident in traditional Thai culture. Buddhism, Animism and Westernization also play a significant role in shaping the culture. Three major forces have influenced the development of Buddhism in Thailand. The most visible influence is that of the Theravada school of Buddhism, imported from Sri Lanka. ... The second major influence on Thai Buddhism is Hindu beliefs received from Cambodia, particularly during the Sukhothai Kingdom.

In healthcare

For Buddhism, mental health is of supreme importance, and individuals must strive towards improving this by practicing non-violence and refraining from sexual misconduct and lying. However, Buddhist traditions do acknowledge physical ill-being. Pain and suffering are inevitable like death, for which taking any form of medication are not prohibited. The medicines taken should not be intoxicating or affect the clarity of mind in any way. Any physical ill-being must be endured with patience and steadfastness, as any form of physical suffering allows time for self-reflection and spiritual progress. The best way to cure a disease is to improve one's diet by practicing vegetarianism, reflective of the non-violent way of living. Buddhism also lays great stress on fasting on special days which helps revitalize the physical and spiritual being. Any form of organ transplant has been viewed as a supreme form of generosity as well.

In art

Reclining Buddha in Wat Pho, Bangkok Bouddha Wat Pho5.jpg
Reclining Buddha in Wat Pho, Bangkok

Buddhist art originated in the Indian subcontinent in the centuries following the life of the historical Gautama Buddha in the 6th to 5th century BCE, before evolving through its contact with other cultures and its diffusion through the rest of Asia and the world. A first, essentially Indian, aniconic phase (avoiding direct representations of the Buddha), was followed from around the 1st century CE by an iconic phase (with direct representations of the Buddha). From that time, Buddhist art diversified and evolved as it adapted to the new countries where the faith was expanding. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and even influenced the development of Hindu art, until Buddhism almost disappeared around the 10th century with the expansion of Hinduism and Islam.

In the earliest form of Buddhist art, the Buddha was not represented in human form but instead was represented using signs and symbols such as footprints or an empty throne. From the fifth century B.C. to the first century B.C., Indian artists would make scriptures which revolved around the themes of the historical life of the Buddha and the previous lives of the Buddha. [1] The reluctance towards anthropomorphic representations of the Buddha, and the sophisticated development of aniconic symbols to avoid it (even in narrative scenes where other human figures would appear), is believed to be connected 70 Buddha's sayings that disfavoured representations of himself after the extinction of his body.[ citation needed ] This phase is defined as the aniconic phase of Buddhist art. The iconic phase starts from the 1st century CE whereby the Buddha was given realistic human features and proportions.

In architecture

Wat Phra Kaew, Bangkok, Thailand. khwaamngaamyaamkhamkhuuen.JPG
Wat Phra Kaew, Bangkok, Thailand.

Buddhist religious architecture most notably developed in South Asia in the third century BCE.

Two types of structures are associated with early Buddhism: stupas and viharas. The initial function of a stupa was the veneration and safe-guarding of the relics of the Buddha. The earliest existing example of a stupa is in Sanchi (Madhya Pradesh). In accordance with changes in religious practice, stupas were gradually incorporated into chaitya-grihas (stupa halls). These reached their highpoint in the first century BCE, exemplified by the cave complexes of Ajanta and Ellora (Maharashtra). Viharas were developed to accommodate the growing and increasingly formalised Buddhist monasticism. An existing example is at Nālandā, (Bihar). [2]

The beginnings of the Buddhist school of architecture can be traced back to B.C. 255 when the Mauryan emperor Asoka established Buddhism as the state religion of his large empire and encouraged the use of architectural monuments to spread Buddhism in different places. [3]

Buddhism, which is also the first Indian religion to require large communal and monastic spaces, inspired three types of architecture; the first is the stupa, a significant object in Buddhist art and architecture. The Stupas hold the most important place among all the earliest Buddhist sculptures. On a very basic level, the Stupa is a burial mound for the Buddha. The original stupas contained the Buddha's ashes. Stupas are dome-shaped monuments, used to house Buddhists' relics or to commemorate significant facts of Buddhism. [4]

The second type of architecture unique to Buddhism is the Vihara, a Buddhist monastery that also contains a residence hall for the monks. The third type is the chaitya, an assembly hall that contains a stupa (without relics). The central hall of the chaitya is arranged to allow for circumambulation of the stupa within it.

In music and chant

Buddhist music prominently includes Honkyoku, [5] Buddhist chant, [6] and Shomyo. [7] Honkyoku are the pieces of shakuhachiyoku for enlightenment and alms as early as the 13th century.

Buddhist chant is the chant used in or inspired by Buddhism, including many genres in many cultures. It includes:

Musical chanting, most often in Tibetan or Sanskrit, is an integral part of the religion. These chants are complex, often recitations of sacred texts or in celebration of various festivals. Yang chanting, performed without metrical timing, is accompanied by resonant drums and low, sustained syllables.

Shomyo (声明) is a style of Japanese Buddhist chant; mainly in the Tendai and Shingon sects. There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively.

Many ritual musical instruments are used in association with Buddhist practice including singing bowls, bells, tingsha, drums, cymbals, wind instruments and others.

The relationship between Buddhism and music is thought to be complicated since the association of music with earthly desires led early Buddhists to condemn the musical practice, and even observation of musical performance, for monks and nuns. However, in Pure Land Buddhism Buddhist paradises are represented as musical places in which Buddhist law takes the form of melodies. Most Buddhist practices also involve chant in some form, and some also make use of instrumental music and even dance. Music can act as an offering to the Buddha, as a means of memorizing Buddhist texts, and as a form of personal cultivation or meditation. [8]

In order to purify the hearts of listeners, Buddhist melodies are strong yet soft and pure. Buddhist music plays a central role in everyday cultural practices of Buddhists since it is also played in many ceremonies such as weddings and funerals [9]

Buddhist music developed when Buddhism spread to Tibet. The Tibetan traditions of Buddhism encouraged the use of song and dance in certain ceremonies. A wide variety of instruments such as specialized types of drums, windpipes, spiral conches, and trumpets were used in larger ceremonies.

Hymns are commonly used in the Buddhist culture in ceremonies for making offerings or inviting the presence of Buddha and Bodhisattvas. Buddhist hymns express the five virtuous qualities that are sincerity, elegance, clarity, depth, and equanimity and it is believed that regularly listening to Buddhist hymns or fanbei can give the following five graces: a reduction in physical fatigue, less confusion and forgetfulness, a reduction in mental fatigue, greater eloquence, and greater ease in expression and communication. Therefore, in the practice of Buddhism, hymns or fanbei have an important role in daily living, for example in repentance ceremonies. They are not designed to try to elevate or excite the emotions of participants or practitioners, but in fact aim to help conserve emotional energy, calm the thinking, lessen desire, and allow practitioners to see their true nature with clarity. [9]

In cuisine

A vegetarian restaurant in Taipei, Taiwan serving Buddhist cuisine in buffet style. Chinese-buddhist-cuisine-taiwan-1.jpg
A vegetarian restaurant in Taipei, Taiwan serving Buddhist cuisine in buffet style.

Buddhist cuisine is a kind of cuisine mainly for the believers of Buddhism. It is known as zhāi cài (zhāi means "purification" or "discipline", cai means "cuisine" or "vegetable") in China, and shōjin ryōri (shōjin means "devotion", ryōri means "cuisine") in Japan, and by many other names in other countries. Due to the understanding of animals as conscious and suffering beings, many Buddhists do not kill animals and many also do not eat meat (other than that from those who died naturally, and from species where the consumption of brethren is not troubling to the still living). Certain major Mahayana sutras show the Buddha forcefully denouncing meat-consumption and advocating vegetarianism (vegetarianism in Buddhism). Buddhist vegetarian chefs have become extremely creative in imitating meat using prepared wheat gluten, also known as "seitan" or "wheat meat", soy (such as tofu or tempeh), agar, and other plant products. Some of their recipes are the oldest and most-refined meat analogues in the world.

Buddhism forbids alcohol and other intoxicants because they may result in violations of others of the "Five Moral Precepts": no killing, stealing, sexual misconduct, lying or partaking of intoxicants. In addition, intoxicants cloud the mind and interfere with the concentration needed to achieve enlightenment.

Some Mahāyāna Buddhists and sects in China and Vietnam avoid eating onions, garlic, scallions, chives and leeks, which are known as wu hun (五葷, 'Five Spices'). The spices are said to lead to anger (raw) and passion (cooked), and their odour is also said to repel Gods and attract hungry ghosts and demons.

Strict adherence to vegetarianism is the rule for priests, monks, nuns and those who feel they are on the Bodhisattva path - except in some schools and sects. [10]

In festivals

Lotus Lantern Festival (yeondeunghoe, Yeon Deung Hoe) in Seoul, South Korea. KOCIS Korea YeonDeungHoe 20130511 05 (8733836165).jpg
Lotus Lantern Festival (연등회, Yeon Deung Hoe) in Seoul, South Korea.

Japanese festivals and Barua festivals often involve Buddhist culture, as do pagoda festivals held as fairs held at Buddhist temples in Myanmar. Features of Buddhist Tibetan festivals may include the traditional cham dance, which is also a feature of some Buddhist festivals in India and Bhutan. Many festivals of Nepal are religious festivals involving Buddhism, as are many Burmese traditional festivals. Lunar New Year festivals of Buddhist countries in East, South and Southeast Asia include some aspects of Buddhist culture, however they are considered cultural festivals as opposed to religious ones.

See also

Related Research Articles

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<span class="mw-page-title-main">Stupa</span> Mound-like structure containing Buddhist relics, used as a place of meditation

In Buddhism, a stupa is a mound-like or hemispherical structure containing relics that is used as a place of meditation.

<span class="mw-page-title-main">Buddhist symbolism</span> Religious symbols in Buddhism

Buddhist symbolism is the use of symbols to represent certain aspects of the Buddha's Dharma (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree.

<span class="mw-page-title-main">Buddhist temple</span> Buddhist place of worship

A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace.

<span class="mw-page-title-main">Vihāra</span> Sanskrit and Pāli term for a residence, monastery usually Buddhist

Vihāra generally refers to a Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Sanskrit and Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Ajivika, Hindu and Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (Chaturmas), and the term "vihara" refers to their wanderings.

Buddhism in Nepal started spreading since the reign of Ashoka through Indian and Tibetan missionaries. The Kiratas were the first people in Nepal who embraced Gautama Buddha’s teachings, followed by the Licchavis and Newar people. Buddha was born in Lumbini in the Shakya Kingdom. Lumbini is considered to lie in present-day Rupandehi District, Lumbini zone of Nepal. Buddhism is the second-largest religion in Nepal. According to 2001 census, 10.74% of Nepal's population practiced Buddhism, consisting mainly of Tibeto-Burman-speaking ethnicities, the Newar. However, in the 2011 census, Buddhists made up just 9% of the country's population.

<span class="mw-page-title-main">Chaitya</span>

A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa, not a stupa hall, is called a chedi. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.

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<span class="mw-page-title-main">Buddhist architecture</span> Style of building

Buddhist religious architecture developed in the Indian subcontinent. Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls, which later came to be called temples in some places.

<span class="mw-page-title-main">Tibetan culture</span> Overview of the Tibetan culture

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<span class="mw-page-title-main">Buddhist vegetarianism</span> Vegetarianism in Buddhist culture and philosophy

Buddhist vegetarianism is the practice of vegetarianism by significant portions of Mahayana Buddhist monks and nuns and some Buddhists of other sects. In Buddhism, the views on vegetarianism vary between different schools of thought. The Mahayana schools generally recommend a vegetarian diet because they claimed Gautama Buddha set forth in some of the sutras that his followers must not eat the flesh of any sentient being.

<span class="mw-page-title-main">Buddhist art</span> Artistic practices influenced by Buddhism

Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.

<span class="mw-page-title-main">Newar Buddhism</span> Form of Vajrayana Buddhism practiced by the Newar people of the Kathmandu Valley, Nepal

Newar Buddhism is the form of Vajrayana Buddhism practiced by the Newar people of the Kathmandu Valley, Nepal. It has developed unique socio-religious elements, which include a non-monastic Buddhist society based on the Newar caste system and patrilineality. The ritual priestly (guruju) caste, vajracharya and shakya form the non-celibate religious clergy caste while other Buddhist Newar castes like the Urāy act as patrons. Uray also patronise Tibetan Vajrayana, Theravadin, and even Japanese clerics. It is the oldest known sect of the Vajrayana tradition outdating the Tibetan school of Vajrayana by more than 600 years.

<span class="mw-page-title-main">Bhaja Caves</span>

Bhaja Caves are a group of 22 rock-cut caves dating back to the 2nd century BC located in the city of Pune, India. The caves are 400 feet above the village of Bhaja, on an important ancient trade route running from the Arabian Sea eastward into the Deccan Plateau. The inscriptions and the cave temple are protected as a Monument of National Importance, by the Archaeological Survey of India per Notification No. 2407-A. It belongs to the Early Buddhist schools in Maharashtra. The caves have a number of stupas, one of their significant features. The most prominent excavation is its chaitya, a good example of the early development of this form from wooden architecture, with a vaulted horseshoe ceiling. Its vihara has a pillared verandah in front and is adorned with unique reliefs. These caves are notable for their indications of the awareness of wooden architecture. The carvings prove that tabla – a percussion instrument – was used in India for at least 2300 years, disproving the centuries-held belief that the tabla was introduced to India by outsiders or from Turko-Arab. The carving shows a woman playing tabla and another woman, performing dance.

Devotion, a central practice in Buddhism, refers to commitment to religious observances or to an object or person, and may be translated with Sanskrit or Pāli terms like saddhā, gārava or pūjā. Central to Buddhist devotion is the practice of Buddhānussati, the recollection of the inspiring qualities of the Buddha. Although buddhānussati was an important aspect of practice since Buddhism's early period, its importance was amplified with the arising of Mahāyāna Buddhism. Specifically, with Pure Land Buddhism, many forms of devotion were developed to recollect and connect with the celestial Buddhas, especially Amitābha.

Kanganahalli, situated about 3 km from Sannati, is an important Buddhist site where an ancient Mahastupa was built. It is on the left bank of the Bhima river in Chitapur taluk, Kalaburagi district in Karnataka, India. Nalwar is the nearest Railway station about 19 km from Sannati. The Buddhist site about 2.5 km from Chandrala Parameshwari temple of Sannati.

<span class="mw-page-title-main">Chandavaram Buddhist site</span>

Chandavaram Buddhist site is an ancient Indian Buddhist site in Chandavaram village in Prakasam district in the Indian state of Andhra Pradesh. Situated on the bank of Gundlakamma River, the site is 10 kilometres (6.2 mi) northwest of Donakonda railway station. The Chandavaram Buddhist site was built between the 2nd century BCE and the 2nd century CE during the Satavahana dynasty and was discovered by Veluri Venkata Krishna Sastry in 1964.

<span class="mw-page-title-main">Gandharan Buddhism</span> Buddhist religion of ancient Gandhara

Gandhāran Buddhism refers to the Buddhist culture of ancient Gandhāra which was a major center of Buddhism in the northwestern Indian subcontinent from the 3rd century BCE to approximately 1200 CE. Ancient Gandhāra corresponds to modern day north Pakistan, mainly the Peshawar valley and Potohar plateau as well as Afghanistan's Jalalabad. The region has yielded the Gandhāran Buddhist texts written in Gāndhārī Prakrit the oldest Buddhist manuscripts yet discovered. Gandhāra was also home to a unique Buddhist artistic and architectural culture which blended elements from Indian, Hellenistic, Roman and Parthian art. Buddhist Gandhāra was also influential as the gateway through which Buddhism spread to Central Asia and China.

<span class="mw-page-title-main">Buddhist caves in India</span>

The Buddhist caves in India. Maharashtra state Aurangabad Dist. Ellora caves form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.

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