Buddhist religious architecture developed in the Indian subcontinent. Three types of structures are associated with the religious architecture of early Buddhism: monasteries (viharas), places to venerate relics (stupas), and shrines or prayer halls (chaityas, also called chaitya grihas), which later came to be called temples in some places.
The initial function of a stupa was the veneration and safe-guarding of the relics of Gautama Buddha. The earliest archaeologically known example of a stupa is the Relic Stupa of Vaishali located in Bihar, India. [1] [2] In accordance with changes in religious practice, stupas were gradually incorporated into chaitya-grihas (prayer halls). These are exemplified by the complexes of the Ajanta Caves and the Ellora Caves. The Mahabodhi Temple at Bodh Gaya in Bihar, India is another well-known example.
It is argued that stylistic aspects seen on Buddhist architecture like the stupa may have been influenced by shikharas seen on Hindu temple architecture, a stylistic element which has evolved to pagodas which are seen throughout Thailand, Cambodia, Nepal, China, Japan, Korea, Myanmar, Vietnam. [3] [4]
A characteristic new development at Buddhist religious sites was the stupa. Stupas were originally more sculpture than building, essentially markers of some holy site or commemorating a holy man who lived there. Later forms are more elaborate and also in many cases refer back to the Mount Meru model.
One of the earliest Buddhist sites still in existence is at Sanchi, India, and this is centred on a stupa said to have been built by King Ashoka (273–236 BCE). The original simple structure is encased in a later, more decorative one, and over two centuries the whole site was elaborated upon. The four cardinal points are marked by elaborate stone gateways.
As with Buddhist art, architecture followed the spread of Buddhism throughout south and east Asia and it was the early Indian models that served as a first reference point, even though Buddhism virtually disappeared from India itself in the 10th century.
Decoration of Buddhist sites became steadily more elaborate through the last two centuries BCE, with the introduction of tablets and friezes, including human figures, particularly on stupas. However, the Buddha was not represented in human form until the 1st century CE. Instead, aniconic symbols were used. This is treated in more detail in Buddhist art, Aniconic phase. It influenced the development of temples, which eventually became a backdrop for Buddha images in most cases.
As Buddhism spread, Buddhist architecture diverged in style, reflecting the similar trends in Buddhist art. Building form was also influenced to some extent by the different forms of Buddhism in the northern countries, practising Mahayana Buddhism in the main and in the south where Theravada Buddhism prevailed.
When Buddhism came to China, Buddhist architecture came along with it. There were many monasteries built, equaling about 45,000. These monasteries were filled with examples of Buddhist architecture, and because of this, they hold a very prominent place in Chinese architecture. One of the earliest surviving example is the brick pagoda at the Songyue Monastery in Dengfeng County.
Buddhism and Hinduism reach Indonesian archipelago in early first millennia. The oldest surviving temple structure in Java is Batujaya temples in Karawang, West Java, dated as early as 5th century. [5] The temple was a Buddhist sites, as evidence of the discovered Buddhist votive tablets, and the brick stupa structure.
The apogee of ancient Indonesian Buddhist art and architecture was the era of Javanese Shailendra dynasty that ruled the Mataram Kingdom in Central Java circa 8th to 9th century CE. The most remarkable example is the 9th century Borobudur, a massive stupa that took form of an elaborate stepped pyramid that took plan of stone mandala. The walls and balustrades are decorated with exquisite bas reliefs, covering a total surface area of 2,500 square metres. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha. [6] Borobudur is recognised as the largest Buddhist temple in the world. [7]
In Thailand, Buddhist temples are known as wats , from the Pāḷi vāṭa, meaning "enclosure." A wat usually consists of two parts: the Phutthawat (worship area dedicated to Buddha) and the Sangkhawat (monastery dedicated for Sangha).
Thai Buddhist temples usually contains golden chedi in the form of a bell-shaped stupa tower covered with gold leaf, containing a relic chamber. Another typical feature is Prang tower in the top center of the Buddhist temple structure. Thai Buddhist temples consists of several structures, including Ubosot (ordination hall), Wihan (vihara), Mondop (mandapa), Ho trai (library), and Sala (open pavilion), Ho rakhang (bell tower), and other supporting buildings.
All of those temple structures display multiple roof tiers. The use of ornamented tiers is reserved for roofs on temples, palaces and important buildings. Two or three tiers are most often used, but some royal temples have four.
After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental styles were developed both to meet Japanese tastes and to solve problems posed by local weather, which is more rainy and humid than in China. [8] The first Buddhist sects were Nara's six Nanto Rokushū (南都六宗, Nara six sects), [a] followed during the Heian period by Kyoto's Shingon and Tendai. Later, during the Kamakura period, in Kamakura were born the Jōdo and the native Japanese sect Nichiren-shū. At roughly the same time, Zen Buddhism arrived from China, strongly influencing all other sects in many ways, including in architecture. [9]
Stylistically, Buddhist temples and Shinto shrines share common characteristics under the Japanese philosophy of Shinbutsu-shūgō (神仏習合). However during the Meiji Restoration, Emperor Meiji established Shinbutsu bunri (神仏分離) which was a separation of the native Japanese religion of Shinto from Buddhism. [10] It was common for a Buddhist temple to be built inside or next to a shrine, or for a shrine to include Buddhist sub-temples. If a shrine housed a Buddhist temple, it was called a jingū-ji (神宮寺, lit. shrine temple). Analogously, temples all over Japan used to adopt tutelary kami (chinju (鎮守/鎮主) After the forcible separation of temples and shrines ordered by the new government, the connection between the two religions was officially severed, however is culturally unpopular with Shinbutsu-shūgō being in practice and is still visible today. [10]
Many of the Buddhist temples in Hawaii have an architectural style which is specific to the islands. Japanese immigrants who migrated to Hawaii did not have access to the same materials they would have in Japan, and the land structure called for different building techniques. Because these Japanese immigrants had all the knowledge of Buddhism and were exceptional craftsmen, these temples ended up being a good personification of their religion.[ clarification needed ]
There are 5 styles of architecture that can be found in the Buddhist temples of Hawaii. The styles vary because of the time periods they were used in. [11]
This was the earliest form of Buddhist temples in Hawaii. They took a larger plantation house and converted them into places of worship by adding things like an altar or shrines. This style offered an inexpensive way to build temples, and using residential space made the worshipers feel more connected. This style dropped in popularity during the 20th century. [11]
This style originated when Japanese immigrants with the existing skill of building temples and shrines moved to Hawaii. These were made to be similar to the original Japanese temples, but certain aspects had to be changed because of lesser access to materials and tools. Characteristics of this style are beam and post structure, elevated floors, and hip-and-gable roofs. The interiors had the same structure as their original counterparts in Japan. [11]
This style originated with Japanese immigrants who did not have the greatest shrine and temple building skills. These immigrants still wanted the temples to have their original feel, but lacked the skill to do it, so the building techniques they used were simplified. Some characteristics of this style are straight hip-and-gable roofs, as opposed to the long, sloping ones, a separate social hall, and covered entryway. These temples doubled as community centers, and were similar in style to western churches. [11]
This style is unique to Hawaii, originating from Pan-Asian Buddhism, which was a combination of Indian, Japanese, and Western Buddhism. When the first temple of this style was built, the architects that were hired had no previous experience in Buddhist architecture. The style was popular up until the 1960s. It was one of the most popular styles of Buddhist architecture in Hawaii; smaller temples that could not afford to hire architects to do this to their temple would take certain aspects of this style and apply it to their temple. The interiors of these temples are very similar to the original temples in Japan. [11]
This style is also very similar to western churches. It became popular in the 1960s. These temples are usually made of concrete, and the roof styles vary unlike the other styles of temples. The subcategories of this style are residential, warehouse, church, and Japanesque. Like the other styles, while the exterior is dramatically different, the interior mostly remained similar to the temples in Japan. [11]
A temple is a place of worship, a building used for spiritual rituals and activities such as prayer and sacrifice. By convention, the specially built places of worship of some religions are commonly called "temple" in English, while those of other religions are not, even though they fulfill very similar functions. The religions for which the terms are used include the great majority of ancient religions that are now extinct, such as the Ancient Egyptian religion and the Ancient Greek religion. Among religions still active: Hinduism, Buddhism, Sikhism, Jainism, Zoroastrianism, the Baháʼí Faith, Taoism, Shinto, Confucianism.
The Mahabodhi Temple or the Mahābodhi Mahāvihāra, a UNESCO World Heritage Site, is an ancient, but restored Buddhist temple in Bodh Gaya, Bihar, India, marking the location where the Buddha is said to have attained enlightenment. Bodh Gaya is 15 km from Gaya and is about 96 km (60 mi) from Patna. The site contains a descendant of the Bodhi Tree under which the Buddha gained enlightenment and has been a major pilgrimage destination of Buddhists for over two thousand years.
A pagoda is a tiered tower with multiple eaves common to Thailand, Cambodia, Nepal, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist, but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa, while its design was developed in ancient India. Chinese pagodas are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas.
In Buddhism, a stupa is a mound-like or hemispherical structure containing relics that is used as a place of meditation.
Buddhist culture is exemplified through Buddhist art, Buddhist architecture, Buddhist music and Buddhist cuisine. As Buddhism expanded from the Indian subcontinent it adopted artistic and cultural elements of host countries in other parts of Asia.
A Buddhist temple or Buddhist monastery is the place of worship for Buddhists, the followers of Buddhism. They include the structures called vihara, chaitya, stupa, wat and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire inner and outer peace.
A chaitya, chaitya hall, chaitya-griha, refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa itself, not a stupa hall, is called a chedi, a local Thai word derived from the Pali Cetiya. In the historical texts of Jainism and Hinduism, including those relating to architecture, chaitya refers to a temple, sanctuary or any sacred monument.
Buddhism has a long history in Indonesia, and it is one of the six recognized religions in the country, along with Islam, Christianity, Hinduism and Confucianism. According to 2023 estimates roughly 0.71% of the total citizens of Indonesia were Buddhists, numbering around 2 million. Most Buddhists are concentrated in Jakarta, Riau, Riau Islands, Bangka Belitung, North Sumatra, and West Kalimantan. These totals, however, are probably inflated, as practitioners of Taoism and Chinese folk religion, which are not considered official religions of Indonesia, likely declared themselves as Buddhists on the most recent census. Today, the majority of Buddhists in Indonesia are Chinese and other East Asians, but small communities of native Buddhists also exist.
Buddhist temples or monasteries are the most numerous, famous, and important religious buildings in Japan. The shogunates or leaders of Japan have made it a priority to update and rebuild Buddhist temples since the Momoyama period. The Japanese word for a Buddhist monastery is tera (寺), and the same kanji also has the pronunciation ji, so temple names frequently end in -dera (voiced) or -ji. Another ending, -in (院), is normally used to refer to minor temples. Examples of temple names that have these suffixes are Kiyomizu-dera, Enryaku-ji and Kōtoku-in.
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.
The most important places in Buddhism are located in the Indo-Gangetic Plain of southern Nepal and northern India. This is the area where Gautama Buddha was born, lived, and taught, and the main sites connected to his life are now important places of pilgrimage for both Buddhists and Hindus. Many countries that are or were predominantly Buddhist have shrines and places which can be visited as a pilgrimage.
A candi is a Hindu or Buddhist temple in Indonesia, mostly built during the Zaman Hindu-Buddha or "Hindu-Buddhist period" between circa the 4th and 15th centuries.
Indonesian Esoteric Buddhism was the tradition of Esoteric Buddhism found in Maritime Southeast Asia which emerged in the 7th century along the maritime trade routes and port cities of the Indonesian islands of Java and Sumatra as well as in Malaysia. These esoteric forms were spread by pilgrims and Tantric masters who received royal patronage from royal dynasties like the Sailendras and the Srivijaya. This tradition was also linked by the maritime trade routes with Indian Vajrayana, Tantric Buddhism in Sinhala, Cham and Khmer lands and in China and Japan, to the extent that it is hard to separate them completely and it is better to speak of a complex of "Esoteric Buddhism of Mediaeval Maritime Asia." Many key Indian port cities saw the growth of Esoteric Buddhism, a tradition which coexisted alongside Shaivism.
This is the glossary of Japanese Buddhism, including major terms the casual reader might find useful in understanding articles on the subject. Words followed by an asterisk (*) are illustrated by an image in one of the photo galleries. Within definitions, words set in boldface are defined elsewhere in the glossary.
Japanese Buddhist architecture is the architecture of Buddhist temples in Japan, consisting of locally developed variants of architectural styles born in China. After Buddhism arrived from the continent via the Three Kingdoms of Korea in the 6th century, an effort was initially made to reproduce the original buildings as faithfully as possible, but gradually local versions of continental styles were developed both to meet Japanese tastes and to solve problems posed by local weather, which is more rainy and humid than in China. The first Buddhist sects were Nara's six Nanto Rokushū, followed during the Heian period by Kyoto's Shingon and Tendai. Later, during the Kamakura period, in Kamakura were born the Jōdo and the native Japanese sect Nichiren-shū. At roughly the same time, Zen Buddhism arrived from China, strongly influencing all other sects in many ways, including in architecture. The social composition of Buddhism's followers also changed radically with time. Beginning as an elite religion, it slowly spread from the nobility to warriors and merchants, and finally to the population at large. On the technical side, new woodworking tools like the framed pit saw and the plane allowed new architectural solutions.
Pagodas in Japan are called tō, sometimes buttō or tōba, and derive historically from the Chinese pagoda, itself an interpretation of the Indian stupa. Like the stupa, pagodas were originally used as reliquaries, but in many cases ended up losing this function. Pagodas are quintessentially Buddhist and an important component of Japanese Buddhist temple compounds but, because until the Kami and Buddhas Separation Act of 1868, a Shinto shrine was normally also a Buddhist temple and vice versa, they are not rare at shrines either. The famous Itsukushima Shrine, for example, has one. After the Meiji Restoration the word tō, once used exclusively in a religious context, came to mean also "tower" in the western sense, as for example in Eiffel Tower.
Kolvi Caves, or Kholvi Caves, are located at Kolvi village of Jhalawar district in the state of Rajasthan, India. They are carved out in laterite rock hill. This Buddhist site has stupas, chaityas containing figures of Buddha. An architectural style shows dominance of Mahyana sect in this region in the 8th-9th century CE. Around 50 caves have been found here. The caves has statues of Buddha in the meditation and standing position. The stupas and colossal statues of Buddha are archaeologically significant. Around Kolvi village similar caves have been discovered which proves existence of prosperous Buddhist civilization in the region. Though the evidence of Kolvi is very important to register presence of Buddhism in Rajasthan, the caves are very similar to the Bagh Caves and show cultural affinity with a region that is geaographically close.
The architecture of Myanmar, in Southeast Asia, includes architectural styles which reflect the influence of neighboring and Western nations and modernization. The country's most prominent buildings include Buddhist pagodas, stupas and temples, British colonial buildings, and modern renovations and structures. Myanmar's traditional architecture is primarily used for worship, pilgrimage, storage of Buddhist relics, political activism and tourism.
The Buddhist caves in India form an important part of Indian rock-cut architecture, and are among the most prolific examples of rock-cut architecture around the world. There are more than 1,500 known rock cut structures in India, out of which about 1000 were made by Buddhists, 300 by Hindus, and 200 by Jains. Many of these structures contain works of art of global importance, and many later caves from the Mahayana period are adorned with exquisite stone carvings. These ancient and medieval structures represent significant achievements of structural engineering and craftsmanship.