Jean-Louis Lebris de Kérouac, known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.
Jean-Paul Charles Aymard Sartre was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism. His work has influenced sociology, critical theory, post-colonial theory, and literary studies, and continues to do so. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution."
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, in San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
Beatniks were members of a social movement in the 1950s and early 1960s who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music and painting. They also experimented with spirituality, drugs, sexuality, and travel. The term “beatnik” was coined by San Francisco Chronicle columnist Herb Caen in 1958, as a derogatory label for the followers of the Beat Generation, a group of influential writers and artists who emerged in the late 1940s and early 1950s. The name was inspired by the Russian suffix “-nik”, which was used to denote members of various political or social groups. The term “beat” originally was used by Jack Kerouac in 1948 to describe his social circle of friends and fellow writers, such as Allen Ginsberg, William S. Burroughs, and Neal Cassady. Kerouac said that “beat” had multiple meanings, such as “beaten down”, “beatific”, “beat up”, and “beat out”. He also associated it with the musical term “beat”, which referred to the rhythmic patterns of jazz, a genre that influenced many beatniks.
A counterculture is a culture whose values and norms of behavior differ substantially from those of mainstream society, sometimes diametrically opposed to mainstream cultural mores. A countercultural movement expresses the ethos and aspirations of a specific population during a well-defined era. When oppositional forces reach critical mass, countercultures can trigger dramatic cultural changes. Prominent examples of countercultures in the Western world include the Levellers (1645–1650), Bohemianism (1850–1910), the more fragmentary counterculture of the Beat Generation (1944–1964), and the globalized counterculture of the 1960s (1965–1973).
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
Henri Frenay Sandoval was a French military officer and French Resistance member, who served as minister of prisoners, refugees and deportees in Charles de Gaulle's Provisional Government of the French Republic.
An underground film is a film that is out of the mainstream either in its style, genre or financing.
Mod, from the word modernist, is a subculture that began in 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz. Elements of the mod subculture include fashion ; music and motor scooters. In the mid-1960s, the subculture listened to rock groups such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.
The freak scene was originally a component of the bohemian subculture which began in California in the mid-1960s, associated with the hippie movement. The term is also used to refer to the post-hippie and pre-punk period of the early to mid-1970s. It can be viewed as encompassing a range of disparate groups including hippies, pacifists, politicized radicals, as well as psychedelic and progressive rock fans. Those connected with the subculture often attended rock festivals, free festivals, happenings, and alternative society gatherings of various kinds.
The 20th century saw the rise and fall of many subcultures.
White power skinheads, also known as racist skinheads and neo-Nazi skinheads, are members of a neo-Nazi, white supremacist and antisemitic offshoot of the skinhead subculture. Many of them are affiliated with white nationalist organizations and some of them are members of prison gangs. The movement emerged in the United Kingdom between the late 1960s and the late 1970s, before spreading across Eurasia and North America in the 1980–1990s.
The Evergreen Review is a U.S.-based literary magazine. Its publisher is John Oakes and its editor-in-chief is Dale Peck. The Evergreen Review was founded by Barney Rosset, publisher of Grove Press. It existed in print from 1957 until 1984, and was re-launched online in 1998, and again in 2017. Its lasting impact can be seen in the March–April 1960 issue, which included work by Albert Camus, Lawrence Ferlinghetti, Bertolt Brecht and Amiri Baraka, as well as Edward Albee's first play, The Zoo Story (1958). The Camus piece was a reprint of "Reflections on the Guillotine", first published in English in the Review in 1957 and reprinted on this occasion as the magazine's "contribution to the worldwide debate on the problem of capital punishment and, more specifically, the case of Caryl Whittier Chessman." Its commitment to the progressive side of the political spectrum has been consistent, with early stance for civil rights and against the Vietnam War. The image of Che Guevara that first appeared on the cover of its February 1968 issue, designed by Paul Davis and based on a photograph by Alberto Korda, became a popular symbol of resistance.
Combat was a large movement in the French Resistance created in the non-occupied zone of France during the World War II (1939–1945).
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
The counterculture of the 1960s was an anti-establishment cultural phenomenon and political movement that developed in the Western world during the mid-20th century. It began in the early 1960s, and continued through the early 1970s. It is often synonymous with cultural liberalism, and with the various social changes of the decade. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some. As the movement progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding respect for the individual, human sexuality, women's rights, traditional modes of authority, rights of people of color, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s.
The abbreviation or acronym RITA stands for "Resistance Inside the Army", "Resister Inside the Army", or "Resist! Inside the Army".
Libération-sud was a resistance group active between 1940-1944 and created in the Free Zone of France during the Second World War in order to fight against the Nazi occupation through coordinated sabotage and propaganda operations.
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
