English underground

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The English underground is a branch in England's history of art, especially the musical traditions. It usually refers to popular musicians who have benefited from acquiring the sensibility of native English folk song, as that tradition has been passed down through the generations, often without any formal conveyance. It was first identified by the neo-romantic historian E. P. Thompson in 1963, in his The Making of the English Working Class : [1]

We must remember the 'underground' of the ballad singer and the fairground which handed on traditions to the nineteenth century (to the music hall, or Dickens' circus folk or Hardy's pedlars and showmen); for in these ways the 'inarticulate' [masses of people] conserve certain values - a spontaneity and capacity for enjoyment and mutual loyalties - despite the inhibiting pressures of magistrates, mill-owners, and Methodists. [2]

The phrase was used, in a wider cultural sense, in Jonathon Green's book Days In The Life: Voices from the English Underground, 1961–1971, [3] a collection of first-hand accounts of the 1960s counter-culture that often drew on carnivalesque and music hall traditions and styles.

The term is now often used among educated music fans, to identify a songwriting tradition which is usually taken to have arisen in the past fifty years, via the work of Syd Barrett, Robert Wyatt and Nick Drake. The Wire magazine also regularly applies the term to the gothic-tinged, neo-romantic post-industrial music of Throbbing Gristle, Psychic TV, Coil, Current 93 and others, calling it "a shadowy scene whose work accents peculiarities of Englishness through the links and affinities they've forged with earlier generations of the island's marginals and outsiders". [4]

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Ballad Verse set to music

A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines.

Folk music Music genre

Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.

Folklore Expressive culture shared by particular groups

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Song Musical composition for human voice

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Singer-songwriter musician who writes, composes, and sings their own material

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Music of Norway

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20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, musique concrète, electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century.

English folk music Tradition-based music originating in England

The folk music of England is a tradition-based music, which has existed since the later medieval period. It is often contrasted with courtly, classical and later commercial music. Folk music is traditionally preserved and passed on orally within communities, but print and subsequently audio recordings have since become the primary means of transmission. The term is used to refer both to English traditional music and music composed or delivered in a traditional style.

The term "drag" refers to the performance of masculinity, femininity or other forms of gender expression. A drag queen is someone who performs femininity and a drag king is someone who performs masculinity. The term may be used as a noun as in the expression in drag or as an adjective as in drag show.

Mod (subculture) Subculture in England

Mod is a subculture that began in London and spread throughout Great Britain and elsewhere, eventually influencing fashions and trends in other countries, and continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men in the late 1950s who were termed modernists because they listened to modern jazz. Elements of the mod subculture include fashion ; music ; and motor scooters. In the mid-1960s, the subculture listened to power pop rock groups with mod following, such as The Who and The Small Faces, after the peak Mod era. The original mod scene was associated with amphetamine-fuelled all-night dancing at clubs.

20th century music Period of mass proliferation of genres and styles

During the 20th century there was a large increase in the variety of music that people had access to. Prior to the invention of mass market gramophone records and radio broadcasting, people mainly listened to music at live classical music concerts or musical theatre shows; informally at music halls, or in pubs and fairs; on early phonograph players ; or by individuals performing music or singing songs on an amateur basis at home, sometimes using sheet music. The ability to read music or play certain instruments and classical styles of music tended to be limited to middle-class and upper-class individuals, while singing and performing folk music and work songs was mainly limited to working class people. With the mass-market availability of gramophone records and radio broadcasts, listeners could purchase recordings of, or listen on radio to recordings or live broadcasts of a huge variety of songs and musical pieces from around the globe. This enabled a much wider range of the population to listen to performances of classical and popular music, including symphonies, operas, and folk music, that they would not normally hear live, either due to not being able to afford live-concert tickets or because such music was not performed in their region or social class.

Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers. The origins of industrial folk song are in the British industrial revolution of the eighteenth century as workers tended to take the forms of music with which they were familiar, including ballads and agricultural work songs, and adapt them to their new experiences and circumstances. They also developed in France and the US as these countries began to industrialise.

Folk art art produced from an indigenous culture or by peasants or other laboring tradespeople

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High culture Artifacts regarded as the most representative within society culture

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Contemporary folk music

Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two.

Jonathon Green is an English lexicographer of slang and writer on the history of alternative cultures. Jonathon Green is often referred to as the English-speaking world's leading lexicographer of slang, and has even been described as "the most acclaimed British lexicographer since Johnson".

The British folk revival incorporates a number of movements for the collection, preservation and performance of folk music in the United Kingdom and related territories and countries, which had origins as early as the 18th century. It is particularly associated with two movements, usually referred to as the first and second revivals, respectively in the late 19th to early 20th centuries and the mid-20th century. The first included increased interest in and study of traditional folk music, the second was a part of the birth of contemporary folk music. These had a profound impact on the development of British classical music and in the creation of a "national" or "pastoral" school and led to the creation of a sub-culture of folk clubs and folk festivals as well as influential subgenres including progressive folk music and British folk rock.

Filipino Americans have a long history of music in the United States. The Philippines have musical context and varied influences due to indigenous traditions and early colonial influences of Spanish and American occupation. During occupation by the United States, many Filipinos were recruited for manual labor along the West Coast. These early laborers commonly would perform Spanish-influenced rondallas as well as choral groups. With many Filipinos living in the United States beginning around the 1900s, Filipinos have contributed towards early Americana staples such as blues and jazz, and continue to influence more modern contemporary genres such as hip hop and rock. American music has also been influential in the Philippines for artists and vice versa. Though contributing to the evolution of American music, large number of Filipino Americans have a strong identity with culture of the Philippines by participating or organizing traditional dances and musical performances, largely in the form of PCNs on university campuses. Traditional dances and musical performances commonly practiced in the US are rondallas, choral groups, and gong chime ensembles. College campuses often organize performances on campuses, but can also have characteristics unique to America, as many Filipino Americans want to share their experiences of living in America and perform a more neo traditional variation of traditional performances.

References

  1. Thompson, E. P. (1991). The Making of the English Working Class. Toronto: Penguin Books. ISBN   978-0-14-013603-6.
  2. Stephen Keady. "Working Class Culture and Work : Thesis" (PDF). Diposit.ub.edu. p. 87. Retrieved 5 January 2021.
  3. Jonathon Green (2 April 1998). Days In The Life: Voices from the English Underground, 1961-1971 (New ed.). Pimlico. ISBN   978-0712666657.
  4. "England's Hidden Reverse - David Keenan (Paperback)". Raru.co.za. Retrieved 5 January 2021.