Pambansang Komisyon para sa Kultura at mga Sining (Filipino) | |
Façade of the institution | |
Commission overview | |
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Formed | April 3, 1992 [1] |
Preceding agencies |
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Type | Arts council, regulatory commission, government agency |
Jurisdiction | Philippine arts and cultural development |
Headquarters | NCCA Building, 633 General Luna Street, Intramuros, Manila 14°35′18.41″N120°58′32.40″E / 14.5884472°N 120.9756667°E |
Employees | 210 |
Annual budget | 30 million (GAA) |
Commission executives |
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Parent department | Office of the President of the Philippines |
Child agencies | |
Website | ncca |
The National Commission for Culture and the Arts of the Philippines (NCCA; Filipino : Pambansang Komisyon para sa Kultura at mga Sining, Cebuano : Nasodnong Komisyon alang sa Budaya ug mga Arte) is the official government agency for culture in the Philippines. It is the overall policy making body, coordinating, and grants giving agency for the preservation, development and promotion of Philippine arts and culture; an executing agency for the policies it formulates; and task to administering the National Endowment Fund for Culture and the Arts (NEFCA) – fund exclusively for the implementation of culture and arts programs and projects.
The successful overthrow of the dictatorship in 1987 through the People Power Revolution inspired the different sectors of society to rally behind the new government towards the restoration of democracy. On March 12, 1986, the Alliance of Artists for the Creation of a Ministry of Culture (AACMC) drafted and adopted a proposal for the establishment of a Ministry of Culture. The group cited the inability of the Ministry of Education, Culture, and Sports to devote time and attention to cultural planning due to the gargantuan task of addressing the problems of the educational system.
President Corazon Aquino responded by issuing Executive Order No. 118 on January 30, 1987 which established the Presidential Commission on Culture and the Arts (PCCA). [2] It was a diminutive agency compared to the proposal of AACMC but the said order was cognizant of the existence of specialized cultural agencies and that these should only be placed under the umbrella of one agency to coordinate their efforts.
On April 3, 1992, under the new constitution, Congress enacted Republic Act No. 7356 [1] [3] which institutionalized the establishment of the National Commission for Culture and the Arts (NCCA) replacing PCCA. This said law mandated the formulation of national cultural policies and programs according to the following principles:
The establishment of the NCCA prompted the cultural agencies that were attached to it, by virtue of the same law, to review its existing mandates and programs to harmonize the delivery of cultural services. CCP, for its part, transformed itself to become the national coordinating center for the performing arts. It also sought to remove its "elitist" image by strengthening its outreach programs and developing partnerships with local arts councils. [4]
As governed by RA 7356, The National Commission for Culture and the Arts is governed by a Board of Commissioners composed of 15 members, namely:
It is also responsible for the annual celebration of:
The NCCA logo is the Alab ng Haraya (The Flame of Imagination), which symbolizes the spring of Filipino art and culture. It is composed of two basic elements – the fire and the censer. The fire is a stylized character "ka" of the Philippine indigenous script Baybayin, that stands for kadakilaan or greatness. The fire represents the highest level of imagination and emanates from a three-tiered censer. The three tiers stand for organization, economic support, and an orientation rooted on a thorough grasp of tradition and history, which the NCCA provides. It is done in gold to symbolize the immense wealth of Philippine culture.
The agung is a knobbed, deep-rimmed metal gong prominently used by Mindanao ethnic groups in the Philippines a nd used in various communal rituals. Suspended in the air from a frame by rope or metal chains, the musical instrument which traces its roots in Indonesia is also employed by some indigenous groups as a means to announce community events, and as an indicator of the passage of time. [5]
Agung, the official newsletter of the NCCA is published on a quarterly basis. [6]
In celebration of the 150th birth anniversary of Jose Rizal, The National Commission for Culture and the Arts formally established the Philippines' first Sentro Rizal at the NCCA Building in Intramuros, Manila on June 28, 2011. Sentro Rizal was recognized by virtue of Section 42 of Republic Act 10066 known as the National Cultural Heritage Act of 2009, which specifies a center "whose main purpose is the promotion of Philippine arts, culture and language throughout the world."
Moreover, Section 43 of the same law, states that the SR "shall be a repository, inter alia, of materials on Philippine arts, culture and language: books, digital video discs, compact discs, films, magazines, artworks, tourism promotion materials, information materials, etc. that shall be made available to the public, both Filipino and foreign". SR shall also organize cultural programs and activities for Filipinos, especially for children overseas, to promote appreciation and understanding of Philippine culture and the arts.
Sentro Rizal aims to educate overseas Filipinos about the culture and arts of the Philippines. Since May 2016, 18 Sentro Rizal offices around the world have been established. [7]
The commission is responsible for bestowing significant awards reflecting Filipino culture and the arts. These awards are the Order ng Pambansang Alagad ng Sining (Order of National Artists), Gawad sa Manlilikha ng Bayan (National Living Treasures Award), Gawad Alab ng Haraya (Alab ng Haraya Awards), Dangal ng Haraya (Achievement Award), Ani ng Dangal (Harvest of Honors), and the Philippine Heritage Awards.
In 2016, the National Commission for Culture and the Arts and its partners in Congress have announced that they will seek to establish a Department of Culture. However, political factors hindered its initial pace. In January 2017, the filing of a bill which seeks to formally establish a holistic Department of Culture was completed. The bill is a priority legislation, which was expected to pass into law in early 2019. The Secretary of the proposed Department of Culture should be an expert in the field of culture and the arts, according to the bill. If the bill passes into law, the Department of Culture will be the only department in government where the head should possess the expertise of the field as a qualification for the job. [13]
The creation of the culture department is backed by the country's science and technology department. [14] The Senate version of the bill is being pushed by senators Escudero, Angara, Aquino, Binay, Ejercito, Gatchalian, Hontiveros, Legarda, Villanueva, and Zubiri – with no senators expressing dissent. The House version of the bill is being pushed by representatives Escudero and De Venecia – with one representative expressing dissent (Atienza). [15]
The bureaus that will be established under the department are the following: Bureau of Cultural Communities and Traditional Arts Development, Bureau of Cultural Properties Protection and Regulation, Bureau of Cultural Properties Preservation, Bureau of Artistic Resources Development, Bureau of Cultural Research, Education, and Dissemination; and Bureau of Cultural and Creative Industries. [15]
The bill also establishes three national institutes on culture, namely, National Institute of Living Traditions, which would form programs to safeguard, sustain and propagate cultural heritage, particularly for indigenous communities, National Institute of Cultural Heritage Preservation, which would form programs and projects in conservation arts, sciences, trades with focus on the preservation of cultural property and vocational training for the youth, and National Institute of Culture and Arts Management, which would form programs related to the education, training, and certification of cultural officers. The current Sentro Rizal program of the NCCA is upheld and retained in the bill. [15]
Under the proposed bill, the following cultural agencies will be under the department: Cultural Center of the Philippines, National Museum of the Philippines, National Historical Commission of the Philippines, National Library of the Philippines, National Archives of the Philippines, Komisyon ng Wikang Filipino, Intramuros Administration, National Parks Development Committee, Nayong Filipino Foundation, Film Development Council of the Philippines, National Book Development Board, and Design Center of the Philippines. [16] However, the Department of Tourism has expressed their 'wish' to retain Intramuros Administration, National Parks Development Committee, and Nayong Filipino Foundation, while the Department of Trade and Industry expressed its 'wish' to retain the Design Center of the Philippines. [15]
José Íñigo Homer Lacambra Ayala, professionally known as Joey Ayala, is a Filipino singer, songwriter and former chairman of the music committee of the National Commission for Culture and the Arts. He is well known for his style of music that combines the sounds of Filipino ethnic instruments with modern pop music. His public music life started when he released an album recorded in a makeshift studio in 1982 in Davao City. To date, he has released fourteen albums.
The Order of National Artists of the Philippines is an order bestowed by the President of the Philippines on Philippine nationals who have made significant contributions to the development of Philippine art. Members of the order are known as National Artists. Originally instituted as an award, it was elevated to the status of an order in 2003.
Lorna Regina "Loren" Bautista Legarda is a Filipina politician, environmentalist, cultural worker, and former journalist who is currently serving as a Senator and served as the president pro tempore of the Senate of the Philippines from 2022 to 2024. This also makes her the first woman to serve as Senate President Pro Tempore in the upper chamber's history. Before entering politics, she began her career as a news reporter until becoming a news anchor. She previously served three terms in the Senate from 1998 to 2004 and from 2007 to 2019. She is the longest-serving female Senator in the history of the Senate, and the only female in the Philippines to top two senatorial elections: 1998 and 2007. Legarda was also the House Deputy Speaker during her three-year stint as the representative of Antique from 2019 to 2022.
Jesus Tamayo Peralta is a painter, photographer, graphic artist, poet, anthropologist/archaeologist, essayist, and is also one of the prizewinning playwrights in the Philippines.
Ambeth R. Ocampo is a Filipino public historian, academic, cultural administrator, journalist, author, and independent curator. He is best known for his definitive writings about Philippines' national hero José Rizal and on topics in Philippine history and Philippine art through Looking Back, his bi-weekly editorial page column in the Philippine Daily Inquirer.
Edgar Calabia Samar is a poet and novelist from San Pablo City, Philippines. He has received the Philippine National Book Awards for his novels and book of criticism, and the Palanca Awards for his poetry collections and short fiction. His novels Sa Kasunod ng 909, Si Janus Silang at ang Tiyanak ng Tabon and Si Janus Silang at ang Labanang Manananggal-Mambabarang all won the Philippine National Book Awards for Best Novel in a Philippine Language in 2012, 2015, and 2016, respectively. He has been awarded the PBBY-Salanga Writer's Prize, the NCCA Writer's Prize for the Novel, the Gantimpalang Collantes sa Sanaysay and the Gawad Surian sa Tula.
Ligaya G. Tiamson-Rubin, is a Filipino writer. A multiple Carlos Palanca Memorial Awards for Literature recipient, and currently a professor of the University of the Philippines Diliman. Today, she is teaching Filipino 25, Mga Ideya at Estilo under the Department of Filipino and Philippine Literature at the College of Arts and Letters, University of the Philippines Diliman in Diliman, Quezon City.
Francisco "Soc" Aldana Rodrigo was a Filipino playwright, lawyer, broadcaster, and a Senator of the Philippines from 1955 to 1967.
The Philippine Registry of Cultural Property, abbreviated as PRECUP, is a national registry of the Philippine Government used to consolidate in one record all cultural property that are deemed important to the cultural heritage, tangible and intangible, of the Philippines. On June 11, 2018, the entries in the newly updated PRECUP was at 3,921. Additionally, 1,259 out of 1,715 LGUs, or 73 percent of LGUs have established local cultural inventories (LCI).
Ani ng Dangal or "Harvest of Honors" is an organizational award given by the National Commission for Culture and the Arts, an agency under the Office of the President of the Republic of the Philippines. It is an annual event in the Philippines celebrated as a highlight and concluding rite of the Philippine Arts Festival.
Merlie M. Alunan is a multi-awarded Filipina poet, teacher and mentor, and cultural worker in the Visayas.
Imusicapella is an internationally-acclaimed church choir based at the Our Lady of the Pillar Parish in Imus City, Province of Cavite, Philippines. The choir regularly sings at the Imus Cathedral and St. Peregrine Chapel.
The National Living Treasures Award, alternatively known as the Gawad sa Manlilikha ng Bayan, is conferred to a person or group of artists recognized by the Government of the Philippines for their contributions to the country's intangible cultural heritage. A recipient of the award, a National Living Treasure or Manlilikha ng Bayan is "a Filipino citizen or group of Filipino citizens engaged in any traditional art uniquely Filipino, whose distinctive skills have reached such a high level of technical and artistic excellence and have been passed on to and widely practiced by the present generations in their community with the same degree of technical and artistic competence."
The Sentro Rizal is a Philippine government-sponsored organization whose main objective is the global promotion of Filipino art, culture, and language. Established by virtue of the National Cultural Heritage Act of 2009, its headquarters is located at the National Commission for Culture and the Arts (NCCA) office in Intramuros, Manila. Sentro Rizal aims to promote Philippine arts, culture, and language throughout the world through the establishment of Philippine centers in various countries which initiate and organize cultural training programs and activities for overseas Filipinos.
Michael M. Coroza is a Filipino poet, educator, and S.E.A. Write Award laureate.
Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community.
Whang-od Oggay, also known as Maria Oggay, is a tattoo artist from the village of Buscalan within Tinglayan, Kalinga, Philippines. She is often described as the "last" and oldest mambabatok and is part of the Butbut people of the larger Kalinga ethnic group.
Esperidión Arsenio Manuel, known as E. Arsenio Manuel, was a Philippine academic, historian, and anthropologist best known for his contributions to Philippine anthropology, history, literature, and linguistics. During a three-decade academic career at the University of the Philippines, he wrote a seminal survey of Philippine folk epics, and was responsible for discovering and publishing folk epics from the Manuvu, Matigsalug, and Ilianon peoples.
Ginaw Bilog was a Filipino poet who was recognized as a National Living Treasure by the Philippine government.
Susan Calo-Medina was a Filipino television host, actress and writer.