Cultural center overview | |
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Formed | 2009 |
Headquarters | NCCA Building, 633 General Luna Street, Intramuros, Manila 14°35′18.41″N120°58′32.40″E / 14.5884472°N 120.9756667°E |
Parent Cultural center | National Commission for Culture and the Arts |
Website | sentrorizal |
The Sentro Rizal is a Philippine government-sponsored organization whose main objective is the global promotion of Filipino art, culture, and language. [1] Established by virtue of the National Cultural Heritage Act of 2009, its headquarters is located at the National Commission for Culture and the Arts (NCCA) office in Intramuros, Manila. Sentro Rizal aims to promote Philippine arts, culture, and language throughout the world through the establishment of Philippine centers in various countries which initiate and organize cultural training programs and activities for overseas Filipinos.
Sentro Rizal is named after José Rizal, the Philippines' acclaimed national hero, writer, and polymath. His works Noli Me Tángere and El Filibusterismo are acknowledged to have sparked the country's quest for independence in 1898. He championed love of family and country, peace, freedom, human dignity, knowledge, use of local language, bravery, women's role in nation building, unity, compassion, productive involvement of the youth, among others.
The official logo of the Sentro Rizal is composed of two elements, the balangay and baybayin which are both significant to Filipino heritage. The letters "S" and "R" are rendered in the ancient Filipino syllabic script known as baybayin and are stylized to form a balangay, an ancient Philippine edged-pegged plank boat, reflecting the maritime heritage of the Philippines and depicting the character of Filipino migrants. The balangay also represents the quest of individuals in exploring the real essence of Filipino identity through culture and arts.
The Sentro Rizal acts as the balangay which provides overseas Filipinos and their children the means to connect to their roots – instilling a strong sense of nationhood and pride among them in being Filipinos.
The color of the Sentro Rizal logo was patterned from NCCA's logo – blue and gold.
As of September 2020, there are 35 Sentros Rizal in the following locations: [2]
Country | City | Country | City | ||
A | Argentina | Buenos Aires | N | New Zealand | Wellington |
Australia | Sydney | O | Oman | Muscat | |
B | Bahrain | Manama | Q | Qatar | Doha |
Brunei | Bandar Seri Begawan | S | Saudi Arabia | Jeddah | |
C | Cambodia | Phnom Penh | Singapore | Singapore | |
Canada | Ottawa | South Korea | Seoul | ||
Toronto | Spain | Madrid | |||
China | Beijing | Switzerland | Berne | ||
Hong Kong | T | Thailand | Bangkok | ||
Xiamen | Turkey | Ankara | |||
E | Egypt | Cairo | U | United Arab Emirates | Abu Dhabi |
G | Germany | Berlin | United Kingdom | London | |
I | Indonesia | Jakarta | United States of America | Hagåtña | |
Italy | Milan | Los Angeles | |||
Rome | San Francisco | ||||
J | Japan | Tokyo | Washington, D.C. | ||
L | Laos | Vientiane | |||
M | Myanmar | Yangon |
In 2015, the first Filipino language pilot class was conducted in Phnom Penh, Cambodia. Twenty-four students completed the first beginner's level language class, dubbed "Masayang Matuto ng Filipino".
The Commission on Filipinos Overseas has made use of digital media in disseminating Filipiniana for overseas Filipinos, called the "Virtual Sentro Rizal". This Filipiniana collection consists of 250 gigabytes of data including 72 hours of video of Filipino cultural materials covering different genres across regions. [3]
Baybayin or Sulat Tagalog, also called Basahan, sometimes erroneously referred to as alibata, is a Philippine script widely used primarily in Luzon during the 16th and 17th centuries and prior to write Tagalog and to a lesser extent Visayan languages, Kampampangan, Ilocano, and several other Philippine languages.
The culture of the Philippines is characterized by cultural and ethnic diversity. Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, their cultures were all shaped by the geography and history of the region, and by centuries of interaction with neighboring cultures, and colonial powers. In more recent times, Filipino culture has also been influenced through its participation in the global community.
The National Commission for Culture and the Arts of the Philippines is the official government agency for culture in the Philippines. It is the overall policy making body, coordinating, and grants giving agency for the preservation, development and promotion of Philippine arts and culture; an executing agency for the policies it formulates; and task to administering the National Endowment Fund for Culture and the Arts (NEFCA) – fund exclusively for the implementation of culture and arts programs and projects.
The National Library of the Philippines is the Philippines' official repository of information on cultural heritage and other literary resources. It is located in the district of Ermita in Manila, near historically significant offices and institutions such as the Museum of Philippine Political History and the National Historical Commission. As with these entities, it is under the jurisdiction of the National Commission for Culture and the Arts (NCCA).
The Ayala Museum is a museum in Makati, Metro Manila, Philippines. It is run privately by the Ayala Foundation and houses archaeological, ethnographic, historical, fine arts, numismatics, and ecclesiastical exhibits. Since its establishment in 1967, the museum has been committed to showcasing overseas collections and situating contemporary Philippine art in the global arena in a two-way highway of mutual cooperation and exchange with local and international associates. The museum was reopened on December 4, 2021, after a two-year renovation.
The National Museum of Anthropology, formerly known as the Museum of the Filipino People, is a component museum of the National Museum of the Philippines which houses Ethnological and Archaeological exhibitions. It is located in the Agrifina Circle, Rizal Park, Manila adjacent to the National Museum of Fine Arts building.
The Rizal Memorial Coliseum is an indoor arena in the Rizal Memorial Sports Complex in Manila, Philippines. It can hold up to 6,100 people.
Ambeth R. Ocampo is a Filipino public historian, academic, cultural administrator, journalist, author, and independent curator. He is best known for his definitive writings about Philippines' national hero José Rizal and on topics in Philippine history and Philippine art through Looking Back, his bi-weekly editorial page column in the Philippine Daily Inquirer.
The arts in the Philippines reflect a range of artistic influences on the country's culture, including indigenous art. Philippine art consists of two branches: traditional and non-traditional art. Each branch is divided into categories and subcategories.
The national symbols of the Philippines consist of symbols that represent Philippine traditions and ideals and convey the principles of sovereignty and national solidarity of the Filipino people. Some of these symbols namely the national flag, the Great Seal, the coat of arms and the national motto are stated in the Flag and Heraldic Code of the Philippines, which is also known as Republic Act 8491. In the Constitution of the Philippines, the Filipino language is stated as the national language of the Philippines. Aside from those stated symbols in the Constitution and in Republic Act 8491, there are only six official national symbols of the Philippines enacted through law, namely sampaguita as national flower, narra as national tree, the Philippine eagle as national bird, Philippine pearl as national gem, arnis as national martial art and sport and the Filipino Sign Language as the national sign language. Thus, there is a total of twelve official national symbols passed through Philippine laws.
The Philippine Registry of Cultural Property, abbreviated as PRECUP, is a national registry of the Philippine Government used to consolidate in one record all cultural property that are deemed important to the cultural heritage, tangible and intangible, of the Philippines. On June 11, 2018, the entries in the newly updated PRECUP was at 3,921. Additionally, 1,259 out of 1,715 LGUs, or 73 percent of LGUs have established local cultural inventories (LCI).
Ani ng Dangal or "Harvest of Honors" is an organizational award given by the National Commission for Culture and the Arts, an agency under the Office of the President of the Republic of the Philippines. It is an annual event in the Philippines celebrated as a highlight and concluding rite of the Philippine Arts Festival.
The Miguel de Benavides Library, also known as the University of Santo Tomas Library, is the main academic library of the University of Santo Tomas. The library has been in continuous service and its collection antedates the existence of the university itself.
The Archives of the University of Santo Tomas (AUST), also known in Spanish as the Archivo de la Universidad de Santo Tomas, is located at the Miguel de Benavides Library in Manila. The AUST is the central repository of historical and rare documents pertaining to, but not exclusively, to the history of the University of Santo Tomas, one of the oldest existing universities in Asia, and the oldest institution of higher learning in the Philippines. The collections consist of historical documents such as Papal bulls, royal decrees, rare Filipiniana prints, historical treatises, addresses, sermons, novenas, catechisms in many Philippine languages, national periodicals, and academic records of all educational institutions in the Philippines during the Spanish period. The archives is also home to the only incunabula, or books printed before 1500, in the country.
The National Living Treasures Award, alternatively known as the Gawad sa Manlilikha ng Bayan, is conferred to a person or group of artists recognized by the Government of the Philippines for their contributions to the country's intangible cultural heritage. A recipient of the award, a National Living Treasure or Manlilikha ng Bayan is "a Filipino citizen or group of Filipino citizens engaged in any traditional art uniquely Filipino, whose distinctive skills have reached such a high level of technical and artistic excellence and have been passed on to and widely practiced by the present generations in their community with the same degree of technical and artistic competence."
The National Historical Commission of the Philippines (NHCP) and its predecessor agencies in the Philippines and abroad installs historical markers to signify important and historic events, persons, structures, and institutions. The commemorative plaques are permanent signs installed by the NHCP in publicly visible locations on buildings, monuments, or in special locations. The NHCP also allows local municipalities and cities to install markers of figures and events of local significance, although these markers are barred from using the seal of the Republic of the Philippines.
Intangible cultural heritage (ICH) includes traditions and living expressions that are passed down from generation to generation within a particular community.
The archaeology of the Philippines is the study of past societies in the territory of the modern Republic of the Philippines, an island country in Southeast Asia, through material culture.
Suyat is a collective name for the Brahmic scripts of Philippine ethnolinguistic groups. The term was suggested and used by cultural organizations in the Philippines to denote a unified neutral terminology for Philippine scripts.