Sanggunian ng Pagpapaunlad ng Pelikula sa Pilipinas | |
FDCP office in Ermita, Manila | |
Agency overview | |
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Formed | June 7, 2002 |
Jurisdiction | Philippines |
Headquarters | 855 T. M. Kalaw St., Ermita, Manila, Philippines |
Employees | 58 (est.) |
Annual budget | PHP 215.48 million (2024) [1] |
Agency executives |
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Parent Agency | Office of the President of the Philippines |
Website | www |
The Film Development Council of the Philippines (FDCP) is the national film agency under the Office of the President of the Philippines responsible for film policies and programs to ensure the economic, cultural and educational development of the Philippine film industry. It aims to encourage the production of quality films and to conduct film-related events that enhance the skills of the Filipino talents. The agency also leads the film industry’s participation in domestic and foreign film markets, and local and international film festivals, and is tasked to preserve and protect films as part of the country’s national cultural heritage.
Experimental Cinema of the Philippines (ECP) was established by Executive Order No. 770 signed on January 29, 1982, by President Ferdinand E. Marcos, ECP created to promote the growth and development of the local film industry. ECP created after the first Manila International Film Festival, the ECP was primarily known as a production company. However, it was created among other things; to hold the Manila International Film Festival, to manage the Manila Film Center, administer a film rating and classification system and to establish and operate the National Film Archive. It was also mandated to provide financial assistance to select motion pictures through a film fund. [2]
The FDFPI was established by Executive Order No. 1051 signed on August 8, 1985, by President Ferdinand E. Marcos, which became functional on October 2, 1985, after it was registered with the Securities and Exchange Commission. The same Executive Order ended the Experimental Cinema of the Philippines [ECP]. The Film Ratings Board was established in 1982 by virtue of Executive Order No. 811 signed by President Ferdinand E. Marcos. From 1982 to 1984, it functioned as one of the five modules under the ECP together with the Film Fund, Alternative Cinema, Film Archives, and Manila International Film Festival [MIFF]. It ceased to operate in 1985 when the ECP was abolished. In 1994, a directive from President Fidel V. Ramos revived the FRB, which was placed under the newly-activated FDFPI. The FRB was re-established by President Ramos to encourage the local film industry to make better and higher quality films through amusement tax rebates. [3]
The FDCP was created by Republic Act 9167, “An Act Creating the Film Development Council of the Philippines, [4] Defining its Powers and Functions, Appropriating Funds Therefore, and for Other Purposes”, which was approved by the 12th Congress on June 7, 2002. The FDCP is under the Office of the President of the Philippines. The creation of the FDCP is pursuant to the constitutional guarantee on freedom of expression by which the State, as a policy, recognizes the need to promote and support the development and growth of the local film industry as a medium for the upliftment of aesthetic, cultural and social values for the better understanding and appreciation of the Filipino identity. Republic Act 9167 abolished the Film Development Foundation of the Philippines, Inc. [FDFPI] and the Film Ratings Board [FRB] and transferred all their books, assets, rights, privileges, records, obligations and liabilities to the FDCP. [5]
In 2020, the FDCP launched its streaming platform called the FDCP Channel initially to host the online edition of its film festival Pista ng Pelikulang Pilipino; [6] [7] by November 11, 2022, the platform was relaunched as JuanFlix to cater to cinephiles with its content being short films and local and foreign full-length features. [8]
The Philippine Film Export Service Office (PFESO) was created with decidedly global perspective and objective: to promote the country as a viable and effective location site and post-production service provider in the region. PFESO was created via Executive Order 674 s. 2007, and its primary mandate is to facilitate the promotion of the Philippines as a viable filming location for foreign film and television content production, and for the following objectives:
In 2014, the FDCP helped fund the production of the anthology film Tres .
Beginning 2021, The FDCP had started to acquire Philippine release rights to a handful of foreign-language films such as Portrait of a Lady on Fire and The Worst Person in the World . Under the Film Cultural Exchange Program (FCEP), the films are rated through the FDCP rating system pursuant to the agreed-upon guidelines by the FDCP and the MTRCB. [13]
As of 2023, the FDCP had acquired the following films for distribution: [14] [15]
The Pista ng Pelikulang Pilipino is a one-week exclusive screening of Filipino films in all theaters nationwide. It was launched in August 2017 by the Film Development Council of the Philippines in partnership with theaters nationwide.
CineLokal is an alternative and accessible venue for exhibiting Filipino and world cinema. Started last April 19, 2017, eight theaters was dedicated by SM Cinemas in the Philippines to screening two films selected by the FDCP. The selection ranges from award-winning Filipino movies, independently produced movies, regional films, classic films from great Filipino directors, and limited release foreign films. [16]
The Cinema of the Philippines began with the introduction of the first moving pictures to the country on August 31, 1897, at the Salón de Pertierra in Manila. The following year, local scenes were shot on film for the first time by a Spaniard, Antonio Ramos, using the Lumiere Cinematograph. While most early filmmakers and producers in the country were mostly wealthy enterprising foreigners and expatriates, on September 12, 1919, Dalagang Bukid, a film based on a popular zarzuela, was the first movie made and shown by Filipino filmmaker José Nepomuceno. Dubbed as the "Father of Philippine Cinema," his work marked the start of cinema as an art form in the Philippines.
The Movie and Television Review and Classification Board is a Philippine government agency under the Office of the President of the Philippines that is responsible for the classification and review of television programs, motion pictures and home videos.
GMA Network Films Inc., doing business as GMA Pictures, is a Philippine film, television production and distribution company headquartered in Diliman, Quezon City. It is one of the largest film studios in the Philippines, along with Star Cinema, Viva Films, Regal Entertainment and MQ Studios. Its notable films include Jose Rizal (1998), Muro Ami (1999), Deathrow (2000), and Firefly (2023).
Manila by Night is a 1980 Filipino drama film directed by Ishmael Bernal from a script by Bernal and Ricky Lee, and stars Gina Alajar and Charito Solis. Released at the height of the Marcos regime, the film uncovers the other face of Manila by depicting the ugly aspects of life in the city – unemployment, prostitution, drug addiction and lack of decent housing. Considered one of Bernal's masterpieces, it is an epic multi-narrative of people who have shady pasts and are trying to exist in an unforgiving world.
The Experimental Cinema of the Philippines (ECP) was a government-owned corporation of the Republic of the Philippines created to promote the growth and development of the local film industry. Created in 1982 after the first Manila International Film Festival through Executive Order 770, the ECP was primarily known as a production company. However, it was created among other things; to hold the Manila International Film Festival, to manage the Manila Film Center, administer a film rating and classification system and to establish and operate the National Film Archive. It was also mandated to provide financial assistance to select motion pictures through a film fund.
Lolita Rodriguez was a Filipino actress whose career spanned four decades. Regarded as the "Queen of Philippine Drama", she was noted for her restrained, subtle acting style and was famous for her performances in a range of film genres, from drama, comedy and action. She is a recipient of two FAMAS Awards for her portrayal in Gilda (1956) and Weighed But Found Wanting (1974).
Allen Dizon, is a Filipino actor, model and producer, and former member of the Viva Hot Men. Dizon originally acted in daring roles, and later became an independent film actor and producer.
Blood Hunters: Rise of the Hybrids is a Philippine fantasy martial arts film directed by Vincent Soberano and is costarred by Soberano and Monsour del Rosario. The feature film is based on the 2016 short film, Blood Hunters.
Pista ng Pelikulang Pilipino, abbreviated as PPP, is a film festival held in the Philippines in celebration of the Buwan ng Wika. It is organized by the Film Development Council of the Philippines. Similar to the Metro Manila Film Festival, only shortlisted films will be shown in cinemas except in select 3D cinemas, VIP cinemas and IMAX theaters.
Francis Joseph "Oggs" Cruz is a Filipino lawyer and film critic best known for his reviews of Philippine New Wave films in prominent publications including the Philippine Star, the Philippines Free Press and Rappler.
The 2019 Pista ng Pelikulang Pilipino is the 3rd edition of the annual Pista ng Pelikulang Pilipino, organized by the Film Development Council of the Philippines. It featured 10 locally produced films which was screened from September 13 to 19, 2019.
The 2020 Pista ng Pelikulang Pilipino is the 4th edition of the annual Pista ng Pelikulang Pilipino, organized by the Film Development Council of the Philippines.
Cleaners is a 2019 Philippine experimental adult animated coming-of-age comedy-drama film written and directed by Glenn Barit in his directorial debut. The film follows a group of high school students assigned as end-of-day classroom cleaners and their experiences surrounding various school activities during the 2007-2008 Philippine academic year in Tuguegarao, Cagayan.
The Gawad Urian Lifetime Achievement Award is an honorary award instituted in 1977 that is presented annually by the Manunuri ng Pelikulang Pilipino to "movie actors, directors, writers, cameramen, musicians, technicians and cosmetic artists whose lifework can be held up as a standard of excellence for all."
The 2024 Metro Manila Film Festival (MMFF) will be the 50th edition of the annual Metro Manila Film Festival. During the festival, no foreign films are shown in Philippine theaters (excluding IMAX and 4D theaters).
The PPP, which aims to be a solidarity event, will screen more than 100 films online in an exclusive FDCP-sponsored platform (FDCPchannel.ph) from October 31 to November 15.