Sanggunian ng Pagpapaunlad ng Pelikula sa Pilipinas | |
FDCP office in Ermita, Manila | |
Agency overview | |
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Formed | June 7, 2002 |
Jurisdiction | Philippines |
Headquarters | 855 T. M. Kalaw St., Ermita, Manila, Philippines |
Employees | 58 (est.) |
Annual budget | PHP 134.08 million (2019) [1] |
Agency executives |
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Parent Agency | Office of the President of the Philippines |
Website | www |
The Film Development Council of the Philippines (FDCP) is the national film agency under the Office of the President of the Philippines responsible for film policies and programs to ensure the economic, cultural and educational development of the Philippine film industry. It aims to encourage the production of quality films and to conduct film-related events that enhance the skills of the Filipino talents. The agency also leads the film industry’s participation in domestic and foreign film markets, and local and international film festivals, and is tasked to preserve and protect films as part of the country’s national cultural heritage.
Experimental Cinema of the Philippines (ECP) was established by Executive Order No. 770 signed on January 29, 1982, by President Ferdinand E. Marcos, ECP created to promote the growth and development of the local film industry. ECP created after the first Manila International Film Festival, the ECP was primarily known as a production company. However, it was created among other things; to hold the Manila International Film Festival, to manage the Manila Film Center, administer a film rating and classification system and to establish and operate the National Film Archive. It was also mandated to provide financial assistance to select motion pictures through a film fund. [2]
The FDFPI was established by Executive Order No. 1051 signed on August 8, 1985, by President Ferdinand E. Marcos, which became functional on October 2, 1985, after it was registered with the Securities and Exchange Commission. The same Executive Order ended the Experimental Cinema of the Philippines [ECP]. The Film Ratings Board was established in 1982 by virtue of Executive Order No. 811 signed by President Ferdinand E. Marcos. From 1982 to 1984, it functioned as one of the five modules under the ECP together with the Film Fund, Alternative Cinema, Film Archives, and Manila International Film Festival [MIFF]. It ceased to operate in 1985 when the ECP was abolished. In 1994, a directive from President Fidel V. Ramos revived the FRB, which was placed under the newly-activated FDFPI. The FRB was re-established by President Ramos to encourage the local film industry to make better and higher quality films through amusement tax rebates. [3]
The FDCP was created by Republic Act 9167, “An Act Creating the Film Development Council of the Philippines, [4] Defining its Powers and Functions, Appropriating Funds Therefore, and for Other Purposes”, which was approved by the 12th Congress on June 7, 2002. The FDCP is under the Office of the President of the Philippines. The creation of the FDCP is pursuant to the constitutional guarantee on freedom of expression by which the State, as a policy, recognizes the need to promote and support the development and growth of the local film industry as a medium for the upliftment of aesthetic, cultural and social values for the better understanding and appreciation of the Filipino identity. Republic Act 9167 abolished the Film Development Foundation of the Philippines, Inc. [FDFPI] and the Film Ratings Board [FRB] and transferred all their books, assets, rights, privileges, records, obligations and liabilities to the FDCP. [5]
The Philippine Film Export Service Office (PFESO) was created with decidedly global perspective and objective: to promote the country as a viable and effective location site and post-production service provider in the region. PFESO was created via Executive Order 674 s. 2007, and its primary mandate is to facilitate the promotion of the Philippines as a viable filming location for foreign film and television content production, and for the following objectives:
Beginning 2021, The FDCP had started to acquire Philippine release rights to a handful of independent, foreign-language and art-house films such as Portrait of a Lady on Fire and The Worst Person in the World . Under the Film Cultural Exchange Program (FCEP), the films are rated through the FDCP rating system pursuant to the agreed-upon guidelines by the FDCP and the MTRCB. [10]
As of 2023, the FDCP had acquired the following films for distribution: [11] [12]
Title | Release Date | Associated Film Production | Ref. |
---|---|---|---|
Aftersun | 2022 | BBC Film Tango Entertainment British Film Institute | |
Close | 2022 | Diaphana Films Menuet | |
Return to Seoul | 2022 | mk2 Films | |
Corsage | 2022 | Film AG AD Vitam Distribution |
Title | Release Date | Associated Film Production | Ref. |
---|---|---|---|
Anatomy of a Fall | 2023 | Le Pacte Les Films Pelléas Les Films de Pierre | |
How to Have Sex | 2023 | BBC Film Film 4 BFI MK2 Films Wild Swim Films Heretic | |
Only the River Flows | 2023 | Hangzhou Dangdang Film KXKH FILM | |
The Pista ng Pelikulang Pilipino is a one-week exclusive screening of Filipino films in all theaters nationwide. It was launched in August 2017 by the Film Development Council of the Philippines in partnership with theaters nationwide.
CineLokal is an alternative and accessible venue for exhibiting Filipino and world cinema. Started last April 19, 2017, eight theaters was dedicated by SM Cinemas in the Philippines to screening two films selected by the FDCP. The selection ranges from award-winning Filipino movies, independently produced movies, regional films, classic films from great Filipino directors, and limited release foreign films. [13]
Catalino Ortiz Brocka was a Filipino film director. He is widely regarded as one of the most influential and significant filmmakers in the history of Philippine cinema. He co-founded the organization Concerned Artists of the Philippines (CAP), dedicated to helping artists address issues confronting the country, and the Free the Artist Movement. He was a member of the Coalition for the Restoration of Democracy.
The Cinema of the Philippines began with the introduction of the first moving pictures to the country on August 31, 1897, at the Salón de Pertierra in Manila. The following year, local scenes were shot on film for the first time by a Spaniard, Antonio Ramos, using the Lumiere Cinematograph. While most early filmmakers and producers in the country were mostly wealthy enterprising foreigners and expatriates, on September 12, 1919, Dalagang Bukid , a movie based on a popular musical play, was the first movie made and shown by Filipino filmmaker José Nepomuceno. Dubbed as the "Father of Philippine Cinema," his work marked the start of cinema as an art form in the Philippines.
The National Commission for Culture and the Arts of the Philippines is the official government agency for culture in the Philippines. It is the overall policy making body, coordinating, and grants giving agency for the preservation, development and promotion of Philippine arts and culture; an executing agency for the policies it formulates; and task to administering the National Endowment Fund for Culture and the Arts (NEFCA) – fund exclusively for the implementation of culture and arts programs and projects.
The Cultural Center of the Philippines Foundation, Inc. is a government-owned and controlled corporation established to preserve, develop and promote arts and culture in the Philippines. The CCP was established through Executive Order No. 30 s. 1966 by President Ferdinand Marcos. Although an independent institution of the Philippine government, it receives an annual subsidy and is placed under the National Commission for Culture and the Arts for purposes of policy coordination. The CCP is headed by an 11-member Board of Trustees, currently headed by Chairperson Margarita Moran-Floirendo. Its current president is Arsenio Lizaso.
The Movie and Television Review and Classification Board is a Philippine government agency under the Office of the President of the Philippines that is responsible for the classification and review of television programs, motion pictures and home videos.
The Metro Manila Film Festival (MMFF) is an annual film festival organized by the Metro Manila Development Authority and held nationwide in the Philippines. The festival, which runs from Christmas Day through New Year's Day and into first weekend of January in the following year, focuses on Filipino produced films. During the course of the festival, movie theaters show only films that are approved by its jurors and exclude foreign films except in 3D theaters and IMAX theaters. It is one of the two Filipino major film festivals to exclude foreign films in a week-long period, the other being the Pista ng Pelikulang Pilipino happening during August.
The Cinemalaya, officially the Cinemalaya Philippine Independent Film Festival, is a film festival in the Philippines held annually during the month of August, traditionally at the Cultural Center of the Philippines Complex, but in recent years the Festival screenings also extend to various cinemas. Its aim is the development and promotion of Filipino independent films. The film festival is organized by the Cinemalaya Foundation, Inc. with the support of the Cultural Center of the Philippines and Econolink Investments, Inc.
Himala ('Miracle') is a 1982 Filipino film directed by Ishmael Bernal and produced by the Experimental Cinema of the Philippines. It stars Nora Aunor as a young woman living in the province who claims to have seen a Marian apparition. The film story and script written by Ricky Lee was inspired by a series of alleged Marian apparitions appearing before schoolgirls, which took place from 1966 to 1972 on Cabra Island in Lubang, Occidental Mindoro.
Bienvenido Munoz Noriega Jr. (1952–1994) was a Philippine playwright.
Tirso Silvano Cruz III is a Filipino actor, comedian, and singer. He was the Chairperson of the Film Development Council of the Philippines after one year and seven months due to personal reasons. Regarded as a "matinee idol", Cruz is a FAMAS Award and Gawad Urian Award recipient.
Insiang is a 1976 Philippine drama film directed by Lino Brocka. Its screenplay, written by Mario O'Hara and Lamberto E. Antonio, is based on O'Hara's teleplay of the same name. Set in the slums of Tondo, Manila, the film stars Hilda Koronel as the eponymous character: the young daughter of a resentful mother, whose much-younger lover rapes her. After her assault and the betrayal of her own lover, Insiang seeks revenge. A representation of urban poverty, the film explores themes of betrayal, revenge and despair.
The Office of the President of the Philippines, is an administrative, advisory, and consultative government agency that aids the president of the Philippines in performing their duty as head of state and chief of the executive branch of government.
The Cinema Evaluation Board (CEB) is a body of the Film Development Council of the Philippines, tasked with grading Filipino films by quality. It is represented in the Philippine Film Export Services Office.
The Experimental Cinema of the Philippines (ECP) was a government-owned corporation of the Republic of the Philippines created to promote the growth and development of the local film industry. Created in 1982 after the first Manila International Film Festival through Executive Order 770, the ECP was primarily known as a production company. However, it was created among other things; to hold the Manila International Film Festival, to manage the Manila Film Center, administer a film rating and classification system and to establish and operate the National Film Archive. It was also mandated to provide financial assistance to select motion pictures through a film fund.
The 2016 Metro Manila Film Festival (MMFF) is the 42nd edition of the annual Metro Manila Film Festival held in Metro Manila and throughout the Philippines. It is organized by the Metropolitan Manila Development Authority (MMDA). This is the first time that the festival committee required producers to submit either picture lock versions or finished films, instead of screenplays in previous editions. During the festival, no foreign films are shown in Philippine theaters (except IMAX, 4D, and large format 3D theaters), however there are some non-MMFF entries like The Super Parental Guardians, and Enteng Kabisote 10 and the Abangers shown on SM Cinema branches.
Pista ng Pelikulang Pilipino, abbreviated as PPP, is a film festival held in the Philippines in celebration of the Buwan ng Wika. It is organized by the Film Development Council of the Philippines. Similar to the Metro Manila Film Festival, only shortlisted films will be shown in cinemas except in select 3D cinemas, VIP cinemas and IMAX theaters.
The 2019 Metro Manila Film Festival (MMFF) is the 45th edition of the annual Metro Manila Film Festival held in Metro Manila and throughout the Philippines. It is organized by the Metropolitan Manila Development Authority (MMDA). During the festival, no foreign films are shown in Philippine theaters (except IMAX and 4D theaters).
The Summer Metro Manila Film Festival is a film festival intended to be held annually in Metro Manila, Philippines. The event is a spin-off of the Metro Manila Film Festival which is officially held every December. Like its sister festival, it excludes foreign films and only shows shortlisted entries in digital theaters except IMAX and 4D theaters.
Leonor Will Never Die is a 2022 Filipino psychological comedy-drama film written and directed by Martika Ramirez Escobar, in her directorial debut. The film stars Sheila Francisco as a retired screenwriter who, after falling into a coma, finds herself the action hero of her unfinished screenplay. The supporting cast includes Bong Cabrera, Rocky Salumbides, and Anthony Falcon. The film is an homage to Filipino action films of the 1970s and '80s.
The 2022 Metro Manila Film Festival (MMFF) is the 48th edition of the annual Metro Manila Film Festival held in Metro Manila and throughout the Philippines. It is being organized by the Metropolitan Manila Development Authority (MMDA). During the festival, no foreign films are shown in Philippine theaters (excluding IMAX and 4D theaters).