Jay David Bolter

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Jay David Bolter (born August 17, 1951) is the Wesley Chair of New Media and a professor in the School of Literature, Media, and Communication at the Georgia Institute of Technology. His areas of study include the evolution of media, the use of technology in education, and the role of computers in the writing process. More recently, he has conducted research in the area of augmented reality and mixed media. Bolter collaborates with researchers in the Augmented Environments Lab, co-directed with Blair MacIntyre, to create apps for entertainment, cultural heritage and education for smart phones and tablets. This supports his theory regarding remediation where he discusses "all media functions as remediators and that remediation offers us a means of interpreting the work of earlier media as well" (Bolter & Grusin, 2000, p. 55).

Contents

Biography

Bolter received his B.A. degree in Greek from Trinity College, in the University of Toronto, in 1973. In 1977 and 1978 he received his Ph.D. in Classics and an M.S. in Computer Science, both from the University of North Carolina.

Bolter received prominent fellowships at Yale University, Cornell University, University of Göttingen, and with the American Council of Learned Societies.

From 1979 until 1991, Bolter held various faculty positions at the University of North Carolina. In 1991 he moved to the Georgia Institute of Technology, where he remains today. [1]

Storyspace

Along with John B. Smith and Michael Joyce, Bolter co-created Storyspace, a software program for creating, editing, and displaying hypertext fiction. It was developed to support hypertext fiction in particular, although it can also be used for organizing and writing fiction and non-fiction intended for print. [1] Although always credited as a coauthor of Storyspace with Joyce and Bolter, Smith wanted to clarify in an interview that he wasn’t involved in the development of either TALETELLER (which was a precursor to Storyspace) or Storyspace — but that he made more of an intellectual contribution insofar as "there was a sort of cloud of ideas that we were all drawing on in the discussions we’d have in this research entity at UNC, Textlab" [2]

Some of the notable hypertext fictions created in Storyspace include: Michael Joyce's afternoon, a story , Stuart Moulthrop's Victory Garden and Shelley Jackson's Patchwork Girl .

Bolter has used Storyspace to revise several of his own books. More importantly, Storyspace provides facilities for writing and editing, which includes a map of the structure of the links, making it accessible for new users. Storyspace is currently being developed by Mark Bernstein of Eastgate Systems. [3]

Trivia

Brian Eno has referred to Bolter as "the new Gutenberg." [4]

Bolter states in Writing Space: Computers, Hypertext, and the Remediation of Print that "Hypertext in all its electronic forms — the World Wide Web as well as the many stand-alone systems — is the remediation of print". [5]

Jay David Bolter and his writing partner, Richard Grusin, make the claim in their text Remediation: Understanding New Media, " At this point, all mediation is remediation." [6]

Select works

See also

Related Research Articles

<span class="mw-page-title-main">Hypertext</span> Text with references (links) to other text that the reader can immediately access

Hypertext is text displayed on a computer display or other electronic devices with references (hyperlinks) to other text that the reader can immediately access. Hypertext documents are interconnected by hyperlinks, which are typically activated by a mouse click, keypress set, or screen touch. Apart from text, the term "hypertext" is also sometimes used to describe tables, images, and other presentational content formats with integrated hyperlinks. Hypertext is one of the key underlying concepts of the World Wide Web, where Web pages are often written in the Hypertext Markup Language (HTML). As implemented on the Web, hypertext enables the easy-to-use publication of information over the Internet.

Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.

Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.

Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. Works of electronic literature are usually intended to be read on digital devices, such as computers, tablets, and mobile phones. They cannot be easily printed, or cannot be printed at all, because elements crucial to the work cannot be carried over onto a printed version.

<i>afternoon, a story</i> Hypertext fiction by Michael Joyce

afternoon, a story, spelled with a lowercase 'a', is a work of electronic literature written in 1987 by American author Michael Joyce. It was published by Eastgate Systems in 1990 and is known as one of the first works of hypertext fiction.

George Paul Landow was Professor of English and Art History Emeritus at Brown University. He was a leading authority on Victorian literature, art, and culture, as well as a pioneer in criticism and theory of Electronic literature, hypertext and hypermedia. He also pioneered the use of hypertext and the web in higher education.

Print culture embodies all forms of printed text and other printed forms of visual communication. One prominent scholar of print culture in Europe is Elizabeth Eisenstein, who contrasted the print culture of Europe in the centuries after the advent of the Western printing-press to European scribal culture. The invention of woodblock printing in China almost a thousand years prior and then the consequent Chinese invention of moveable type in 1040 had very different consequences for the formation of print culture in Asia. The development of printing, like the development of writing itself, had profound effects on human societies and knowledge. "Print culture" refers to the cultural products of the printing transformation.

<i>Patchwork Girl</i> (hypertext) Work of electronic literature by Shelley Jackson

Patchwork Girl or a Modern Monster by Mary/Shelly and Herself is a work of electronic literature by American author Shelley Jackson. It was written in Storyspace and published by Eastgate Systems in 1995. It is often discussed along with Michael Joyce's afternoon, a story as an important work of hypertext fiction.

<span class="mw-page-title-main">J. Yellowlees Douglas</span>

Jane Yellowlees Douglas is a pioneer author and scholar of hypertext fiction. She began writing about hypermedia in the late 1980s, very early in the development of the medium. Her 1993 fiction I Have Said Nothing, was one of the first published works of hypertext fiction.

Stuart Moulthrop is an innovator of electronic literature and hypertext fiction, both as a theoretician and as a writer. He is author of the hypertext fiction works Victory Garden (1992), which was on the front-page of the New York Times Book Review in 1993, Reagan Library (1999), and Hegirascope (1995), amongst many others. Moulthrop is currently a Professor of Digital Humanities in the Department of English, at the University of Wisconsin–Milwaukee. He also became a founding board member of the Electronic Literature Organization in 1999.

Eastgate Systems is a hypertext publisher and software company headquartered in Watertown, Massachusetts.

Electracy is a theory by Gregory Ulmer that describes the skills necessary to exploit the full communicative potential of new electronic media such as multimedia, hypermedia, social software, and virtual worlds. According to Ulmer, electracy "is to digital media what literacy is to print". It encompasses the broader cultural, institutional, pedagogical, and ideological implications inherent in the major societal transition from print to electronic media. Electracy is a portmanteau of "electricity" and Jacques Derrida's term "trace".

Mediation in Marxist theory refers to the reconciliation of two opposing forces within a given society by a mediating object. Put another way "Existence differs from Being by its mediation"...."The Thing-in-itself and its mediated Being are both contained in Existence, and each is an Existence; the Thing-in-it-self exists and is the essential Existence of the Thing, while mediated Being is its unessential Existence ..."

Commonly called new media theory or media-centered theory of composition, stems from the rise of computers as word processing tools. Media theorists now also examine the rhetorical strengths and weakness of different media, and the implications these have for literacy, author, and reader.

Storyspace is a software program for creating, editing, and reading hypertext fiction. It can also be used for writing and organizing fiction and non-fiction intended for print. Maintained and distributed by Eastgate Systems, the software is available both for Windows and Mac.

Forward Anywhere is a hypertext narrative created by writer Judy Malloy and scientist Cathy Marshall. They started working together in 1993 through the PAIR program at the Xerox Palo Alto Research Center. Malloy and Marshall were one of the first and only pairings of two women in the program "created to bring together scientists and artists, with the hope of initiating a dialog between the two communities, and creating what PAIR program director Rich Gold described as 'new art' and 'new research.'" The pair wrote of their experience working together in the article, "Closure Was Never a Goal in this Piece", explicating their collaboration process and the connections found between each other.

<span class="mw-page-title-main">Deena Larsen</span> American writer of electronic literature (born 1964)

Deena Larsen is an American new media and hypertext fiction author involved in the creative electronic writing community since the 1980s. Her work has been published in online journals such as the Iowa Review Web, Cauldron and Net, frAme, inFLECT, and Blue Moon Review. Since May 2007, the Deena Larsen Collection of early electronic literature has been housed at the Maryland Institute for Technology in the Humanities.

Richard Arthur Grusin is an American new media scholar and author. Grusin is a Professor of English at the University of Wisconsin–Milwaukee, and former Director of the Center for 21st Century Studies.

The ACM Conference on Hypertext and Social Media (Hypertext) is one of the oldest international conference series on the crossroads of Human-Computer Interaction and Information Science. The full list of conferences in the series can be found on the Association for Computing Machinery Hypertext Web page, and papers are available through the ACM Digital Library.

References

  1. 1 2 "Jay David Bolter: Short CV". Georgia Tech. Retrieved January 4, 2013.[ permanent dead link ]
  2. Barnet, Belinda (26 October 2012). "Machine Enhanced (Re)minding: the Development of Storyspace". DHQ: Digital Humanities Quarterly. 006 (2). Retrieved September 4, 2013.
  3. Hayles, N. Katherine (2007-01-02). "Electronic Literature: What is it?". The Electronic Literature Organization. Retrieved 2013-01-03.
  4. "Brian Eno on Writing Space". Artforum: 12. November 1992.
  5. Bolter, Jay (2001). Writing Space: Computers, Hypertext, and the Remediation of Print. Taylor & Francis. pp. 41–42. ISBN   0-8058-2918-0.
  6. Bolter, Jay David; Grusin, Richard (2000). Remediation: Understanding New Media. MIT Press. p. 55. ISBN   978-0262522793.