Shelley Jackson | |
|---|---|
 Jackson at the 2018 Texas Book Festival | |
| Born | 1963 (age 60–61)[ citation needed ] |
| Occupation | Writer, artist |
| Nationality | American |
| Education | Berkeley High School Stanford University (BA) Brown University (MFA) |
| Spouse | |
| Website | |
| www | |
Shelley Jackson (born 1963) is an American writer and artist known for her cross-genre experimental works. These include her hyperfiction Patchwork Girl (1995) and her first novel, Half Life (2006).
In her own words: "Shelley Jackson was extracted from the bum leg of a water buffalo in 1963 in the Philippines and grew up complaining in Berkeley, California." [1] Here, her family ran a small women's bookstore for several years; Jackson later recalled, "I was already in love with books by then [...] and the family store just confirmed what I already suspected, that books were the most interesting and important things in the world. Of course I wanted to write them!" [2] She graduated from Berkeley High School, [3] and received a B.A. in art from Stanford University and an M.F.A. in creative writing from Brown University. She is self-described as a "student in the art of digression". [4]
While at Brown, Jackson was taught by electronic literature advocates Robert Coover and George Landow. During one of Landow's lectures in 1993, Jackson began drawing "a naked woman with dotted-line scars" in her notebook, an image she eventually expanded into her first hypertext novel, Patchwork Girl . [5] Jackson later said that she never considered publishing Patchwork Girl as a print novel, explaining,
I guess you could say I want my fiction to be more like a world full of things that you can wander around in, rather than a record or memory of those wanderings. The quilt and graveyard sections [of the hypertext], where a concrete metaphor that resonates with the themes of the work creates a literary structure, satisfy me in a very corporeal way. I salivate, my fingers itch. [5]
A nonchronological reworking of Mary Shelley's Frankenstein , Patchwork Girl was published by Eastgate Systems in 1995 to acclaim; [6] it became Eastgate's best-selling CD-ROM title and is now considered a groundbreaking work of hypertext fiction. [5] [7] "Patchwork Girl" uses tissue and scars as well as the body and the skeleton as metaphors for the juxtaposition of lexia and link. While working in a San Francisco, California bookstore, [5] Jackson published two more hypertexts, the autobiographical My Body [8] (1997), and The Doll Games [9] (2001), which she wrote with her sister Pamela.
In the late nineties, Jackson alternated hypertext work with writing short stories (in publications such as The Paris Review and Conjunctions ) and children's books. Jackson has explained that she "completely ignored" one college professor who told her the key to success was focus, and added that "[s]ometimes this means shuttling manically between art and writing and other, more unmentionable obsessions. More and more, though, and partly because of the ease of mixing media in electronic work, I've come to see all these projects as interrelated." [2] During this period, Jackson also did cover and interior illustrations for two short story collections by Kelly Link, Stranger Things Happen (2001) and Magic for Beginners (2005). She also illustrated her own children's books, The Old Woman and the Wave (1998) and Sophia, the Alchemist's Dog (2002).
She published her first short story collection, The Melancholy of Anatomy , in 2002. In 2003 she launched the Skin Project, [10] which she described as a "mortal work of art": a novella published exclusively in the form of tattoos on the skin of volunteers, one word at a time. Only those participating in the project were permitted to read the entire narrative. Jackson's first novel, Half Life, [11] was published by HarperCollins in 2006. The story of a disenchanted conjoined twin named Nora Olney who plots to have her other twin murdered, Half Life suggests an alternate history in which the atomic bomb resulted in a genetic preponderance of conjoined twins, who eventually become a minority subculture. The novel received mixed-to-positive reviews; Newsweek called it "brilliant and funny," [12] and The New York Times , while praising Jackson's ambition as "truly glorious," added that "All this razzle-dazzle, all the allusions, [and] the narrative loop-de-loops [get] a bit busy." [6] Half Life went on to win the 2006 James Tiptree, Jr. Award for science fiction and fantasy. [13]
In 1987, Jackson married the writer Jonathan Lethem; they divorced in 1998. [14] She currently teaches part time in the graduate writing program at The New School in New York City and at the European Graduate School in Saas-Fee. [15]
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Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.
"The Garden of Forking Paths" is a 1941 short story by Argentine writer and poet Jorge Luis Borges. It is the title story in the collection El jardín de senderos que se bifurcan (1941), which was republished in its entirety in Ficciones (Fictions) in 1944. It was the first of Borges's works to be translated into English by Anthony Boucher when it appeared in Ellery Queen's Mystery Magazine in August 1948. In 1958 it was translated back into English by Donald A. Yates and published in Michigan Alumnus Quarterly Review, Spring 1958. In 1962 this translation was included in the book Labyrinths.
Michael Joyce is a retired professor of English at Vassar College, New York, US. He is also an important author and critic of electronic literature.
Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. Works of electronic literature are usually intended to be read on digital devices, such as computers, tablets, and mobile phones. They cannot be easily printed, or cannot be printed at all, because elements crucial to the work cannot be carried over onto a printed version.
Edward Falco is an American author, playwright, electronic literature writer, and new media editor.
afternoon, a story, spelled with a lowercase 'a', is a work of electronic literature written in 1987 by American author Michael Joyce. It was published by Eastgate Systems in 1990 and is known as one of the first works of hypertext fiction.
George Paul Landow was Professor of English and Art History Emeritus at Brown University. He was a leading authority on Victorian literature, art, and culture, as well as a pioneer in criticism and theory of Electronic literature, hypertext and hypermedia. He also pioneered the use of hypertext and the web in higher education.
Patchwork Girl or a Modern Monster by Mary/Shelly and Herself is a work of electronic literature by American author Shelley Jackson. It was written in Storyspace and published by Eastgate Systems in 1995. It is often discussed along with Michael Joyce's afternoon, a story as an important work of hypertext fiction.
Victory Garden is a work of electronic literature by American author Stuart Moulthrop. It was written in Storyspace and first published by Eastgate Systems in 1991. Victory Garden is one of the earliest examples of hypertext novels, and is notable for being very inventive and influential in its genre. It is often discussed along with Michael Joyce's afternoon, a story as an important work of hypertext fiction.
Jay David Bolter is the Wesley Chair of New Media and a professor in the School of Literature, Media, and Communication at the Georgia Institute of Technology. His areas of study include the evolution of media, the use of technology in education, and the role of computers in the writing process. More recently, he has conducted research in the area of augmented reality and mixed media. Bolter collaborates with researchers in the Augmented Environments Lab, co-directed with Blair MacIntyre, to create apps for entertainment, cultural heritage and education for smart phones and tablets. This supports his theory regarding remediation where he discusses "all media functions as remediators and that remediation offers us a means of interpreting the work of earlier media as well".
Jane Yellowlees Douglas is a pioneer author and scholar of hypertext fiction. She began writing about hypermedia in the late 1980s, very early in the development of the medium. Her 1993 fiction I Have Said Nothing, was one of the first published works of hypertext fiction.
Eastgate Systems is a hypertext publisher and software company headquartered in Watertown, Massachusetts.
Sarah Smith is an American author living in Brookline, Massachusetts.
Kathryn Elizabeth Cramer is an American science fiction writer, editor, and literary critic.
Kate Pullinger is a Canadian novelist and author of digital fiction, and a professor of Creative Writing at Bath Spa University, England.
Judy Malloy is an American poet whose works embrace the intersection of hypernarrative, magic realism, and information art. Beginning with Uncle Roger in 1986, Malloy has composed works in both new media literature and hypertext fiction. She was an early creator of online interactive and collaborative fiction on The WELL and the website ArtsWire.
Storyspace is a software program for creating, editing, and reading hypertext fiction. It can also be used for writing and organizing fiction and non-fiction intended for print. Maintained and distributed by Eastgate Systems, the software is available both for Windows and Mac.
Deena Larsen is an American new media and hypertext fiction author involved in the creative electronic writing community since the 1980s. Her work has been published in online journals such as the Iowa Review Web, Cauldron and Net, frAme, inFLECT, and Blue Moon Review. Since May 2007, the Deena Larsen Collection of early electronic literature has been housed at the Maryland Institute for Technology in the Humanities.
Marjorie Coverley Luesebrink was an American writer, scholar, and teacher. Writing hypermedia fiction under the pen name M.D. Coverley, she is best known for her epic hypertext novels Califia (2000) and Egypt: The Book of Going Forth by Day (2006). A pioneer born-digital writer, she is part of the first generation of electronic literature authors that arose in the 1987–1997 period. She was a founding board member and past president of the Electronic Literature Organization and the first winner of the Electronic Literature Organization Career Achievement Award, which was named in her honor. Lusebrink was professor emeritus, School of Humanities and Languages at Irvine Valley College (IVC).
