Christopher Pinney | |
---|---|
Occupation | Anthropologist |
Awards | Padma Shri |
Website | Official web site |
Christopher Pinney is an anthropologist and art historian, and professor of anthropology and visual culture at University College London in the department of anthropology. [1] [2] [3] He is known for his studies on the visual culture of South Asia, specifically India. [2] [3] He was honoured by the Government of India, in 2013, by bestowing on him the Padma Shri, the fourth highest civilian award, for his contributions to the field of literature. [4]
Christopher Pinney has travelled India and his collection of chromolithographs [2] cover the rural Madhya Pradesh during the turn of the century, cultural festivals like Kumbh Mela, Holi and Rang Panchami, historical sites such as Hussain Tekri, Bheruji Mandir, South Park Street Cemetery and Indian Museum in Kolkata, and places like Nepal, Varanasi and Sri Lanka. [3] [5]
Pinney has worked and taught at many institutions such as Australian National University, University of Chicago, University of Cape Town, and Jawaharlal Nehru University. He works as Professor of Anthropology and Visual Culture at the University College, London and as the Crowe Visiting Professor of Art History at the Northwestern University. [6] [7]
Christopher Pinney has published many books [3] [8] [9] and Camera Indica: The Social Life of Indian Photographs, [10] Photos of the Gods [11] and The Coming of Photography in India [12] are some of the notable ones. [6] [7]
Pinney has collaborated in the publication of many journals and other publications in the capacity of Editor. he was the co-editor of Beyond aesthetics: Art and the technologies of enchantment, Pleasure and the nation: the history, politics and consumption of public culture in India,; and Photography's other histories. [6] [13]
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
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