J. J. G. Alexander

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Jonathan James Graham Alexander, FBA (born August 1935), known in print as J. J. G. Alexander, is a medievalist and expert on manuscripts, "one of the most profound and wide-ranging of all historians of illuminated manuscripts". [1]

Contents

Education and career

Jonathan Alexander matriculated at the University of Oxford in the 1960s (BA, MA, D.Phil.) [2] before becoming a Lecturer and Reader in History of Art at the University of Manchester from 1971 to 1987. [3]

Alexander edited the Survey of Manuscripts Illuminated in the British Isles from 1975 onwards [4] and wrote the first volume of the six volume series, Insular Manuscripts, 6th to the 9th century, just one of the many books and articles he has written on manuscripts. The outcome of the survey he undertook with Elzbieta Temple of the illuminated manuscripts held in the collections of the University of Oxford colleges resulted in the co-authored book Illuminated Manuscripts in the Oxford College Libraries, the University Archives and the Taylor Institution which was published in 1985. This work is said to be the inspiration for the more recent cataloguing of the manuscripts in the University of Cambridge collection [5] with which J.J.G. Alexander was also involved. [6]

In 1987 Alexander worked on the exhibition Age of Chivalry: Art in Plantagenet England, 1200-1400 at the Royal Academy of Arts [7] and co-edited the catalogue with Paul Binski (see below).

He moved to New York in 1988 becoming Professor of Fine Arts at New York University Institute of Fine Arts [3] and was awarded the Sherman Fairchild Professorship of Fine Arts [8] in 2002. He is now Emeritus Professor of Fine Arts following his retirement from university life in 2011. [9]

Honours

1981 Fellow of the Society of Antiquaries [10]

1982-1983 Lyell Lecturer in Bibliography at the University of Oxford

1985 Fellow, British Academy [3]

1995 Honorary Fellow, Pierpont Morgan Library

1995-1996 Guggenheim Fellowship

1999 Fellow, Medieval Academy of America

2002 J. Clawson Mills Art History Fellowship, Metropolitan Museum of Art, New York [2]

The festschrift collection Tributes to Jonathan J.G. Alexander: the Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture (London: Harvey Miller, 2006, ISBN   978-1-872501-47-5) was edited by Susan L’Engle and Gerald B. Guest. Contributors included Walter Cahn and Madeline H. Caviness. [11]

Selected works

Professor Alexander wrote the obituary of T. S. R. Boase, a former director of the Courtauld Institute of Art, for The British Academy. [13]

Alexander has also contributed photographs to the Conway Library that are currently being digitised by the Courtauld Institute of Art, as part of the Courtauld Connects project. [14]

Related Research Articles

<span class="mw-page-title-main">Illuminated manuscript</span> Manuscript in which the text is supplemented by the addition of decoration

An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.

<span class="mw-page-title-main">Meyer Schapiro</span> American historian

Meyer Schapiro was a Lithuanian-born American art historian who developed new art historical methodologies that incorporated an interdisciplinary approach to the study of works. An expert on early Christian, Medieval and modern art, he explored periods and movements with an eye toward their works' social, political and material constructions.

<span class="mw-page-title-main">Book of hours</span> Type of Christian devotional book, popular in the Middle Ages

Books of hours are Christian prayer books, which were used to pray the canonical hours. The use of a book of hours was especially popular in the Middle Ages, and as a result, they are the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and psalms, often with appropriate decorations, for Christian devotion. Illumination or decoration is minimal in many examples, often restricted to decorated capital letters at the start of psalms and other prayers, but books made for wealthy patrons may be extremely lavish, with full-page miniatures. These illustrations would combine picturesque scenes of country life with sacred images.

Dame Joan Evans was a British historian of French and English medieval art, especially Early Modern and medieval jewellery. Her notable collection was bequeathed to the Victoria and Albert Museum in London.

Thomas Sherrer Ross Boase was a British art historian, university teacher, and Vice-Chancellor of Oxford University.

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Otto Pächt was an Austrian art historian and one of the representatives of the second wave of the Vienna School of Art History. He mostly wrote on the medieval and Renaissance art of Europe. An exile from the Nazis, he taught in England and United States, before returning to Austria in 1963.

<span class="mw-page-title-main">Harry Bober</span> American art historian

Harry Bober (1915–1988) was an American art historian, a university professor, and a writer. He was the first Avalon Professor of the Humanities a New York University (NYU). He wrote and edited several books and published numerous articles on the art, architecture and historiography of the Middle Ages and the early Renaissance period.

<span class="mw-page-title-main">Royal manuscripts, British Library</span>

The Royal manuscripts are one of the "closed collections" of the British Library, consisting of some 2,000 manuscripts collected by the sovereigns of England in the "Old Royal Library" and given to the British Museum by George II in 1757. They are still catalogued with call numbers using the prefix "Royal" in the style "Royal MS 2. B. V". As a collection, the Royal manuscripts date back to Edward IV, though many earlier manuscripts were added to the collection before it was donated. Though the collection was therefore formed entirely after the invention of printing, luxury illuminated manuscripts continued to be commissioned by royalty in England as elsewhere until well into the 16th century. The collection was expanded under Henry VIII by confiscations in the Dissolution of the Monasteries and after the falls of Henry's ministers Cardinal Wolsey and Thomas Cromwell. Many older manuscripts were presented to monarchs as gifts; perhaps the most important manuscript in the collection, the Codex Alexandrinus, was presented to Charles I in recognition of the diplomatic efforts of his father James I to help the Eastern Orthodox churches under the rule of the Ottoman Empire. The date and means of entry into the collection can only be guessed at in many if not most cases. Now the collection is closed in the sense that no new items have been added to it since it was donated to the nation.

<span class="mw-page-title-main">Westminster Psalter</span>

The Westminster Psalter, British Library, MS Royal 2 A XXII, is an English illuminated psalter of about 1200, with some extra sheets with tinted drawings added around 1250. It is the oldest surviving psalter used at Westminster Abbey, and is presumed to have left Westminster after the Dissolution of the Monasteries. It joined the Old Royal Library as part of the collection of John Theyer, bought by Charles II of England in 1678. Both campaigns of decoration, both the illuminations of the original and the interpolated full-page drawings, are important examples of English manuscript painting from their respective periods.

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Margaret Mary Manion is an Australian art historian and curator recognised internationally for her scholarship on the art of the illuminated manuscript. She has published on Medieval and Renaissance liturgical and devotional works, in particular, on Books of Hours – the Wharncliffe Hours, the Aspremont-Kievraing Hours, the Très Riches Heures. She was instrumental in cataloguing Medieval and Renaissance illuminated manuscripts in Australian and New Zealand collections. She was Herald Chair Professor of Fine Arts at the University of Melbourne from 1979 to 1995, also serving as Deputy Dean and Acting Dean in the Faculty of Arts, Associate Dean for Research, Pro-Vice-Chancellor from 1985 to 1988, and in 1987, the first woman to chair the university's Academic Board.

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<span class="mw-page-title-main">D. H. Turner</span> English museum curator and art historian

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Margaret Alison Stones, FSA, is a British/American medievalist and academic. She has held the position of professor emerita of history of art and architecture at University of Pittsburgh since 2012. Her work has been published in national and international academic journals and she has contributed to international exhibitions.

Madeline Harrison Caviness, FMAoA, FSA is a British-American scholar of European medieval art, and an expert on glass painting and medieval women as viewers of art. She is a Professor Emeritus at Tufts University in Medford, Massachusetts.

George David Smith Henderson is a British art historian, author, and Emeritus Professor of Medieval Art at the University of Cambridge. He is a Fellow of The Society of Antiquaries of London and a member of the Association of Art Historians. He was awarded the Reginald Taylor Prize by the British Archaeological Association in 1962 for his paper "The Sources of the Genesis Cycle at St.-Savin-sur-Gartempe".

Elżbieta Temple, properly Elżbieta Klewin née Malcz, was a scholar and writer specialising in the field of illuminated manuscripts who produced two books, the second co-authored with J. J. G. Alexander.

Paul BinskiFSA FBA is a British art historian and Emeritus Professor of the History of Medieval Art at the University of Cambridge.

Richard Marks, is a British art historian. He has held a number of curating and academic posts in art history in the United Kingdom and researched and written extensively on medieval religious images in a variety of media, including stained glass and illuminated manuscripts.

References

  1. Christopher de Hamel, review of Tributes to Jonathan J. G. Alexander, From: The Library: The Transactions of the Bibliographical Society, Vol. 10., No. 4, 2009.
  2. 1 2 "NYU The Institute of Fine Arts".
  3. 1 2 3 "Professor Jonathan Alexander FBA". The British Academy. Retrieved 2020-10-16.
  4. Alexander, Jonathan J[ames] G[raham], Dictionary of Art Historians Archived 2016-03-06 at the Wayback Machine
  5. "Collaboration in Special Collections, Parker Library" (PDF).
  6. "Illuminated Manuscripts in Cambridge. Part 1, vol. 1: The Frankish Kingdoms, Northern Netherlands, Germany, Bohemia, Hungary and Austria (256 pp, 358 color illus.). Part 1, vol. 2: The Meuse Region, Southern Netherlands (296 pp, 389 color illus.)". Historians of Netherlandish Art Reviews. Retrieved 2020-10-16.
  7. "The Making of the Age of Chivalry | History Today". www.historytoday.com. Retrieved 2020-10-16.
  8. Library of Congress Name Authority File
  9. "Alexander, Jonathan James Graham, (born 20 Aug. 1935), Sherman Fairchild Professor of Fine Arts, Institute of Fine Arts, New York, 2002–11, now Emeritus (Professor of Fine Arts, 1988–2011)". WHO'S WHO & WHO WAS WHO. 2007. doi:10.1093/ww/9780199540884.013.U5217. ISBN   978-0-19-954088-4 . Retrieved 2020-10-16.
  10. "Professor Jonathan Alexander". Society of Antiquaries of London. Retrieved 2020-10-16.
  11. Collard, Judith (2007). "Tributes to Jonathan J.G. Alexander: the Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture (review)". Parergon. 24 (2): 202–204. doi:10.1353/pgn.2008.0024. ISSN   1832-8334. S2CID   144285706.
  12. "Illuminators' Work" in The Book Collector 44 (no 4) Winter, 1995: 455-469.
  13. "The British Academy T.S.R.Boase obituary" (PDF).
  14. "Who made the Conway Library?". Digital Media. 2020-06-30. Archived from the original on 2020-07-03. Retrieved 2020-10-16.