John Kirk Train Varnedoe was an American art historian, the chief curator of painting and sculpture at the Museum of Modern Art (MoMA) from 1988 to 2001, Professor of the History of Art at the Institute for Advanced Study in Princeton, New Jersey, and Professor of Fine Arts at the New York University Institute of Fine Arts.
David Bourke O'Connor was an Australian-American Egyptologist who primarily worked in the fields of Ancient Egypt and Nubia.
A conservator-restorer is a professional responsible for the preservation of artistic and cultural artifacts, also known as cultural heritage. Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or visual aspects. This kind of preservation is done by analyzing and assessing the condition of cultural property, understanding processes and evidence of deterioration, planning collections care or site management strategies that prevent damage, carrying out conservation treatments, and conducting research. A conservator's job is to ensure that the objects in a museum's collection are kept in the best possible condition, as well as to serve the museum's mission to bring art before the public.
Harry Bober (1915–1988) was an American art historian, a university professor, and a writer. He was the first Avalon Professor of the Humanities a New York University (NYU). He wrote and edited several books and published numerous articles on the art, architecture and historiography of the Middle Ages and the early Renaissance period.
The New York University Graduate School of Arts and Science (GSAS) is a school within New York University (NYU) founded in 1886 by Henry Mitchell MacCracken, establishing NYU as the second academic institution in the United States to grant Ph.D. degrees on academic performance and examination. The School is housed in the Silver Center, several departments have their own buildings and houses around Washington Square. The graduate program at Courant Institute of Mathematical Sciences, although run independently, is formally associated with the graduate school.
Conservation and restoration of glass objects is one aspect of conservation and restoration of cultural heritage. The nature and varying composition of the material, and the variety of types of object made from it, demand certain specialized techniques. The conservator needs to be aware of "agents of deterioration" presenting particular risk to glass objects, and how to prevent or counteract their effects. Relevant education and training is available in certain countries through museums, conservation institutes and universities.
State Museum, Lucknow is a prominent museum located in the capital city of Uttar Pradesh, India. The museum is currently located in the Nawab Wajid Ali Shah Zoological Gardens, Banarasi Bagh, Lucknow. The museum was established in 1863 from the collection of Colonel Saunders Alexius Abbott, and was given the status of ‘Provincial Museum’ before being renamed the ‘State Museum’ in 1950.
The Association of North American Graduate Programs in the Conservation of Cultural Property, best known for its acronym "ANAGPIC", is an annual student conference held by the North American conservation graduate programs where students present lectures of the highest caliber, sharing their research, leadership, and training with peers and faculty.
An Objects conservator is a professional, working in a museum setting or private practice, that specializes in the conservation of three-dimensional works. They undergo specialized education, training, and experience that allows them to formulate and implement preventive strategies and invasive treatment protocols to preserve cultural property for the future. Objects conservators typically specialize in one type of material or class of cultural property, including metals, archaeological artifacts, ethnographic artifacts, glass, and ceramic art. Objects conservation presents many challenges due to their three-dimensional form and composite nature.
A conservation scientist is a museum professional who works in the field of conservation science and whose focus is on the research of cultural heritage through scientific inquiry. Conservation scientists conduct applied scientific research and techniques to determine the material, chemical, and technical aspects of cultural heritage. The technical information conservation scientists gather is then used by conservator and curators to decide the most suitable conservation treatments for the examined object and/or adds to our knowledge about the object by providing answers about the material composition, fabrication, authenticity, and previous restoration treatments.
The conservation and restoration of time-based media art is the practice of preserving time-based works of art. Preserving time-based media is a complex undertaking within the field of conservation that requires an understanding of both physical and digital conservation methods. It is the job of the conservator to evaluate possible changes made to the artwork over time. These changes could include short, medium, and long-term effects caused by the environment, exhibition-design, technicians, preferences, or technological development. The approach to each work is determined through various conservation and preservation strategies, continuous education and training, and resources available from institutions and organization across the globe.
A photograph conservator is a professional who examines, documents, researches, and treats photographs, including documenting the structure and condition of art works through written and photographic records, monitoring conditions of works in storage and exhibition and transit environments. This person also performs all aspects of the treatment of photographs and related artworks with adherence to the professional Code of Ethics.
The conservation and restoration of archaeological sites is the collaborative effort between archaeologists, conservators, and visitors to preserve an archaeological site, and if deemed appropriate, to restore it to its previous state. Considerations about aesthetic, historic, scientific, religious, symbolic, educational, economic, and ecological values all need to be assessed prior to deciding the methods of conservation or needs for restoration. The process of archaeology is essentially destructive, as excavation permanently changes the nature and context of the site and the associated information. Therefore, archaeologists and conservators have an ethical responsibility to care for and conserve the sites they put at risk.
Conservation and restoration at the Smithsonian Institution deals with the care of the 138 million artifacts located in the collections of Smithsonian Institution. Work is conducted by one research center, the Museum Conservation Institute (MCI), and by conservators at the Smithsonian's museums, galleries, zoo. Smithsonian conservators provide myriad services to their units, including exhibit preparation of the museum collection and loan objects, advising on object care, training for future generations of conservationists, engaging in routine preventive care on a daily basis, conducting research projects related to the collections, and examining objects for evidence of manufacturing techniques and previous restorations All conservation labs collectively further the mission of the Smithsonian Institution, "the increase and diffusion of knowledge." Founded in 1846 the Smithsonian is the world's largest museum and research complex, consisting of 19 museums and galleries, the National Zoological Park, and nine research facilities.
Diana Buitron-Oliver was an American classical archaeologist and curator, specializing in Greek vase painting.
Anna Marguerite McCann was an American art historian and archaeologist. She is known for being an early influencer—and the first American woman—in the field of underwater archaeology, beginning in the 1960s. McCann authored works pertaining to Roman art and Classical archaeology, and taught both art history and archaeology at various universities in the United States. McCann was an active member of the Archaeological Institute of America, and received its Gold Medal Award in 1998. She also published under the name Anna McCann Taggart.
Phyllis Pray Bober was an American art historian, scholar, author and professor at Bryn Mawr College. She specialized in Renaissance art, classical antiquity, and she was a scholar in culinary history.
Time-based media is a term coined by museum conservators for durational works of art that unfold over a period of time. This work often relies on technology, but includes mediums such as performance art. In the late 1990s, various institutions and organizations started forming think-tanks and working groups to develop standard practices for the acquisition, analysis, and care for these works over time.
