The Stunt Man | |
---|---|
Directed by | Richard Rush |
Screenplay by | Lawrence B. Marcus Richard Rush |
Based on | The Stunt Man by Paul Brodeur |
Produced by | Richard Rush |
Starring | Peter O'Toole Steve Railsback Barbara Hershey Allen Goorwitz Alex Rocco Adam Roarke Sharon Farrell Philip Bruns Chuck Bail |
Cinematography | Mario Tosi |
Edited by | Caroline Biggerstaff Jack Hofstra |
Music by | Dominic Frontiere |
Production company | |
Distributed by | 20th Century Fox |
Release date |
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Running time | 131 minutes |
Country | United States |
Language | English |
Budget | $3.5 million |
Box office | $7,068,886 [1] |
The Stunt Man is a 1980 American satirical psychological anti-war action comedy film starring Peter O'Toole, Steve Railsback and Barbara Hershey, and directed by Richard Rush. [2] The film was adapted by Lawrence B. Marcus and Rush from the 1970 novel by Paul Brodeur. It tells the story of a young fugitive who hides as a stunt double on the set of a World War I movie whose charismatic director will do seemingly anything for the sake of his art. The line between illusion and reality is blurred as scenes from the inner movie cut seamlessly to "real life" and vice versa. There are examples of "movie magic", where a scene of wartime carnage is revealed as just stunt men and props, and where a shot of a crying woman becomes, with scenery, props and soundtrack, a portrait of a grieving widow at a Nazi rally. The protagonist begins to doubt everything he sees and hears, and at the end is faced with real danger when a stunt seems to go wrong.
It was nominated for three Academy Awards: Best Actor in a Leading Role (Peter O'Toole), Best Director (Richard Rush), and Best Writing, Screenplay Based on Material from Another Medium. However, due to its limited release, it never earned much attention from audiences at large. [3] As O'Toole remarked in a DVD audio commentary, "The film wasn't released. It escaped." [4] The film has since developed a cult following. [5]
Cameron, a Vietnam veteran who is wanted for attempted murder, is caught by police but escapes. Crossing a bridge, he dodges a car that seems to be trying to run him down; when he turns around, the car has disappeared. A helicopter flies close to the bridge and a man inside looks at Cameron. Later, Cameron is attracted to a movie shoot — a World War I battle scene. Afterwards, he notices an older woman who walks through the set greeting the actors, then falls in the water. Cameron dives in to rescue her and is horrified when she pulls off her face — a mask. She is the movie's leading actress, Nina Franklin, testing make-up for scenes set late in her character's life.
The director, Eli Cross, the man in the helicopter, descends from the sky on his camera crane. He offers Cameron a job, explaining that their last stunt man just ran a car off a bridge. They haven't found the body, and Eli can't afford the production delays if police get involved. The police chief is aware of the accident but Eli convinces him that Cameron is the stuntman. Cameron accepts the job. Eli shows the police film footage that seems to show that Cameron was never on the bridge.
Denise, the film's hair stylist, dyes Cameron's hair in order to make him resemble the leading man, Raymond Bailey, and harder to recognize. Cameron is convinced Eli is selling him out to the police but Eli reassures him that he is not. Cameron learns from Chuck, the stunt coordinator, and films a scene where he is chased across the roof of a large building and falls through a skylight into a bordello. At the same time, Cameron gets involved with Nina, who once had a romance with Eli, who becomes jealous of Cameron.
The last shoot at the current location involves Cameron's most difficult stunt, driving off a bridge and escaping under water — the same scene Burt was shooting when he died. Cameron believes Eli is trying to kill him, and will use the stunt to make it look like an accident.
The morning before the shoot Cameron tells Nina he planned to open an ice cream shop when he got home from Vietnam with a friend, but his friend did not want Cameron around because Cameron's girlfriend had left Cameron for the friend. Enraged, Cameron destroyed the ice cream shop. When a cop showed up, Cameron knocked him out, leaving his head freezing in a bucket of ice cream, resulting in an attempted murder charge. Nina and Cameron plan to escape together: Nina will hide in the trunk of the car, which Cameron will drive away in the morning instead of driving off the bridge.
Chuck has planted an explosive in one of the tires to make the car's tumble look more realistic. Cameron starts the scene too early. The car goes into the water when Chuck triggers the exploding tire, and Cameron scrambles to reach Nina in the trunk, until he looks out the window and sees Nina with Eli on the bridge. The air bottle Cameron is supposed to use to breathe seems to have been sabotaged, but he is able to get out of the car anyway. Cameron emerges and notices there were divers in the water with him all the time. Nina tells him that she was found in the trunk hours before the shoot, and Eli told her Cameron had decided to do the stunt. Eli explains that he would not let Cameron run off thinking he was trying to kill him. The best way to convince Cameron of Eli's good will, Eli felt, was to make sure Cameron got through the stunt in one piece. Cameron, though furious, is amused and relieved to survive. Cameron and Eli bicker over Cameron's pay and plan to catch a plane to the production's next location.
Shortly after Paul Brodeur published the original novel, his Harvard University classmate Frederick Wiseman initially agreed to direct an adaptation but quickly departed the project. Columbia Pictures held on to the film rights to the novel, and considered either Arthur Penn or François Truffaut to direct it. They both expressed interest but declined in favor of other projects, although they did incorporate elements of the film into their projects Day for Night (1973) and Night Moves (1975). [6]
Columbia Pictures finally offered the film to Richard Rush on the strength of the success of his previous film, Getting Straight . [7] Rush initially rejected, then ultimately accepted directing The Stunt Man. In July 1971, Columbia announced that Rush would direct the film with William Castle as executive producer. [8] Rush then penned a 150-page treatment different from the book; in the novel, the characters were all crazy, and in the screenplay, they were instead "sane in a world gone mad." [3] Columbia executives then rejected the script, saying it was difficult to find a genre to place it in. Said Rush: "They couldn't figure out if it was a comedy, a drama, if it was a social satire, if it was an action adventure...and, of course, the answer was, 'Yes, it's all those things.' But that isn't a satisfactory answer to a studio executive." Rush then bought the film rights from Columbia Rush and Lawrence B. Marcus completed a screenplay nine months later, but could not convince any other studios to fund the film. [6] shopped the film to other studios, to no avail. [6]
Rush spent the next several years unsuccessfully pitching both The Stunt Man and One Flew Over the Cuckoo's Nest (1975), which he had optioned from Michael Douglas, to different studios. Rush was finally offered several deals to finance The Stunt Man in 1976, but they collapsed after Warner Bros. Pictures began developing a similarly titled film called The Stuntman. Rush challenged Warner Bros. to Motion Picture Association of America arbitration which also delayed The Stuntman for several years and forced Warner Bros. to change its title to Hooper (1978). Trans World Entertainment agreed to finance the film and principal photography was planned to begin in San Diego on October 17, 1977. The production was cancelled at the last minute after Rush and Ely Landau could not agree on casting. Funding for the picture finally came in 1978 from Melvin Simon, who had made a fortune in real estate. [3] [6]
Production began in the summer of 1978. Many scenes were filmed in and around the historic Hotel del Coronado in Coronado, California. The film was delayed after Rush suffered a heart attack in the autumn of 1979. Although the film was completed in August 1980, it still could not find a distributor. Simon booked the film at a single cinema in Seattle, followed by two more in Dallas and Westwood, Los Angeles. 20th Century Fox finally agreed to distribute the film on November 3, 1980, after it won the Grand Prize at the Montreal World Film Festival. [6]
Peter O'Toole mentions in his DVD commentary that he based his character on David Lean who directed him in Lawrence of Arabia .
Reviewing it upon its release, Roger Ebert wrote "there was a great deal in it that I admired... [but] there were times when I felt cheated". [9] He gave the film two stars but noted that others had "highly recommended" it. In an October 17, 1980, review in The New York Times , Janet Maslin noted "the film's cleverness is aggressive and cool," but concluded that although "the gamesmanship of The Stunt Man is fast and furious... gamesmanship is almost all it manages to be". [10] Jay Scott called it "[t]he best movie about making a movie ever made, but the achievement merely begins there. ... Imagine a picture an eight-year-old and Wittgenstein could enjoy with equal fervor." [11] Pauline Kael considered it "a virtuoso piece of kinetic moviemaking" and rated it one of year's best films; she called O'Toole's comic performance "peerless". [12]
As of November 2023 [update] , the comedy drama film [13] held a 91% "Fresh" rating on Rotten Tomatoes based on 43 reviews. The critics consensus states, "The Stunt Man is a preposterously entertaining thriller with a clever narrative and Oscar-worthy (nomination, at least!) Peter O'Toole performance." [14]
The Stunt Man received three Oscar nominations:
The Stunt Man was released on DVD on November 20, 2001 in two versions by Anchor Bay Entertainment. The first version is a standard release featuring two deleted scenes and a commentary by director Richard Rush. The second version is a limited edition (100,000 copies) containing everything from the standard release as well as the 2000 documentary The Sinister Saga of Making "The Stunt Man".
The film's theme song "Bits & Pieces" is sung by Dusty Springfield.
Peter Seamus O'Toole was an English actor. Known for his leading roles on stage and screen, he received several accolades including the Academy Honorary Award, a BAFTA Award, a Primetime Emmy Award, and four Golden Globe Awards as well as nominations for a Grammy Award and a Laurence Olivier Award.
Spider-Man is a 2002 American superhero film based on the Marvel Comics character Spider-Man. Directed by Sam Raimi from a screenplay by David Koepp, it is the first installment in Raimi's Spider-Man trilogy. The film stars Tobey Maguire, Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, and Rosemary Harris. The story follows timid teenager Peter Parker, who gains superhuman abilities after being bitten by a genetically engineered spider. He adopts the masked persona "Spider-Man" and begins to fight crime in New York City, facing the malevolent Green Goblin in the process.
XXX is a 2002 American action film directed by Rob Cohen, produced by Neal H. Moritz and written by Rich Wilkes. The first installment in the xXx film series, the film stars Vin Diesel as Xander Cage, a thrill-seeking extreme sports enthusiast, stuntman, and rebellious athlete-turned-reluctant spy for the National Security Agency. Cage is sent on a dangerous mission to infiltrate a group of potential Russian terrorists in Central Europe. The film also stars Asia Argento, Marton Csokas, and Samuel L. Jackson. Cohen, Moritz, and Diesel had previously worked on The Fast and the Furious (2001) as director, producer and cast member respectively. The film grossed $277.4 million worldwide and was followed by two sequels, xXx: State of the Union (2005) and xXx: Return of Xander Cage (2017).
Hooper is a 1978 American action comedy film directed by Hal Needham and starring Burt Reynolds, Sally Field, Jan-Michael Vincent, Brian Keith, Robert Klein, James Best and Adam West. The film serves as a tribute to stuntmen and stuntwomen in what was at one time an underrecognized profession. At the time of filming, Field and Reynolds were in a relationship, having met on the set of Smokey and the Bandit the previous year.
Hal Brett Needham was an American stuntman, film director, actor, writer, and NASCAR team owner. He is best known for his frequent collaborations with actor Burt Reynolds, usually in films involving fast cars, such as Smokey and the Bandit (1977), Hooper (1978), The Cannonball Run (1981) and Stroker Ace (1983).
Steve Railsback is an American theatre, film, and television actor. He is best known for his performances in the films The Stunt Man and Lifeforce, and his portrayal of Charles Manson in the 1976 television mini-series Helter Skelter.
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William Carey Loftin was an American professional stuntman, stunt coordinator and actor in the U.S. film industry. He is considered to be one of the film industry's most accomplished stunt drivers. In a lengthy career spanning 61 years, his body of work included classic films such as Thunder Road, Bullitt, Vanishing Point, Duel, and The French Connection. He was posthumously inducted into the AMA Motorcycle Hall of Fame in 2001.
Tarzan, the Ape Man is a 1981 American adventure film directed by John Derek and starring Bo Derek, Miles O'Keeffe, Richard Harris, and John Phillip Law. The screenplay by Tom Rowe and Gary Goddard is loosely based on the 1912 novel Tarzan of the Apes by Edgar Rice Burroughs, but from the point of view of Jane Parker.
Richard Rush was an American film director, scriptwriter, and producer. He is known for directing The Stunt Man, for which he received a nomination for the Academy Award for Best Director. His film Color of Night won a Golden Raspberry Award as the worst film of 1994, but Maxim magazine also singled the film out as having the best sex scene in film history. Rush, whose directing career began in 1960, also directed Freebie and the Bean, a police buddy comedy/drama starring Alan Arkin and James Caan. He co-wrote the screenplay for the 1990 film Air America.
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Adam Roarke was an American actor and film director.
Death Proof is a 2007 American slasher film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
Million Dollar Mystery is a 1987 American film released with a promotional tie-in for Glad-Lock brand bags. This was the final feature-length film directed by Richard Fleischer and shot by Jack Cardiff.
Aaron Dee Norris is an American stunt performer, director, occasional actor, and film and television producer. He is the younger brother of action film star Chuck Norris.
Tom Steele was a stunt man and actor, best remembered for appearing in serials, especially those produced by Republic Pictures, in both capacities.
Stunts, also released as The Deadly Game, is a 1977 American adventure thriller film set in the world of movie stunt performers directed by Mark L. Lester and starring Robert Forster, Fiona Lewis and Ray Sharkey. The first film produced by New Line Cinema, Stunts was part of a late 1970s/early 1980s cycle of stunt performer films that included stunt man-turned-director Hal Needham's Hooper (1978) and Richard Rush's The Stunt Man (1980).
ActionFest was an annual film festival in Asheville, NC, started by Carolina Cinemas and Magnolia Pictures founder Bill Banowsky and action director/producer Aaron Norris, along with Dennis Berman and Tom Quinn. ActionFest was the first film festival in the world devoted exclusively to action film. It was also the only film festival in the world that honoring stunt performers, filling a void caused by the decision of the Academy of Motion Picture Arts and Sciences not to recognize stunt men and stunt women in its Academy Awards. ActionFest's stated mission was to "recognize, honor and appreciate the remarkable efforts of these amazing people who risk their lives every day to make Hollywood films look exciting and great."