Life with Father | |
---|---|
Directed by | Michael Curtiz |
Screenplay by | Donald Ogden Stewart |
Based on | Life with Father 1935 autobiography by Clarence Day 1939 play by Howard Lindsay and Russel Crouse |
Produced by | Robert Buckner |
Starring | William Powell Irene Dunne Elizabeth Taylor |
Cinematography | William V. Skall J. Peverell Marley |
Edited by | George Amy |
Music by | Max Steiner |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 118 minutes |
Country | United States |
Language | English |
Budget | $4,710,000 |
Box office | $6,455,000 |
Life with Father is a 1947 American Technicolor comedy film adapted from the 1939 play of the same name, which was inspired by the autobiography of stockbroker and The New Yorker essayist Clarence Day. [1] [2]
It tells the true story of Day and his family in the 1880s. His father, Clarence Sr., wants to be master of his house, but finds his wife, Vinnie, and his children ignoring him until they start making demands for him to change his life. The story draws largely on Clarence Sr.'s stubborn, sometimes ill-tempered nature and Vinnie's insistence that he be baptized. It stars William Powell and Irene Dunne as Clarence Sr. and his wife, supported by Elizabeth Taylor, Edmund Gwenn, ZaSu Pitts, Jimmy Lydon, and Martin Milner. [3]
Stockbroker Clarence Day is the benevolent curmudgeon of his 1880s New York City household, striving to make it function as efficiently as his Wall Street office but usually failing. His wife Vinnie is the real head of the household. In keeping with Day's actual family, all of his children are redheaded boys. The anecdotal story encompasses such details as Clarence's attempts to find a new maid, a romance between his oldest son Clarence Jr. and pretty out-of-towner Mary Skinner, a plan by Clarence Jr. and his younger brother John to make easy money selling patent medicines, Clarence's general contempt for the era's political corruption and the trappings of organized religion, and Vinnie's push to get him baptized so he can go to heaven. [4]
The movie was adapted by Donald Ogden Stewart from the 1939 play by Howard Lindsay and Russel Crouse, based on the 1935 autobiography by Clarence Day, Jr. Day had worked as a stockbroker and was an author and cartoonist for The New Yorker. It was directed by Michael Curtiz.
Due to the Motion Picture Production Code standards of the day, the play's last line (in response to a policeman asking Mr. Day where he is going) "I'm going to be baptized, dammit!" had to be rewritten for the film, with the final word omitted. Mr. Day's frequent outbursts of "Oh, God!" were changed to "Oh, gad!" for the same reason.
Leading film critics in 1947 gave Life with Father high marks, especially with regard to the quality of Warner Bros.' screen adaptation of the popular Broadway play and the quality of the cast's performances. The New York Times in its review directed special attention to William Powell's portrayal of Clarence Day:
A round-robin of praise is immediately in order for all those, and they were many indeed, who assisted in filming Life with Father. All that the fabulous play had to offer in the way of charm, comedy, humor and gentle pathos is beautifully realized in the handsomely Technicolored picture, which opened yesterday at the Warner (formerly the Hollywood) Theatre. William Powell is every inch Father, from his carrot patch dome to the tip of his button-up shoes. Even his voice, always so distinctive, has taken on a new quality, so completely has Mr. Powell managed to submerge his own personality. His Father is not merely a performance; it is character delineation of a high order and he so utterly dominates the picture that even when he is not on hand his presence is still felt. [5]
Film Daily summarized Life with Father as "one of the finer examples of film making in Technicolor" that provides "a delightfully different insight into the human comedy of another day." [6] Variety complimented Irene Dunne's restrained performance as Vinnie as well as the work of the film's supporting players and the production's cinematography and overall direction:
Miss Dunne and Powell have captured to a considerable extent the play's charm...Miss Dunne compares very favorably with the Dorothy Stickney original role, exacting the comedy from the part without overplaying it...
Elizabeth Taylor, as the vis-a-vis for Clarence Day, Jr., is sweetly feminine as the demure visitor to the Day household, while Jimmy Lydon, as young Clarence, is likewise effective as the potential Yale man. Edmund Gwenn, as the minister, and ZaSu Pitts, a constantly visiting relative, head the supporting players who contribute stellar performances.
It's a superlative production all the way, and no less important than any other feature of the pic is the photography. Michael Curtiz' direction is excellent, though unable to achieve, because of the very nature of the pic, anything more than a pedestrian pace. [1]
According to Warner Bros., the film earned them $5,057,000 in the U.S. and $1,398,000 in other markets, for a total of $6,455,000 against a production budget of $4,710,000. [7] [8]
Life with Father was nominated for Academy Awards for Best Actor in a Leading Role (William Powell), Best Art Direction-Set Decoration, Color (Robert M. Haas, George James Hopkins), Best Cinematography, Color and Best Music, Scoring of a Dramatic or Comedy Picture. [9]
Through a clerical error, Life with Father was not renewed for copyright and fell into the public domain in 1975. [10]
Warner Bros. (or United Artists, the former owner of pre-1950 Warner Bros. films[ citation needed ]) still owns the theatrical distribution and music rights to the film, but other companies have been able to release non-theatrical, public-domain versions.[ citation needed ]
Michael Curtiz was a Hungarian-American film director, recognized as one of the most prolific directors in history. He directed classic films from the silent era and numerous others during Hollywood's Golden Age, when the studio system was prevalent.
Life with Father is a 1939 play by Howard Lindsay and Russel Crouse, adapted from a humorous autobiographical book of stories compiled in 1935 by Clarence Day. The Broadway production ran for 3,224 performances over 401 weeks to become the longest-running non-musical play on Broadway, a record that it still holds. The play was adapted into a 1947 feature film and a television series.
George Randolph Scott was an American film actor, whose Hollywood career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in dramas, comedies, musicals, adventures, war, horror and fantasy films, and Westerns. Out of his more than 100 film appearances, more than 60 of them were Westerns.
Irene Dunne was an American actress who appeared in films during the Golden Age of Hollywood. She is best known for her comedic roles, though she performed in films of other genres.
Edmund Gwenn was an English actor. On film, he is best remembered for his role as Kris Kringle in the Christmas film Miracle on 34th Street (1947), for which he won the Academy Award for Best Supporting Actor and the corresponding Golden Globe Award. He received a second Golden Globe and another Academy Award nomination for the comedy film Mister 880 (1950). He is also remembered for his appearances in four films directed by Alfred Hitchcock.
Clarence Shepard Day Jr. was an American author and cartoonist, best known for his 1935 work Life with Father.
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Four's a Crowd is a 1938 American romantic comedy film directed by Michael Curtiz, starring Errol Flynn, Olivia de Havilland, Rosalind Russell and Patric Knowles. The picture was written by Casey Robinson and Sig Herzig from a story by Wallace Sullivan. This was the fourth of nine films in which Errol Flynn and Olivia de Havilland appeared.
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William Horatio Powell was an American actor, known primarily for his film career. Under contract with Metro-Goldwyn-Mayer, he was paired with Myrna Loy in 14 films, including the Thin Man series based on the Nick and Nora Charles characters created by Dashiell Hammett. Powell was nominated for the Academy Award for Best Actor three times: for The Thin Man (1934), My Man Godfrey (1936), and Life with Father (1947).
Romance on the High Seas is a 1948 American musical romantic comedy film directed by Michael Curtiz, and starred Jack Carson, Janis Paige, Don DeFore and Doris Day in her film debut. Busby Berkeley was the choreographer. The film was nominated for two Academy Awards, for Original Song for "It's Magic", and Music, Scoring of a Musical Picture.
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Nothing But the Truth is a 1929 American pre-Code sound comedy film starring Richard Dix, loosely adapted from the play by James Montgomery and the 1914 novel of the same title by Frederic S. Isham. The play was adapted again as Nothing But the Truth (1941) starring Bob Hope and Paulette Goddard.
Heather Wilde is an English actress who was active in stage and screen productions in both England and the United States between the late 1930s and 1950s. In films she was often cast in small uncredited roles. Wilde is perhaps best known today for her performances as a supporting character in two popular, critically acclaimed American comedies: as the primping little actress Miss Plupp in The Bank Dick (1940) starring W. C. Fields and as the anxious housemaid Annie in Life with Father (1947) starring William Powell and Irene Dunne.
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