Five Star Final is a 1931 American pre-Code drama film about the excesses of tabloid journalism directed by Mervyn LeRoy and starring Edward G. Robinson, Aline MacMahon and Boris Karloff. The screenplay was by Robert Lord and Byron Morgan based on the 1930 play of the same name by Louis Weitzenkorn. The title refers to the practice of newspapers publishing a series of editions throughout the day, with their final-edition front page having five stars printed and the word "Final." "Five Star Final" is also a font introduced during World War I and then favored by newspapers for its narrow type.
Kings Row is a 1942 film starring Ann Sheridan, Robert Cummings, Ronald Reagan and Betty Field that tells a story of young people growing up in a small American town at the turn of the twentieth century. The picture was directed by Sam Wood. The film was adapted by Casey Robinson from a best-selling 1940 novel of the same name by Henry Bellamann. The musical score was composed by Erich Wolfgang Korngold, and the cinematographer was James Wong Howe. The supporting cast features Charles Coburn, Claude Rains, Judith Anderson and Maria Ouspenskaya.
Arsenic and Old Lace is a 1944 American black comedy film directed by Frank Capra and starring Cary Grant. The screenplay by Julius J. Epstein and Philip G. Epstein is based on Joseph Kesselring's 1941 play of the same name. The contract with the play's producers stipulated that the film would not be released until the Broadway run ended. The original planned release date was September 30, 1942. The play was a hugely successful, running for three and a half years, so the film was not released until 1944.
Lucille La Verne was an American actress known for her appearances in early sound films, as well as for her triumphs on the American stage. She is most widely remembered as the voices of the Old Witch in the 1932 Silly Symphony short, Babes in the Woods, and the first Disney villain, the Evil Queen, Snow White's wicked stepmother from Snow White and the Seven Dwarfs (1937), Walt Disney's first full-length animated feature film as well as her final film role.
Black Friday is a 1940 American horror film starring Boris Karloff and Bela Lugosi.
The Body Snatcher is a 1945 American horror film directed by Robert Wise, based on the 1884 short story of the same name by Robert Louis Stevenson. Philip MacDonald adapted the story for the screen, and producer Val Lewton, credited as "Carlos Keith", modified MacDonald's screenplay. The film stars Boris Karloff as John Gray, a cab driver who moonlights as a grave robber, and later murderer, to illegally supply Dr. MacFarlane with cadavers for his classes, and makes mention of Burke, Hare, and Dr. Knox, in reference to the West Port murders of 1828. Alongside Karloff and Daniell, the film's cast includes Russell Wade, Edith Atwater, and Bela Lugosi. It was the last film in which both Karloff and Lugosi appeared.
The Raven is a 1935 American horror film directed by Louis Friedlander and starring Boris Karloff and Béla Lugosi. Billed as having been "suggested by" Edgar Allan Poe's 1845 poem of the same title, excerpts of which are quoted at a few points in the film, it was adapted from an original screenplay by David Boehm. Lugosi stars as a neurosurgeon obsessed with Poe who has a torture chamber in his basement, and Karloff plays an escaped murderer on the run from the police who Lugosi manipulates into doing his dirty work.
The Man They Could Not Hang is a 1939 American horror film directed by Nick Grinde from a screenplay by Karl Brown. It stars Boris Karloff as Dr. Henryk Savaard, a scientist who develops a procedure for bringing the dead back to life. When he is arrested and sentenced to be executed for murdering a young medical student who volunteered to be killed to test the procedure, Savaard vows retribution on the individuals responsible. Alongside Karloff, the film's cast includes Lorna Gray, Robert Wilcox, and Roger Pryor.
The Ape is a 1940 American horror film directed by William Nigh. The film is based on Adam Hull Shirk's play The Ape, which was previously adapted by Nigh as The House of Mystery (1934). The film stars Boris Karloff as Dr. Bernard Adrian who is seeking to cure a young woman's polio through experiments involving spinal fluid. Meanwhile, a vicious ape has been terrorising the towns locals, and breaking into Adrian's lab. A battle ensues between the two leading to the destruction of, leading to Adrian deciding to skin the ape and disguise himself as the beast in order to get more spinal fluid which was destroyed in the battle.
Dr. Ehrlich's Magic Bullet is a 1940 American biographical film directed by William Dieterle and starring Edward G. Robinson, based on the true story of the German doctor and scientist Dr. Paul Ehrlich. The film was released by Warner Bros., with some controversy considering the subject of syphilis in a major studio release. It was nominated for an Oscar for its original screenplay, but lost to The Great McGinty.
The Haunted Strangler is a 1958 British horror film directed by Robert Day. It was adapted from "Stranglehold", a story which screenwriter Jan Read had written specially for Boris Karloff, and was shot back to back with producer Richard Gordon's Fiend Without a Face, with both later being released as a double feature by MGM.
Marian Marsh was a Trinidad-born American film actress and later an environmentalist.
The Walking Dead is a 1936 American horror film directed by Michael Curtiz and starring Boris Karloff, who plays a wrongly executed man who is restored to life by a scientist. The supporting cast features Ricardo Cortez, Marguerite Churchill, and Barton MacLane. The film was distributed by Warner Bros.
The Black Room is a 1935 American horror film directed by Roy William Neill and starring Boris Karloff. Cinematography was done by Allen G. Siegler.
Frankenstein 1970 is a 1958 science fiction/horror film, shot in black and white CinemaScope, starring Boris Karloff and featuring Don "Red" Barry. The independent film was directed by Howard W. Koch, written by Richard Landau and George Worthing Yates, and produced by Aubrey Schenck. It was released theatrically in some markets on a double feature with Queen of Outer Space.
The Mad Genius (1931) is an American pre-Code drama film produced and distributed by Warner Bros. and directed by Michael Curtiz. The film stars John Barrymore, Marian Marsh, Donald Cook, Charles Butterworth, and in small roles, Boris Karloff and Frankie Darro. The film is based on the play The Idol (1929) by Martin Brown, which opened in Great Neck, Long Island but never opened on Broadway.
Life Begins is a 1932 American pre-Code drama film starring Loretta Young, Eric Linden, Aline MacMahon, and Glenda Farrell. The film was adapted from the 1932 play of the same name by Mary M. Axelson. It was released by Warner Bros. on September 10, 1932. The film was praised for its honest portrayal of a maternity ward.
Devil's Island is a 1939 American prison film directed by William Clemens and starring Boris Karloff. This film is notable for Karloff in a then-rare sympathetic role, as opposed to his usual antagonistic characters in horror films. The plot appears to have been recycled from John Ford's The Prisoner of Shark Island, which depicted the true story of doctor Samuel Mudd, who treated the injury of John Wilkes Booth after he assassinated Lincoln.
The Lash is a 1930 American pre-Code Western film produced and distributed by First National Pictures, a subsidiary of Warner Bros. It had an alternate title of Adios. The film was directed by Frank Lloyd and stars Richard Barthelmess, Mary Astor, James Rennie and Marian Nixon. The film was issued in two formats: Warner Bros. 65mm Vitascope wide screen and regular 35mm. The Vitaphone sound system was used for recording. Exteriors were filmed at the current Westlake Village, California and Russell Ranch of Thousand Oaks, California areas near Los Angeles. It was adapted for the screen by Bradley King from a story Adios by Fred Bartlett and Virginia Stivers Bartlett.
Dr. Monica is a 1934 American pre-Code melodrama film produced by Warner Bros. starring Kay Francis, Warren William, and Jean Muir. An obstetrician, who is unable to have children, discovers that the baby she is about to deliver was fathered by her husband.
