Yankee Doodle Dandy (film) | |
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Directed by | Michael Curtiz |
Written by |
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Produced by | |
Starring | |
Cinematography | James Wong Howe |
Edited by | George Amy |
Music by | Score and songs George M. Cohan Score adaptation: Ray Heindorf Heinz Roemheld |
Distributed by | Warner Bros. |
Release date |
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Running time | 126 minutes |
Country | United States |
Language | English |
Budget | $1.5 million [1] |
Box office | $6.5 million [1] |
Yankee Doodle Dandy is a 1942 American biographical musical drama film about George M. Cohan, known as "The Man Who Owned Broadway". [2] It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp, Jeanne Cagney, and Vera Lewis. Joan Leslie's singing voice was partially dubbed by Sally Sweetland.
The film was written by Robert Buckner and Edmund Joseph, and directed by Michael Curtiz. According to the special edition DVD, significant and uncredited improvements were made to the script by the twin brothers Julius J. Epstein and Philip G. Epstein. The film was a major hit for Warner Brothers, and was nominated for eight Academy Awards, including Best Picture, winning three.
In 1993, Yankee Doodle Dandy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", and in 1998, the film was included on the American Film Institute's 100 Years...100 Movies list, a compilation of the 100 greatest films in American cinema.
In the early days of World War II, George M. Cohan comes out of retirement to star as President Roosevelt in the Rodgers and Hart musical I'd Rather Be Right. On the show's first night, he is summoned to the White House to meet the President, who presents him with a Congressional Gold Medal (although the Cohan character on screen incorrectly identifies the award as the Congressional Medal of Honor). Cohan is overcome and chats with Roosevelt, recalling his early days on the stage.
The film flashes back to Cohan's supposed July 4 birth while his father is performing on the vaudeville stage.
Cohan and his sister join the family act as soon as they learn to dance, and soon The Four Cohans are performing successfully. But George gets cocky as he grows up and is blacklisted by theatrical producers for being troublesome. He leaves the act and hawks his songs unsuccessfully to producers.
In partnership with Sam Harris, another struggling writer, Cohan finally interests a producer and they are on the road to success. He marries Mary, a young singer/dancer. As his star ascends, he persuades his now-struggling parents to join his act, eventually vesting some of his valuable theatrical properties in their name. Cohan retires but returns to the stage several times, culminating in the role of the U.S. President.
The film returns to the White House, where George has just received the Congressional Gold Medal. As Cohan leaves, he tap-dances down a set of stairs (which Cagney thought up before the scene was filmed and undertook without rehearsal). Outside, Cohan joins a military parade where the soldiers are singing "Over There"; at first, he isn't singing. Not knowing Cohan is the song's composer, one of the soldiers asks if he knows the words. Cohan responds with a smile before joining in.
Cast notes:
Cagney, like Cohan, was an Irish-American who had been a song-and-dance man early in his career. His unique and seemingly odd presentation style, of half-singing and half-reciting the songs, reflected the style that Cohan himself used. His natural dance style and physique were also a good match for Cohan. Newspapers at the time reported that Cagney intended to consciously imitate Cohan's song-and-dance style, but to play the normal part of the acting in his own style. Although director Curtiz was known as a taskmaster, he also gave his actors some latitude. Cagney and other players came up with a number of "bits of business", as Cagney called them, meaning improvised lines or action in theater parlance. [6]
A number of the biographical particulars of the movie are Hollywood-ized fiction, such as omitting the fact that Cohan divorced and remarried. Cohan's two wives, Ethel and Agnes, were combined into a single character named Mary (in the film, Cohan wrote Mary's A Grand Old Name about her). It also took some liberties with the chronology of Cohan's life and the order of his parents' deaths.
In one scene, after Cohan suffers a flop with an atypical non-musical drama, Popularity, he writes a telegram apologizing to the public. He then leaves the Western Union office to find newspaper sellers announcing the torpedoing of the Lusitania. In reality, the failed play was staged in 1906 and the Lusitania's sinking occurred in 1915. [7]
Nevertheless, care was taken to make the sets, costumes, and dance steps match the original stage presentations. Cagney sprained an ankle twice while mastering Cohan's stiff-legged dance style. This effort was aided significantly by Jack Boyle, a former associate of Cohan's who knew the original productions well. Boyle was also in some of the dancing groups featured in the movie.
Cagney, as Cohan, is shown performing as a singing and dancing version of President Franklin D. Roosevelt. Although it was well known, Roosevelt's use of a wheelchair after a paralytic illness was not emphasized at the time. In the film, Roosevelt never leaves his chair when meeting Cohan.
Cohan himself served as a consultant during the production of the film, as well as being credited with the incidental score. Due to his failing health, his actual involvement in the film was limited. But when completed, the film was privately screened for Cohan and he commented on Cagney's performance: "My God, what an act to follow!" [8]
Because of Cohan's health, Warner Brothers moved the scheduled gala premiere from July 4 to May 29. The original date was chosen because of the film's patriotic theme and because in the movie, Cohan is said to have been born on the Fourth of July (as he wrote in the lyrics of "Yankee Doodle Dandy"). However, Cohan was actually born July 3. Cohan lived for several months after the film's release.
The movie poster for this film was the first ever produced by noted poster designer Bill Gold.
Cagney had initially been opposed to a biopic of Cohan's life, having disliked Cohan since the Actors' Equity Strike in 1919 in which he sided with the producers. In 1940, Cagney and 15 other Hollywood figures were named in the grand jury testimony of John R. Leech, self-described "chief functionary" of the Los Angeles Communist Party who had been subpoenaed by the House Committee on Un-American Activities. The New York Times printed a front-page allegation that Cagney was a communist. Cagney refuted the accusation and Martin Dies, Jr. made a statement to the press clearing Cagney. William Cagney, one of the film's producers, reportedly told his brother "We're going to have to make the goddamndest patriotic picture that's ever been made. I think it's the Cohan story". [9]
The film nearly doubled the earnings of Captains of the Clouds (1942), Cagney's previous effort, bringing in more than $6 million in rentals to Warner Brothers. [10] According to Warner Brothers records, it earned $4,631,000 domestically and $1,892,000 foreign. [1] This made it the biggest box-office success in the company's history up to that time. The star earned his contractual $150,000 salary and nearly half a million dollars in profit sharing. [11] According to Variety , the film earned $4.8 million in theatrical rentals through its North American release. [12]
Contemporary reviews were highly positive. Bosley Crowther of The New York Times said film patrons would do well to see it, for "you will find as warm and delightful a musical picture as has hit the screen in years, a corking good entertainment and as affectionate, if not as accurate, a film biography as has ever—yes, ever—been made ... there is so much in this picture and so many persons that deserve their meed of praise that every one connected with it can stick a feather in his hat and take our word—it's dandy!" [13] Variety called the film "as entertaining as any top filmusical ever made ... James Cagney does a Cohan of which the original George M. might well be proud." [14] Harrison's Reports wrote: "Excellent! Audiences should find this musical comedy, which is based on the life of George M. Cohan, one of the most sparkling and delightful musical pictures that have ever been brought to the screen. Much of its entertainment value is due to the exceptionally fine performance of James Cagney, whose impersonation of Mr. Cohan is uncanny—his gestures, his talk, and his dancing, are done to perfection." [15] John Mosher of The New Yorker called the film "a complete delight, an extravaganza of tunes the country has liked for decades," although he considered it "dubious" as a biography of Cohan. [16]
Review aggregator website Rotten Tomatoes reports that 90% of 29 critics' reviews are positive, with an average rating of 7.9/10. The site's critics consensus reads: "James Cagney deploys his musical gifts to galvanizing effect in Yankee Doodle Dandy, a celebration of patriotic fervor as much as it is a biopic of George M. Cohan." [17] On Metacritic, the film has a weighted average score of 89 out of 100, based on 10 critics, indicating "universal acclaim". [18]
The film won Academy Awards for Best Actor in a Leading Role (James Cagney), Best Music, Scoring of a Musical Picture (Ray Heindorf and Heinz Roemheld), and Best Sound Recording (Nathan Levinson). It was nominated for Best Actor in a Supporting Role (Walter Huston), Best Director, Best Film Editing for George Amy, Best Picture and Best Writing, Original Story. [19] In 1993, Yankee Doodle Dandy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
American Film Institute recognition
James Francis Cagney Jr. was an American actor and dancer. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances.
I'd Rather Be Right is a 1937 musical with a book by Moss Hart and George S. Kaufman, lyrics by Lorenz Hart, and music by Richard Rodgers. The story is a Depression-era political satire set in New York City about Washington politics and political figures such as President Franklin D. Roosevelt. The plot centers on Peggy Jones and her boyfriend Phil, who needs a raise in order for them to get married. The President steps in and solves their dilemma.
This Is the Army is a 1943 American wartime musical comedy film produced by Jack L. Warner and Hal B. Wallis and directed by Michael Curtiz, adapted from a wartime stage musical with the same name, designed to boost morale in the U.S. during World War II, directed by Ezra Stone. The screenplay by Casey Robinson and Claude Binyon was based on the 1942 Broadway musical written by James McColl and Irving Berlin, with music and lyrics by Berlin. Berlin composed the film's 19 songs, and sang one of them.
Joan Leslie was an American actress and vaudevillian, who during the Hollywood Golden Age, appeared in such films as High Sierra (1941), Sergeant York (1941), and Yankee Doodle Dandy (1942).
"The Yankee Doodle Boy", also known as "(I'm a) Yankee Doodle Dandy" is a patriotic song from the Broadway musical Little Johnny Jones, written by George M. Cohan. The play opened at the Liberty Theater on November 7, 1904. The play concerns the trials and tribulations of a fictional American jockey, Johnny Jones, who rides a horse named Yankee Doodle in the English Derby. Cohan incorporates snippets of several popular traditional American songs into his lyrics of this song, as he often did with his songs. The song was performed by James Cagney in the 1942 film Yankee Doodle Dandy, in which he played Cohan.
Rosemary Shirley DeCamp was an American radio, film, and television actress.
"Give My Regards to Broadway" is a song written by George M. Cohan for his musical play Little Johnny Jones which debuted in 1904 in New York.
The Sky's The Limit is a 1943 romantic musical comedy film starring Fred Astaire and Joan Leslie, with music by Harold Arlen and lyrics by Johnny Mercer. The film was directed by Edward H. Griffith, and released by RKO Radio Pictures. Astaire plays a Flying Tiger pilot on leave. Robert T. Smith, a real former Flying Tiger pilot on leave before joining the Army Air Forces, was the technical adviser on the film. The comedy is provided by Robert Benchley — his second appearance in an Astaire picture — and Eric Blore, a stalwart from the early Astaire-Rogers pictures.
Little Johnny Jones is a musical by George M. Cohan. The show introduced Cohan's tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy." The "Yankee Doodle" character was inspired by real-life Hall of Fame jockey Tod Sloan.
"Harrigan" is a song written by George M. Cohan for the short-lived 1908 Broadway musical Fifty Miles from Boston when it was introduced by James C. Marlowe. It celebrates, and to some extent mocks, his own Irish heritage. It is also an affectionate homage to Edward Harrigan, a previous great Irish American contributor to American musical theater.
George M! is a Broadway musical based on the life of George M. Cohan, the biggest Broadway star of his day who was known as "The Man Who Owned Broadway." The book for the musical was written by Michael Stewart, John Pascal, and Francine Pascal. Music and lyrics were by George M. Cohan himself, with revisions for the musical by Cohan's daughter, Mary Cohan.
Edwin Fitzgerald Jr., known professionally as Eddie Foy Jr., was an American stage, film and television actor. His career spanned six decades, beginning as part of the vaudeville act Eddie Foy and the Seven Little Foys.
The Seven Little Foys is a Technicolor in VistaVision 1955 comedy film directed by Melville Shavelson starring Bob Hope as Eddie Foy. One highlight of the film is an energetic tabletop dance showdown sequence with Bob Hope as Eddie Foy and James Cagney as George M. Cohan. The story of Eddie Foy Sr. and the Seven Little Foys inspired a TV version in 1964 and a stage musical version, which premiered in 2007.
Something to Sing About (1937), re-released in 1947 as Battling Hoofer, is the second and final film James Cagney made for Grand National Pictures – the first being Great Guy – before mending relations with and returning to Warner Bros. It is one of the few films besides Footlight Parade and Yankee Doodle Dandy to showcase Cagney's singing and dancing talents. It was directed by Victor Schertzinger, who also wrote the music and lyrics of the original songs, as well as the story that Austin Parker's screenplay is based on. Cagney's co-stars are Evelyn Daw and William Frawley, and the film features performances by Gene Lockhart and Mona Barrie.
Where Do We Go from Here? is a 1945 romantic musical comedy-fantasy film directed by Gregory Ratoff and starring Fred MacMurray, Joan Leslie, June Haver, Gene Sheldon, Anthony Quinn and Fortunio Bonanova. It was produced by Twentieth Century-Fox. Joan Leslie's singing voice was dubbed by Sally Sweetland.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
The Hard Way is a 1943 Warner Bros. musical drama film starring Ida Lupino, Dennis Morgan, and Joan Leslie. Directed by Vincent Sherman, it is based on a story by Irwin Shaw which was reportedly based on Ginger Rogers' relationship with her first husband Jack Pepper and her mother Lela.
LeRoy Jerome Prinz was an American choreographer, director and producer, who was involved in the production of dozens of motion pictures, mainly for Paramount Pictures and Warner Brothers, from 1929 through 1958, and choreographed Broadway musicals. He was nominated three times for the Academy Award for Best Dance Direction in the 1930s, and won the Golden Globe in 1958.
Sally Sweetland was an American soprano singer and teacher. She was active in the film and recording industry during the 1940s and 50s, before moving into teaching.
Fred Santley, also known variously as Freddie Santley, Fredric Santley, Frederick Santley, Frederic Santley, and Fredric M. Santley, was an American character actor of the silent and sound film eras, as well as an actor on the Broadway stage.