The play was produced by Lindsay and Crouse and directed by Bretaigne Windust, and opened on Broadway at the Fulton Theatre on January 10, 1941. On September 25, 1943, the play moved to the Hudson Theatre, closing there on June 17, 1944, having played 1,444 performances.[1] The West End production – directed by Marcel Varnel and produced at London's Strand Theatre – enjoyed a similarly long run.[2] Opening on December 23, 1942, and closing on March 2, 1946, it totalled 1,337 performances.[3]
Of the 12 plays written by Kesselring, Arsenic and Old Lace was by far the most successful. According to the opening night review in The New York Times, the play was "so funny that none of us will ever forget it."[4]
Plot
Boris Karloff as Jonathan Brewster
The play is a farcicalblack comedy revolving around the Brewster family, descended from Mayflower settlers but now composed of maniacs, most of them homicidal. The hero, Mortimer Brewster, is a drama critic who must deal with his crazy, murderous family and local police in Brooklyn, New York, as he debates whether to go through with his recent promise to marry the woman he loves, Elaine Harper, who lives next door and is the daughter of the local minister.
His family includes two spinster aunts, Abby and Martha Brewster, who have taken to murdering lonely old men by poisoning them with a glass of home-made elderberry wine laced with arsenic, strychnine, and "just a pinch" of cyanide; a brother, Teddy, who believes he is Theodore Roosevelt and digs locks for the Panama Canal in the cellar of the Brewster home (which then serve as graves for the aunts' victims; he thinks that they died of yellow fever); and a murderous brother, Jonathan, who has received plastic surgery performed by an alcoholic accomplice, Dr. Einstein (a character based on real-life gangland surgeon Joseph Moran) to conceal his identity, and now looks like horror-film actor Boris Karloff (a self-referential joke. The part was originally played on Broadway by Karloff).
Throughout the play, Jonathan is plotting to kill his brother, in fact almost does in one scene. Mortimer is struggling to find solutions to rid his family of the crazy, eventually sending Teddy and his Aunts to a senior living home and letting Officer O'Hara deal with his brother.
The film adaptation follows the same basic plot, with a few minor changes.
The character Mortimer Brewster says of his family’s history that it is as if "...Strindberg wrote Hellzapoppin."
When Kesselring taught at Bethel College in North Newton, Kansas, he lived in a boarding house called the Goerz House, and many of the features of its living room are reflected in the Brewster sisters' living room, where the action of the play is set. The Goerz House is now the home of the college president.
The "murderous old lady" plot line may also have been inspired by actual events that occurred in a house on Prospect St in Windsor, Connecticut, where a woman, Amy Archer-Gilligan, took in boarders, promising "lifetime care," and poisoned them for their pensions. M. William Phelps book The Devil's Rooming House (2010) tells the story of the police officers and reporters from the Hartford Courant who solved the case.[6] Kesselring originally conceived the play as a heavy drama, but it is widely believed that producers Howard Lindsay and Russel Crouse (who were also well known as play doctors) convinced Kesselring that it would be much more effective as a comedy. According to The Encyclopedia of American Humorists, Lindsay and Crouse gave the play its title by adapting the title of a Frank Sullivan humor collection called Broccoli and Old Lace.[7]
National tours
In parallel with the main Broadway run (January 10, 1941 – June 17, 1944), a series of national roadshows took place, the first one in 1941–1942 which travelled to 57 cities in about 18 months,[8]:134 opening in Chicago on April 1, 1941.[9]:185 The cast comprised Laura Hope Crews as Abby Brewster, Effie Shannon as Martha Brewster, Angie Adams as Elaine Harper, Erich von Stroheim as Jonathan Brewster, Jack Whiting as Mortimer Brewster, and Forrest Orr as Teddy Brewster.[10] In December 1941, von Stroheim returned to New York to take over the role of Jonathan Brewster from Karloff on Broadway.[11]:273
A second national tour started on August 5–18, 1943 in San Francisco, then continued in Los Angeles from August 20 until October 24. The cast included Minna Phillips as Abby Brewster, Ida Moore as Martha Brewster, Louise Arthur as Elaine Harper, Bela Lugosi as Jonathan Brewster, Michael Whalen as Mortimer Brewster, and Herbert Corthell as Teddy Brewster. [12]:178–179
A third national tour took place on January 29, 1944 for a run of 80 performances throughout the Midwest and East Coast that lasted until June 3, 1944. The cast included Jean Adair as Abby Brewster, Ruth McDevitt as Martha Brewster, Ann Lincoln as Elaine Harper, Bela Lugosi as Jonathan Brewster, Jack Whiting as Mortimer Brewster, and Malcolm Beggs as Teddy Brewster.[12]:179–180
On January 5, 1955, a 60-minute version of the play aired on the CBS Television series The Best of Broadway. It starred Boris Karloff, recreating his stage role as homicidal maniac Jonathan Brewster. Helen Hayes and Billie Burke played his not-so-innocent aunts, Abby and Martha. Peter Lorre and Edward Everett Horton repeated their roles as Dr. Einstein and Mr. Witherspoon, which they had played in Frank Capra's film version. John Alexander, who created the role of Teddy Brewster on Broadway and reprised it in the film version, returned once more to play the role in the broadcast. Orson Bean played the role of Mortimer Brewster.
Karloff played Jonathan once more (and for the last time) on the February 5, 1962 broadcast of NBC's Hallmark Hall of Fame. Dorothy Stickney and Mildred Natwick played Abby and Martha. Joseph Kesselring had sent his original play, then titled Bodies in Our Cellar, to Stickney when she was starring opposite her husband Howard Lindsay on Broadway in Life with Father (opened in 1939), with a view to her playing Abby Brewster. It would be 23 years before she would finally play the part. Tony Randall played Mortimer in the Hallmark production and Tom Bosley played Teddy.
Béla Ferenc Dezső Blaskó, known professionally as Bela Lugosi, was a Hungarian–American actor, best remembered for portraying Count Dracula in the 1931 horror film classic Dracula, Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956.
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was an English actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
Raymond Hart Massey was a Canadian actor, known for his commanding, stage-trained voice. For his lead role in Abe Lincoln in Illinois (1940), Massey was nominated for the Academy Award for Best Actor. He reprised his role as Lincoln on television and in How the West Was Won (1962). Among his other well-known roles were Dr. Gillespie in the NBC television series Dr. Kildare (1961–1966), John Brown in Santa Fe Trail (1940) and Seven Angry Men (1955), Abraham Farlan in A Matter of Life and Death (1946), and Jonathan Brewster in Arsenic and Old Lace (1944).
Marie Josephine Hull was an American stage and film actress who also was a director of plays. She had a successful 50-year career on stage while taking some of her better known roles to film. She won an Academy Award for Best Supporting Actress for the movie Harvey (1950), a role she originally played on the Broadway stage. She was sometimes credited as Josephine Sherwood.
Erich Oswald Hans Carl Maria von Stroheim was an Austrian-American director, screenwriter, actor, and producer, most noted as a film star and avant-garde, visionary director of the silent era. His 1924 film Greed is considered one of the finest and most important films ever made. After clashes with Hollywood studio bosses over budget and workers' rights problems, Stroheim found it difficult to find work as a director and subsequently became a well-respected character actor, particularly in French cinema.
Arsenic and Old Lace is a 1944 American screwball black comedy crime film directed by Frank Capra and starring Cary Grant. The screenplay by Julius J. Epstein and Philip G. Epstein is based on Joseph Kesselring's 1941 play of the same name. The contract with the play's producers stipulated that the film would not be released until the Broadway run ended. The original planned release date was September 30, 1942. The play was hugely successful, running for three and a half years, so the film was not released until 1944.
Joseph Otto Kesselring was an American playwright who was best known for writing Arsenic and Old Lace, a hit on Broadway from 1939 to 1944 and in other countries as well.
Arsenic and Old Lace may refer to:
Lindsay and Crouse was the writing team of Howard Lindsay and Russel Crouse, who collaborated famously on a succession of Broadway plays and musicals for 27 years during the mid 20th century. Their first collaboration was the rewriting of the book for the Cole Porter musical Anything Goes in 1935. They continued to co-pen books for Broadway musicals through 1962, including Rodgers and Hammerstein's The Sound of Music in 1959. They also penned several successful comedies; notably winning the Pulitzer Prize for Drama in 1945 for their original play State of the Union. Several of their works were adapted into motion pictures. The team also co-produced the original production of Arsenic and Old Lace by playwright Joseph Kesselring.
Bela Lugosi (1882–1956), best known for the original screen portrayal of Bram Stoker's Dracula in 1931, performed in many films during the course of his 39-year film career. He appeared in films made in his native Hungary, Germany and New York before re-locating to Hollywood in 1928. Films are listed in order of release.
Jean Adair was a Canadian actress. She was also known as Jennet Adair.
Boris Karloff (1887–1969) was an English actor. He became known for his role as Frankenstein's monster in the 1931 Frankenstein, leading to a long career in film, radio, and television.
The Ghost of Frankenstein is a 1942 American horror film directed by Erle C. Kenton and starring Cedric Hardwicke, Lon Chaney Jr. and Bela Lugosi. It is the fourth film in the Frankenstein series by Universal Pictures, and the follow-up to Son of Frankenstein (1939). The film's plot follows the previous film's: Frankenstein's Monster and his companion Ygor are chased out of town. They go to another small town to encourage the younger son of Henry Frankenstein to continue his father's experiments, so that Ygor can have revenge against his enemies and his brain transplanted into the Monster's skull.
Alison Joy Leggatt was an English character actress.
The Boogie Man Will Get You is a 1942 American comedy horror film directed by Lew Landers and starring Boris Karloff and Peter Lorre. It was the final film Karloff made under his contract with Columbia Pictures, and it was filmed in the wake of his success in the 1941 Broadway production Arsenic and Old Lace. As he had done several times previously, Karloff played the part of a "mad scientist", Professor Billings, who is using the basement of his inn to conduct experiments using electricity to create a race of superhumans. The inn is bought by a new owner, who is initially unaware of the work Billings is conducting.
John Alexander was an American stage, film, and television actor.
Mary Jerrold was an English actress. She was married to actor Hubert Harben, and mother of actress Joan Harben and celebrity chef Philip Harben.
Arsenic & Old Lace is a 1962 television film directed by George Schaefer and starring Tony Randall, Dorothy Stickney, and Mildred Natwick. It first aired as the 3rd episode of season 11 of the NBC anthology series Hallmark Hall of Fame. It is an adaptation of Joseph Kesselring's 1939 play Arsenic and Old Lace.
Jack Whiting was an American actor, singer and dancer whose career ran from the early 1920s through the late 1950s, playing leading men or major supporting figures.
Arsenic & Old Lace is a 1969 American television film directed by Robert Scheerer and starring Helen Hayes, Lillian Gish, Fred Gwynne, Sue Lyon, Jack Gilford and David Wayne. It is an adaptation of Joseph Kesselring's 1939 play Arsenic and Old Lace. The production was shot on color videotape before a live audience. Inserts of outside action that were shot on film were added to the production for the April 2, 1969 broadcast.
Mank, Gregory William (2014). "7. Libel and Old Lace". The Very Witching Time of Night: Dark Alleys of Classis Horror Cinema (softcover) (1sted.). Jefferson, NC: McFarland & Co. ISBN978-0-7864-4955-2.
↑ Rhodes, Gary (2007). Bela Lugosi: Dreams and nightmares. Collectables Press. ISBN978-0-977379-81-1.
↑ Kaffenberger, Bill; Rhodes, Gary (2012). No Traveler Returns: The lost years of Bela Lugosi. BearManor Media. ISBN978-1-59393-285-5.
↑ Kaffenberger, Bill; Rhodes, Gary (2015). Bela Lugosi in Person. BearManor Media. ISBN978-1-59393-805-5.
↑ Edinburgh Gateway Company (1965). The Twelve Seasons of the Edinburgh Gateway Company, 1953 - 1965 (hardcover) (1st.ed.). Edinburgh: St. Giles Press. p.50.
↑ Webb, Steve (May 8, 1987). "an all-star 'arsenic and old lace' Actor Frid takes on demon typecasting". Scottsdale Progress - Weekend. No.Page 8 Theater.
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