Living room

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A Tudorbethan sitting room in the UK. Sittingroom-edit1.jpg
A Tudorbethan sitting room in the UK.
A California tract home living room, with a kitchen behind a permanent space divider, 1960. California Mid-Century Modern Home with open-beam ceiling 1960.jpg
A California tract home living room, with a kitchen behind a permanent space divider, 1960.
Louise Rayner, Tudor Style Interior at Haddon Hall, UK, 19th century. Louise Rayner Interior at Haddon Hall.jpg
Louise Rayner, Tudor Style Interior at Haddon Hall, UK, 19th century.
Miller House, Mid-century Modern, Columbus, Indiana, 1953-57, "Conversation Pit". Miller house, Columbus, Indiana, 1953-57. Living area from terrace - 00351v.jpg
Miller House, Mid-century Modern, Columbus, Indiana, 1953-57, "Conversation Pit".
Japanese minimalist interior living room, 19th century. Japanese living by Emile Bremmer is licensed under CC BY 2.0.jpg
Japanese minimalist interior living room, 19th century.

In Western architecture, a living room, also called a lounge room (Australian English [1] ), lounge (British English [2] ), sitting room (British English [3] ), or drawing room, is a room for relaxing and socializing in a residential house or apartment. Such a room is sometimes called a front room when it is near the main entrance at the front of the house. In large, formal homes, a sitting room is often a small private living area adjacent to a bedroom, such as the Queens' Sitting Room and the Lincoln Sitting Room of the White House. [4]

Contents

In the late 19th or early 20th century, Edward Bok advocated using the term living room for the room then commonly called a parlo[u]r or drawing room , and is sometimes erroneously credited with inventing the term. It is now a term used more frequently when referring to a space to relax and unwind within a household. Within different parts of the world, living rooms are designed differently and evolving, but all share the same purpose, to gather users in a comfortable space.

Overview

In homes that lack a parlour or family room, the living room may also function as a drawing room for guests. [5] Objects in living rooms may be used "to instigate and mediate contemplation about significant others, as well as to regulate the amount of intimacy desired with guests." [6]

A typical Western living room may contain furnishings such as a sofa, chairs, occasional tables, coffee tables, bookshelves, televisions, electric lamps, rugs, or other furniture. Depending on climate, sitting rooms would traditionally contain a fireplace, dating from when this was necessary for heating. In a Japanese sitting room, called a washitsu , the floor is covered with tatami, sectioned mats, on which people can sit comfortably. They also typically consist of shoji, fusuma, and ramas which allow for the space to be very minimalistic and cohesive. [7] Japanese living room design concepts contradicted UK and New Zealand ideals in the way that Japanese culture believed in warming the person, instead of the home. This consisted of owning a portable hibachi for cooking needs rather than heating needs, meanwhile people in the UK and New Zealand used fireplaces to warm the space and not for cooking needs. Japanese cultural belief systems affected their design characteristics in the way that ornamentation should be minimal while incorporating natural elements. [8]

Drawing room at the Harewood House, 18th century. Harewood House The Yellow Drawing Room.jpg
Drawing room at the Harewood House, 18th century.

From parlour room to living room

Until the late 19th century, the front parlour was the room in the house used for formal social events, including where the recent deceased were laid out before their funeral. This room had only traditionally been used on Sundays or for formal occasions such as the ceremonies of deceased family members before proper burial; it was the buffer zone between the public and private area within the house. Sundays are now more typically used for watching football on large color televisions causing larger family rooms to become more popular during the 1970s. [9] The term "living room" is found initially in the decorating literature of the 1890s, where a living room is understood to be a reflection of the personality of the designer, rather than the Victorian conventions of the day. [10] Only the wealthy were able to afford several rooms within a space such as parlors, libraries, drawing rooms, and smoking rooms. [11]

The change in terminology is credited to Edward Bok due to his accreditation of the magazine article, Ladies' Home Journal. The article was specifically targeted to women and provided them with reliance of popular content in relation to home design at an affordable price and Bok's vision of the ideal American household and the roles of the women. Bok strongly believed that the space should be "lived in" rather than having an expensively furnished room that was rarely used within the household. He had promoted the new name to encourage people to use the room in their daily lives as a gathering space.

Evolution of the modern living room

Grand Trianon, Palace of Versailles, Commissioned by King Louis XIV, 17th century. Seating Area, Palace of Versailles, Paris.jpg
Grand Trianon, Palace of Versailles, Commissioned by King Louis XIV, 17th century.
A reconstruction of a typical Soviet-era living room at a museum in Tallinn, Estonia. Soviet-era Estonian room in a museum.jpg
A reconstruction of a typical Soviet-era living room at a museum in Tallinn, Estonia.

Interior designers and architects throughout time have continuously studied users within a space to design to best fit their needs and wants. King of France, Louis XIV’s Palace of Versailles can be considered having one of the most lavishly decorated living rooms in the late 1600s. During King Louis XIV's reign, the architectural Louis XIV style or Louis Quatorze was established. This style can also be identified as the French Classicism and had an influence on other countries. [12] It included the bold use of marble and bronze materials. Louis XIV worked alongside Louis Le Vau and Augustin-Charles d’Aviler to design appartments de parade, otherwise known as formal rooms that usually consisted of discussing and conducting business matters. They also designed, appartements de commodité, which were rooms that the homeowners could relax and lounge in. [13] This style, known as the Louis XV style, or Louis Quinze, was designed intentionally to combine formality with a new level of comfort that people were yet to discover. [14] Charles Étienne Briseux, French architect whose architectural style was prominently Louis Quinze, published Architecture moderne ou L’art de bien bâtir in 1728, introduced comfort which later became an obsession to have specific materiality and furnishings within the interior of a space. Its influenced began in Paris, France, and then quickly spread across Europe reaching the attention of the wealthy and lavish.

The Industrial Revolution emerged in the late 1700s which completely shifted America from an artisan and handmade process to a society that was dominated by a machine manufacturing industry. [15] This allowed the production of chairs, tables, light bulbs, telegraphs, and radios that allowed society to purchase at a reasonable price to add into their home. The rise of the Industrial Revolution played a huge role in the advancement of the living room because due to mass production, decorative items became more available to the middle class.

An example of this evolution is the Miller House designed by Eero Saarinen. Saarinen knew that he wanted to design a living room not only with an appropriate architectural style but to feature "conversation pit" that sunk users to the ground making them feel a bit more "grounded." [13] It encouraged relaxation and conversing which the Miller House was one of the very first spaces to celebrate and introduce the conversation pit. [16] The Miller House's architectural style was known as Mid-century modern, this indicated that it was introduced after World War II between 1945 and 1960. The movement was associated with minimal ornamentation, simplicity, honest materials, and craftsmanship.

Architectural styles

Romanesque (800–200): [17]

Gothic (1100–1450):

Renaissance (1400–1450):

Baroque (1600–1830):

Rococo (1650–1790):

Neoclassicism (1730–1925):

Art Nouveau (1890–1914):

Beaux Arts (1895–1925):

Neo-Gothic (1905–1930):

Art Deco (1925–1937):

Modernist Styles (1900–present):

Postmodernism (1972–present):

Neo-Modernism (1997–present):

Parametricism (1997–present):

See also

Related Research Articles

<span class="mw-page-title-main">Parlour</span> Reception room

A parlour is a reception room or public space. In medieval Christian Europe, the "outer parlour" was the room where the monks or nuns conducted business with those outside the monastery and the "inner parlour" was used for necessary conversation between resident members. In the English-speaking world of the 18th and 19th century, having a parlour room was evidence of social status.

<span class="mw-page-title-main">Eastlake movement</span> Architectural movement

The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations. In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture.

<span class="mw-page-title-main">Interior design</span> Design of interior spaces to benefit its occupants

Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. An interior designer is someone who plans, researches, coordinates, and manages such enhancement projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design.

<span class="mw-page-title-main">Polychrome</span> Art terminology and color method

Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors.

<span class="mw-page-title-main">Drawing room</span> Room in a house where visitors may be entertained

A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name is derived from the 16th-century terms withdrawing room and withdrawing chamber, which remained in use through the 17th century, and made their first written appearance in 1642. In a large 16th to early 18th century English house, a withdrawing room was a room to which the owner of the house, his wife, or a distinguished guest who was occupying one of the main apartments in the house could "withdraw" for more privacy. It was often off the great chamber and usually led to a formal, or "state" bedroom.

<span class="mw-page-title-main">Interior architecture</span> Design of a building or shelter from inside out

Interior architecture is the design of a building or shelter from inside out, or the design of a new interior for a type of home that can be fixed. It can refer to the initial design and plan used for a building's interior, to that interior's later redesign made to accommodate a changed purpose, or to the significant revision of an original design for the adaptive reuse of the shell of the building concerned. The latter is often part of sustainable architecture practices, whereby resources are conserved by "recycling" a structure through adaptive redesign.

<span class="mw-page-title-main">Panelling</span> Millwork wall covering

Panelling is a millwork wall covering constructed from rigid or semi-rigid components. These are traditionally interlocking wood, but could be plastic or other materials.

<span class="mw-page-title-main">Industrial style</span> Aesthetic trend in interior design of the 21st century

Industrial style or industrial chic refers to an aesthetic trend in interior design that takes cues from old factories and industrial spaces that in recent years have been converted to lofts and other living spaces. Components of industrial style include weathered wood, building systems, exposed brick, industrial lighting fixtures and concrete.

<span class="mw-page-title-main">Lincoln Bedroom</span> Room on the White Houses second floor

The Lincoln Bedroom is a bedroom which is part of a guest suite in the southeast corner of the second floor of the White House in Washington, D.C. The Lincoln Sitting Room makes up the other part of the suite. The room is named for President Abraham Lincoln, who used the room as an office.

<span class="mw-page-title-main">French Baroque architecture</span> Architecture of the Baroque era in France

French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of facades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.

<span class="mw-page-title-main">Fireplace mantel</span> Framework around a fireplace

The fireplace mantel or mantelpiece, also known as a chimneypiece, originated in medieval times as a hood that projected over a fire grate to catch the smoke. The term has evolved to include the decorative framework around the fireplace, and can include elaborate designs extending to the ceiling. Mantelpiece is now the general term for the jambs, mantel shelf, and external accessories of a fireplace. For many centuries, the chimneypiece was the most ornamental and most artistic feature of a room, but as fireplaces have become smaller, and modern methods of heating have been introduced, its artistic as well as its practical significance has lessened.

<span class="mw-page-title-main">Victorian decorative arts</span> Style of art from 1837 to 1901

Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration. The Arts and Crafts movement, the aesthetic movement, Anglo-Japanese style, and Art Nouveau style have their beginnings in the late Victorian era and gothic period.

<span class="mw-page-title-main">Room</span> Distinguishable space within a building or other structure

In a building or large vehicle, like a ship, a room is any enclosed space within a number of walls to which entry is possible only via a door or other dividing structure that connects it to either a passageway, another room, or the outdoors, that is large enough for several people to move about, and whose size, fixtures, furnishings, and sometimes placement within the building or ship support the activity to be conducted in it.

<span class="mw-page-title-main">National Museum of Decorative Arts, Buenos Aires</span> Art museum in Buenos Aires, Argentina

The National Museum of Decorative Arts is an art museum in Recoleta, Buenos Aires, Argentina.

<span class="mw-page-title-main">United States Customhouse (San Francisco)</span> United States historic place

The U.S. Customhouse is a historic custom house located in San Francisco, California. It was built to house offices of the United States Customs Service.

An interior design magazine is a publication that focuses primarily on interior design in a hard copy periodical format or on the Internet.

<i>The English House</i> Architectural book about England

The English House is a book of design and architectural history written by German architect Hermann Muthesius and first published in German as Das englische Haus in 1904. Its three volumes provide a record of the revival of English domestic architecture during the later part of the nineteenth century. The main themes he discusses are history, form and decor.

<span class="mw-page-title-main">Rotherwas Room</span>

The Rotherwas Room is an English Jacobean room currently in the Mead Art Museum, in Amherst College.

<span class="mw-page-title-main">Qa'a (room)</span> Reception room type

The qa'a is a roofed reception room found in the domestic architecture of affluent residences of the Islamic world. It is the most common hall type in the medieval Islamic domestic architecture. The plan of a qa'a may be inspired by the four-iwan plan (cruciform) of religious buildings. They were used to welcome male guests, where they would sit on the raised platform.

Huizhou architecture is one of the traditional Chinese architecture styles, which prevailed mostly in the historical Huizhou prefecture of Anhui, China as a critical element of Huizhou culture. The architecture uses bricks, woods and stone as raw materials, timber frames as significant structures. The bearing structure is a wooden beam, and parapet walls are made of bricks, rocks, and soils. The central room is decorated with painted beams, sculpted roof, and carved eaves with skylights. The technical features and style of Hui-style architecture majorly occur in residential houses, ancestral temples, joss houses, archways, memorial gates, and gardens. The architecture reflects mountainous features of the area and a geomantic omen of traditional Chinese religions.

References

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