Call Me Madam | |
---|---|
Directed by | Walter Lang |
Screenplay by | Arthur Sheekman |
Based on | Call Me Madam 1950 musical by Howard Lindsay Russel Crouse |
Produced by | Sol C. Siegel |
Starring | Ethel Merman Donald O'Connor Vera-Ellen George Sanders |
Cinematography | Leon Shamroy |
Edited by | Robert L. Simpson |
Music by | Irving Berlin (music and lyrics) Alfred Newman (music score) |
Distributed by | 20th Century Fox |
Release date |
|
Running time | 114 minutes |
Country | United States |
Language | English |
Budget | $2.46 million [2] |
Box office | $2.85 million (US rental) [3] |
Call Me Madam is a 1953 American Technicolor musical film directed by Walter Lang, with songs by Irving Berlin, based on the 1950 stage musical of the same name.
The film, with a screenplay by Arthur Sheekman, starred Ethel Merman, Donald O'Connor, Vera-Ellen, Billy DeWolfe, George Sanders, and Walter Slezak. The film replaced "Washington Square Dance" with the older "International Rag", and interpolated "What Chance Have I With Love?" from Berlin's Louisiana Purchase (sung and danced by Donald O'Connor). A soundtrack album was released by Decca both as a 10-inch LP and as a set of three 7-inch EPs, and was released on CD in 2004 by Hallmark. The numbers "The Hostess with the Mostest'" and "You're Just in Love" are included on the Rhino Records CD set Irving Berlin in Hollywood. The film was out of circulation for many years but was issued on DVD in 2004.
Merman won the Golden Globe Award for Best Actress in a Musical or Comedy. Alfred Newman won the Oscar for Best Scoring of a Musical Picture, and Irene Sharaff was nominated for her costume design. Lang was nominated for Outstanding Directorial Achievement in Motion Pictures by the Directors Guild of America and the Grand Prize at the 1953 Cannes Film Festival, [4] and Sheekman's screenplay was nominated Best Written American Musical by the Writers Guild of America.
A wealthy Washington, D.C., socialite, Sally Adams (Ethel Merman), has political connections and is appointed U.S. ambassador to the tiny country of Lichtenburg, even though nothing in her background qualifies her for the job. A young journalist, Kenneth Gibson (Donald O'Connor), persuades her to let him tag along as her press attaché.
In the duchy of Lichtenburg, the arrival of Ambassador Adams does not sit well with some, particularly chargé d'affaires Pemberton Maxwell (Billy De Wolfe), who is annoyed by many things, including her insistence on being addressed by him as "Madam." A pressing issue in Lichtenburg is that Princess Maria (Vera-Ellen), niece of Grand Duke Otto (Ludwig Stössel) and Grand Duchess Sophie (Lilia Skala), is about to have an arranged marriage to a neighboring land's Prince Hugo (Helmut Dantine), but lacks a sufficient dowry to make their union a fair bargain for both parties.
Knowing her republic's penchant for foreign aid, Sally is approached by Prime Minister Sebastian (Steven Geray) about asking her friend President Truman for a loan of $100 million, to the consternation of Lichtenburg's foreign minister, General Constantine (George Sanders), who wants his country to be independent and self-reliant. Sally finds herself attracted to Constantine, while after a chance meeting in a department store, Kenneth has developed a very impractical romantic interest in Princess Maria, who finds him charming as well.
After the Prime Minister Sebastion informed Washington of Mrs. Adams interference between the royal wedding she returned on the first boat home. At one of her social events, she is pleased to hear Constantine is among the guests, then disheartened at learning he has brought along a female companion. A happy ending for all ensues, however, when his date turns out to be Maria, who is willing to marry Kenneth and abdicate her royal title. Sally's future with Constantine seems assured, too.
O'Connor later said the film contained his best dancing.
We did some beautiful numbers. The one with the castle all broken down, and around the water, was beautiful music beautifully choreographed. Working with Vera Ellen was such a joy. And there’s one they cut out [when the movie is shown] on television. It had everything: a very fast two-person number, tap dancing. If you see the picture in its entirety, you’ll see it. That was, for me, my best dancing. [5]
Contemporary reviews were mostly positive. Bosley Crowther of The New York Times called the film "an admirable duplication of the show as presented on the stage. And in it, the wonderful Miss Merman is better than ever—in spades!" [6] Variety praised the film as a "literate musical" with Merman "at her robust best with a tune," though "in a few spots the editing could have been tighter." [7] Harrison's Reports called it "as entertaining a musical comedy as has been seen on the screen in many seasons." [8] John McCarten of The New Yorker was mostly favorable, writing: "There is no point at this late date in commenting on any performance of Miss Merman's. On this occasion, as usual, her voice is as big as all outdoors, her manner confidently low-down, and her sense of comedy remarkable. I'm not so sure, though, that the book of 'Call Me Madam' is varied enough to harness all her energy." [9] Orval Hopkins of The Washington Post wrote: "This is one you ought to see. There may have been better musicals, with better dancing, better books and better songs (there are a couple of Irving Berlin scores that beat this one, in my opinion). But they didn't have Ethel Merman." [10] The Monthly Film Bulletin called the film "a disappointment," writing that Berlin's tunes were "not among his best" and that Merman "lacks variety. Probably she was better on the stage, for her fairly inflexible theatrical technique emphasizes, in a film, her limitations." [11]
Award | Category | Nominee(s) | Result |
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Academy Awards [12] | Best Costume Design – Color | Irene Sharaff | Nominated |
Best Scoring of a Musical Picture | Alfred Newman | Won | |
Cannes Film Festival [4] | Grand Prix | Walter Lang | Nominated |
Directors Guild of America Awards [13] | Outstanding Directorial Achievement in Motion Pictures | Nominated | |
Golden Globe Awards [14] | Best Actress in a Motion Picture – Musical or Comedy | Ethel Merman | Won |
Laurel Awards | Top Male Musical Performance | Donald O'Connor | Won |
Writers Guild of America Awards [15] | Best Written American Musical | Arthur Sheekman | Nominated |
All written by Irving Berlin:
Ethel Merman was an American actress and singer. Known for her distinctive, powerful voice, and her leading roles in musical theater, she has been called "the undisputed First Lady of the musical comedy stage." She performed on Broadway in Anything Goes, Annie Get Your Gun, Gypsy, and Hello, Dolly!
Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860–1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847–1926).
Donald David Dixon Ronald O'Connor was an American dancer, singer and actor. He came to fame in a series of films in which he co-starred, in succession, with Gloria Jean, Peggy Ryan, and Francis the Talking Mule.
Vera-Ellen was an American dancer and actress. She is remembered for her solo performances as well as her work with partners Fred Astaire, Gene Kelly, Danny Kaye, and Donald O'Connor. She is best known for her starring roles in On the Town (1949) with Gene Kelly and White Christmas (1954) with Danny Kaye.
Call Me Madam is a Broadway musical written by Howard Lindsay and Russel Crouse, with music and lyrics by Irving Berlin.
Lindsay and Crouse was the writing team of Howard Lindsay and Russel Crouse, who collaborated famously on a succession of Broadway plays and musicals for 27 years during the mid 20th century. Their first collaboration was the rewriting of the book for the Cole Porter musical Anything Goes in 1935. They continued to co-pen books for Broadway musicals through 1962, including Rodgers and Hammerstein's The Sound of Music in 1959. They also penned several successful comedies; notably winning the Pulitzer Prize for Drama in 1945 for their original play State of the Union. Several of their works were adapted into motion pictures. The team also co-produced the original production of Arsenic and Old Lace by playwright Joseph Kesselring.
"There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical Annie Get Your Gun and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of Buffalo Bill's Wild West Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical.
Irving Berlin's There's No Business Like Show Business is a 1954 American musical comedy-drama film directed by Walter Lang. It stars an ensemble cast, consisting of Ethel Merman, Donald O'Connor, Marilyn Monroe, Dan Dailey, Johnnie Ray, and Mitzi Gaynor.
White Christmas is a 1954 American musical film directed by Michael Curtiz and starring Bing Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Filmed in Technicolor, it features the songs of Irving Berlin, including a new version of the title song, "White Christmas", introduced by Crosby in the 1942 film Holiday Inn.
Arthur Sheekman was an American theater and movie critic, columnist, playwright, and editor—but best known for his writing for the screen. His specialty was light comedy. Groucho Marx called him "The Fastest Wit in the West."
"You're Just in Love" is a popular song by Irving Berlin. It was published in 1950 and was first performed by Ethel Merman and Russell Nype in Call Me Madam, a musical comedy that made its debut at the Imperial Theatre in New York City on October 12 that year. The show ran for 644 performances. Ethel Merman also later starred in the 1953 film version, with Donald O'Connor.
Happy Hunting is a 1956 musical with a book by Howard Lindsay and Russel Crouse, lyrics by Matt Dubey, music by Harold Karr, original choreography by Alex Romero, assistant choreographer Eugene Louis Faccuito (Luigi). The plot focuses on wealthy Philadelphia Main Line widow Liz Livingstone and her efforts to find a royal husband for her daughter Beth.
Donald Edward Saddler was an American choreographer, dancer, and theatre director.
Ludwig Stössel was an Austrian American actor born in Lockenhaus, now Austria, then Hungary. He was one of many Jewish actors and actresses who were forced to flee Germany when the Nazis came to power in 1933.
Alexander's Ragtime Band is a 1938 American musical film released by 20th Century Fox that takes its name from the 1911 Irving Berlin song "Alexander's Ragtime Band" to tell a story of a society boy who scandalizes his family by pursuing a career in ragtime instead of "serious" music. The film generally traces the history of jazz music from the popularization of Ragtime in the early years of the 20th century to the acceptance of swing as an art form in the late 1930s using music composed by Berlin. The story spans more than two decades from the 1911 release of its name-sake song to some point in time after the 1933 release of "Heat Wave", presumably 1938.
"It's a Lovely Day Today" is a popular song written by Irving Berlin for his successful musical Call Me Madam (1950) when it was introduced by Russell Nype and Galina Talva. The musical was adapted as a movie in 1953 and the song "It's a Lovely Day Today" was performed by Donald O'Connor and Vera-Ellen.
"The Best Thing for You (Would Be Me)" is a popular song written by Irving Berlin and published in 1950. It was featured in the 1950 Broadway musical play, Call Me Madam, in which it was introduced by Ethel Merman in a scene with Paul Lukas. The 1953 film version also featured the song when it was sung by Ethel Merman and George Sanders.
Klea Blackhurst is an American actress. She is best known for Everything the Traffic Will Allow, her tribute to Ethel Merman that debuted in New York in 2001. Among many accolades, this production earned her the inaugural Special Achievement Award from Time Out New York magazine. The recording of Everything the Traffic Will Allow was named one of the top ten show albums of 2002 by Talkin' Broadway.com.
Galina Talva, was a Russian-American ballet dancer and actress. She was reportedly born in the Bronx to a Russian émigré. She had a sister, Natasha Seeleman (1921-2021). She appeared in Crime and Punishment on Broadway with John Gielgud. Talva most notably played Princess Maria in Irving Berlin's Call Me Madam, a Broadway musical comedy (1950) starring Ethel Merman, and sang on the original cast recording.
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