Elizabeth Ruth Grable was an American actress, pin-up girl, dancer, model and singer.
George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
Alice Faye was an American actress and singer. A musical star of 20th Century-Fox in the 1930s and 1940s, Faye starred in such films as On the Avenue (1937) and Alexander's Ragtime Band (1938). She is often associated with the Academy Award–winning standard "You'll Never Know", which she introduced in the 1943 musical film Hello, Frisco, Hello.
Harold Lloyd Nicholas was an American dancer specializing in tap. Nicholas was the younger half of the tap-dancing pair the Nicholas Brothers, known as two of the world's greatest dancers. His older brother was Fayard Nicholas. Nicholas was featured in such musicals as An All-Colored Vaudeville Show (1935), Stormy Weather (1943), The Pirate (1948), and The Five Heartbeats (1991).
June Haver was an American film actress, singer and dancer. Once groomed by 20th Century Fox to be "the next Betty Grable," Haver appeared in a string of musicals, but she never achieved Grable's popularity. Haver's second husband was the actor Fred MacMurray, whom she married after she retired from showbusiness.
Hello, Frisco, Hello is a 1943 American musical film directed by H. Bruce Humberstone and starring Alice Faye, John Payne, Lynn Bari, and Jack Oakie. The film was made in Technicolor and released by 20th Century-Fox. This was one of the last musicals made by Faye for Fox, and in later interviews Faye said it was clear Fox was promoting Betty Grable as her successor. Released during World War II, the film became one of Faye's highest-grossing pictures for Fox.
Down Argentine Way is a 1940 American musical film made in Technicolor by Twentieth Century Fox. It made a star of Betty Grable in her first leading role for the studio although she had already appeared in 31 films, and it introduced American audiences to Carmen Miranda. It also starred Don Ameche, The Nicholas Brothers, Charlotte Greenwood, and J. Carrol Naish.
Mother Wore Tights is a 1947 American Technicolor musical film starring Betty Grable and Dan Dailey as married vaudeville performers, directed by Walter Lang.
The Dolly Sisters is a 1945 American Technicolor biographical film about the Dolly Sisters, identical twins who became famous as entertainers on Broadway and in Europe in the early years of the 20th century as Jennie and Rosie Dolly, Hungarian-born entertainers. It starred Betty Grable as Jenny, June Haver as Rosie and John Payne as Harry Fox.
Week-End in Havana is a 1941 American Technicolor musical film directed by Walter Lang and starring Alice Faye, John Payne and Carmen Miranda. The film was produced and distributed by Hollywood studio 20th Century Fox. It was the second of three pictures the two stars made together and the second Faye film to have a Latin American theme, typical of Fox musicals of the early 1940s. Faye was pregnant during filming. It is also known by the alternative titles A Week-End in Havana and That Week-End in Havana.
Poor Little Rich Girl, advertised as The Poor Little Rich Girl, is a 1936 American musical film directed by Irving Cummings and starring Shirley Temple, Alice Faye and Jack Haley. The screenplay by Sam Hellman, Gladys Lehman, and Harry Tugend was based on stories by Eleanor Gates and Ralph Spence, and the 1917 Mary Pickford vehicle of the same name. The film focuses on a child (Temple) neglected by her rich and busy father. She meets two vaudeville performers and becomes a radio singing star. The film received a lukewarm critical reception from The New York Times.
Four Jills in a Jeep is a 1944 American comedy-drama musical film starring Kay Francis, Carole Landis, Martha Raye and Mitzi Mayfair as themselves, reenacting their USO tour of Europe and North Africa during World War II.
Wabash Avenue is a 1950 American musical film directed by Henry Koster and starring Betty Grable. The film was a remake of Grable's earlier hit 1943 film Coney Island.
Footlight Serenade is a 1942 musical comedy film directed by Gregory Ratoff, starring Betty Grable, John Payne, and Victor Mature.
When My Baby Smiles at Me is a 1948 American musical film directed by Walter Lang and starring Betty Grable and Dan Dailey. Released by 20th Century Fox, it is the third film based on the popular 1927 Broadway play Burlesque, the others being The Dance of Life (1929) and Swing High, Swing Low (1937). When My Baby Smiles at Me is the first full Technicolor film version of that play; The Dance of Life had several Technicolor sequences, but they are no longer extant.
Song of the Islands is a 1942 musical comedy film starring Betty Grable and Victor Mature. It was directed by Walter Lang and released through 20th Century Fox.
King of Burlesque is a 1936 American musical film directed by Sidney Lanfield and starring Warner Baxter, Alice Faye and Jack Oakie. It is about a former burlesque producer played by Baxter who moves into a legitimate theatre and does very well, until he marries a socialite. Sammy Lee received an Academy Award nomination for the now dead category of Best Dance Direction at the 8th Academy Awards. Today the film is best known for Fats Waller's rendition of "I've Got My Fingers Crossed".
The Great American Broadcast is a 1941 American musical comedy film directed by Archie Mayo and starring Jack Oakie, Alice Faye and John Payne. It was produced and distributed by 20th Century Fox.
The Hot Heiress is a 1931 American pre-Code comedy film directed by Clarence G. Badger and written by Herbert Fields, with three songs by Richard Rodgers and Lorenz Hart. The film stars Ben Lyon, Ona Munson, Walter Pidgeon, Tom Dugan, Holmes Herbert and Inez Courtney. The film was released by Warner Bros. on March 28, 1931.
Collegiate is a 1936 American musical film directed by Ralph Murphy and written by Walter DeLeon, Francis Martin and Alice Duer Miller. The film stars Joe Penner, Jack Oakie, Ned Sparks, Frances Langford, Betty Grable and Lynne Overman. The film was released on January 22, 1936, by Paramount Pictures.
