Dame Julie Andrews is an English actress, singer, and author. She has garnered numerous accolades throughout her career spanning over seven decades, including an Academy Award, a BAFTA Award, two Emmy Awards, three Grammy Awards, and six Golden Globe Awards as well as nominations for three Tony Awards. One of the biggest box office draws of the 1960s, Andrews has been honoured with the Kennedy Center Honors in 2001, the Screen Actors Guild Life Achievement Award in 2007, and the AFI Life Achievement Award in 2022. She was made a Dame (DBE) by Queen Elizabeth II in 2000.
Private Lives is a 1930 comedy of manners in three acts by Noël Coward. It concerns a divorced couple who, while honeymooning with their new spouses, discover that they are staying in adjacent rooms at the same hotel. Despite a perpetually stormy relationship, they realise that they still have feelings for each other. Its second act love scene was nearly censored in Britain as too risqué. Coward wrote one of his most popular songs, "Some Day I'll Find You", for the play.
Gertrude Lawrence was an English actress, singer, dancer and musical comedy performer known for her stage appearances in the West End of London and on Broadway in New York.
Beatrice Gladys Lillie, Lady Peel, known as Bea Lillie, was a Canadian-born British actress, singer and comedic performer.
Dora May Broadbent,, known as Dora Bryan, was a British actress of stage, film and television.
Joyce Carey, OBE was an English actress, best known for her long professional and personal relationship with Noël Coward. Her stage career lasted from 1916 until 1987, and she was performing on television in her 90s. Although never a star, she was a familiar face both on stage and screen. In addition to light comedy, she had a large repertory of Shakespearean roles.
Noel Darleen Neill was an American actress. She played Lois Lane in the film serials Superman (1948) and Atom Man vs. Superman (1950), as well as the 1950s television series Adventures of Superman. She appeared in 80 films and television series in her career.
The Sound of Music is a 1965 American musical drama film produced and directed by Robert Wise from a screenplay written by Ernest Lehman, and starring Julie Andrews and Christopher Plummer, with Richard Haydn, Peggy Wood, Charmian Carr, and Eleanor Parker. The film is an adaptation of the 1959 stage musical, composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and a book by Lindsay and Crouse. Based on the 1949 memoir The Story of the Trapp Family Singers by Maria von Trapp, the film is set in Salzburg, Austria, and is a fictional retelling of her experiences as governess to seven children, her eventual marriage with their father Captain Georg von Trapp, and their escape during the Anschluss in 1938.
Sheridan Morley was an English author, biographer, critic and broadcaster. He was the official biographer of Sir John Gielgud and wrote biographies of many other theatrical figures he had known, including Noël Coward. Nicholas Kenyon called him a "cultural omnivore" who was "genuinely popular with people".
Gertrude Dolores Messinger was an American film actress known for her B-movie roles from the 1930s through the 1950s. She began as a child actor in silent films, but found her greatest fame in talkies of the 1930s. During her career she appeared in more than 50 motion pictures, with particular success in westerns.
London Calling! was a musical revue, produced by André Charlot with music and lyrics by Noël Coward, which opened at London's Duke of York's Theatre on 4 September 1923. It is famous for being Noël Coward's first publicly produced musical work and for the use of a 3-D stereoscopic shadowgraph as part of its opening act. The revue's song "Parisian Pierrot", sung by Gertrude Lawrence, was Coward's first big hit and became one of his signature tunes.
Sir Noël Peirce Coward was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".
Eugène André Maurice Charlot was a French-born impresario known primarily for the musical revues he staged in London between 1912 and 1937. He later worked as a character actor in numerous American films.
Constance Emmeline Carpenter was an English-born American film and musical theatre actress.
"The Saga of Jenny" is a popular song written for the 1941 Broadway musical Lady in the Dark, with music by Kurt Weill and lyrics by Ira Gershwin, considered now as a blues standard.
Philip Braham was an English composer of the early twentieth century, chiefly associated with theatrical work. From 1914, he composed music for such musicals and revues as Theodore & Co (1916) and London Calling! (1923), including several revues produced by André Charlot. His best-known song is "Limehouse Blues," which has been recorded by many artists. He wrote for film in the 1930s.
"If Love Were All" is a song by Noël Coward, published in 1929 and written for the operetta Bitter Sweet. The song is considered autobiographical, and has been described as "self-deprecating" as well as "one of the loneliest pop songs ever written".
"Limehouse Blues" is a popular British song written by the London-based duo of Douglas Furber (lyrics) and Philip Braham (music).
"Forbidden Fruit", also known as "It's The Peach", is an early Noël Coward song written in 1915, but not publicly performed until 1924 and not published until 1953. Although another early song, "Peter Pan" was the first to be recorded, in 1918, Coward considered "Forbidden Fruit" to be his first full-length song, already exhibiting Coward's trademark "worldly cynicism", risque lyrics, and "love of the internal rhyme." Musical theatre writer Stephen Citron concluded that the song's "musical rhythms, phrase lengths and especially its melodic sophistication are all harbingers of a more mature Coward."
Effie Atherton, was a British singer, dancer, film actress, and musical comedy performer, known initially for her stage appearances in the West End of London and on Broadway in New York, before moving into prime musical shows on British radio in the 1930s, where she captivated her audiences with her sophisticated songs and monologues, many of which were her own compositions.
