King Arthur: Legend of the Sword

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King Arthur: Legend of the Sword
King Arthur LotS poster.jpg
Theatrical release poster
Directed by Guy Ritchie
Produced by
Screenplay by
Story by
Music by Daniel Pemberton
Cinematography John Mathieson
Edited byJames Herbert
Distributed by
Release date
  • 8 May 2017 (2017-05-08)(TCL Chinese Theatre)
  • 12 May 2017 (2017-05-12)(United States)
  • 19 May 2017 (2017-05-19)(United Kingdom)
Running time
126 minutes [3]
  • United States [4]
  • Australia [4]
  • United Kingdom [4]
Budget$175 million [5]
Box office$148.7 million [2]

King Arthur: Legend of the Sword is a 2017 epic fantasy action adventure film directed by Guy Ritchie who co-wrote the film with Joby Harold and Lionel Wigram from a story by Harold and David Dobkin, inspired by Arthurian legends. The film stars Charlie Hunnam as the title character and Jude Law as the tyrannical king Vortigern who is attempting to kill him, with Àstrid Bergès-Frisbey, Djimon Hounsou, Aidan Gillen, and Eric Bana in supporting roles. [6]


King Arthur premiered at the TCL Chinese Theater on 8 May 2017 and was theatrically released in 2D and RealD 3D on 12 May 2017 in the United States and 19 May 2017 in the United Kingdom. The film grossed $148 million worldwide against its $175 million production budget. Originally, the film was meant to be the first in a six-film franchise, but the planned sequels were cancelled after it underperformed at the box office and lost Warner Bros. and Village Roadshow Pictures over $150 million. [7]


Mordred, an iron-fisted warlock, and his armies lay siege to Camelot, seeking to establish the dominance of mages over humankind. Uther Pendragon, king of the Britons, infiltrates Mordred's lair and beheads him, saving Camelot. Uther's treacherous younger brother Vortigern, who covets the throne, orchestrates a coup and sacrifices his wife Elsa to moat hags to become a demon knight, who kills Uther's wife Igraine and slays Uther in combat. The only survivor is Uther's son Arthur, who drifts away in a boat and ends up in Londinium, where he is found and raised by prostitutes.

Arthur grows into a skilled fighter and man of the streets. Arthur and his friends confront a group of Vikings who had mistreated one of the prostitutes, forcing them to pay her restitution. Afterwards, the brothel is raided by the Blacklegs, Vortigern's minions, and Arthur learns that the Vikings were under King Vortigern's protection. Arthur tries to escape the city but is caught and put on a ship with hundreds of other men; the Blacklegs have been forcing all men of Arthur's age to try to pull a sword that has appeared near the castle from the surrounding stone. Arthur is able to remove the sword but is overwhelmed by its power and passes out. Vortigern meets with him in the dungeon, revealing his true lineage.

Meanwhile, a mage identifying herself as an acolyte of Merlin presents herself to Uther's former general, Sir Bedivere. At Arthur's planned execution, the mage uses her magic to stage a diversion while Bedivere's men rescue Arthur. Taken to Bedivere's hideout, Arthur initially refuses to help them. The mage persuades Bedivere to take Arthur to a realm called the "Darklands," where he sees a vision of how Uther sacrificed himself to save Arthur and entomb the sword in stone made of his own body. Arthur learns Vortigern was responsible for persuading Mordred to rebel against humanity, and he returns determined to destroy Vortigern.

With his friends and Bedivere's men, Arthur stages a series of guerilla attacks against Vortigern, culminating in an assassination attempt in Londinium. The rebels sense a trap but attack anyway, killing Vortigern's second-in-command. They flee to a fighters' school run by Arthur's mentor George, where they are overrun by the Blacklegs. Seeing the mage held at knifepoint, Arthur unleashes Excalibur's potential, single-handedly killing all of the soldiers. However, as they escape the city, Arthur's close friend Back Lack is murdered by Vortigern in front of Arthur and captures Back Lack's son Blue later that night.

Ashamed of his failures, Arthur tries to throw away the sword, but the Lady of the Lake returns it and shows him a vision of England's future under Vortigern's rule. Coming to terms with his responsibility, Arthur reunites with Bedivere. When they return to the rebel hideout, however, they discover the rebel soldiers dead, Vortigern having found them, and an ultimatum: if Arthur does not surrender himself, the captured mage and Blue will die. Arthur travels to Camelot alone, but as Vortigern is about to execute his nephew, a giant snake from the Darklands is summoned by the mage and devours Vortigern's men. While Bedivere leads an attack on the castle, a desperate Vortigern sacrifices his only daughter Catia and is transformed into the demon knight, confronting Arthur in a separate dimension. Despite his fighting skill, Arthur is beaten, and he is about to submit when he witnesses a vision of his father, convincing him to accept the sword and his identity as his own. Arthur slays Vortigern but blesses him as he dies.

In the aftermath, Arthur dissolves Vortigern's pact with the Vikings and begins building a Round Table where his knighted friends will meet. Blue and the prostitutes arrive with the crown of Uther, which Arthur accepts, holding the sword aloft before a cheering crowd.


David Beckham makes a cameo appearance as Trigger, a guard who oversees the prisoners who attempt to pull Excalibur from the stone.


After 2004's King Arthur , Warner Bros. made multiple attempts to make a new film based on Arthurian legend: one was a remake of Excalibur , helmed by Bryan Singer, while the other was a film titled Arthur & Lancelot, which would have starred Kit Harington and Joel Kinnaman in the title roles respectively. [8] Warner Bros. worried that neither names were big enough, and attempted to replace both actors with more profitable ones, before eventually dropping the project altogether. [8]

Warner's next attempt to create a new King Arthur film was an attempt to create an Arthurian cinematic universe which would span six films, following different characters before their eventual team up. [8] For this endeavour they hired director Guy Ritchie, who has himself attempted to make a King Arthur movie prior to that. According to The Guardian , the script soon became "a strange Frankenstein's Monster-style screenplay" incorporating elements from several of the unproduced Arthurian scripts. [8]


Hunnam at the 2016 San Diego Comic-Con International, to promote King Arthur: Legend of the Sword. Charlie Hunnam by Gage Skidmore 4.jpg
Hunnam at the 2016 San Diego Comic-Con International, to promote King Arthur: Legend of the Sword.

In August 2014, Charlie Hunnam, Ritchie's choice for the role, was cast to play King Arthur. [9] Elizabeth Olsen was in talks for the female lead, [10] but on 18 September, Àstrid Bergès-Frisbey landed the role instead. [11] On 14 November, Jude Law was in talks to play the lead villain role in the film. [12] On 11 February 2015, Eric Bana was added to the cast to play Uther, the father of King Arthur. [13] Mikael Persbrandt joined the film on 6 March 2015, to play a villainous role. [14] Although there were reports Idris Elba had been cast, he would confirm, in a Reddit AMA, this was a rumour. [15] [16]


Filming in Windsor Great Park was underway in February 2015, [17] then later in North Wales from 2 March 2015. [18] Later on 10 March 2015, Ritchie tweeted a photo and confirmed the first day of shooting.[ citation needed ] In April 2015, filming took place in Snowdonia, where locations used were Tryfan, Nant Gwynant near Beddgelert and Capel Curig. [19] Early in July filming continued in the Shieldaig, Loch Torridon and Applecross areas of Wester Ross in the Scottish Highlands.[ citation needed ] One day of filming also took place at The Quiraing on the Isle of Skye. Filming also took place at Warner Bros. Studios, Leavesden.[ citation needed ]


Bergès-Frisbey's character was originally intended to be Guinevere. [20] [21] During production, the connection to Guinevere was dropped and the character became simply "the Mage". [21] [22] In an interview with Den of Geek, Hunnam ascribes the change to "partly the film, and partly the actor dictating that is [ sic ] was going to be something different, and Guy having the confidence and versatility to just roll with it and realise that what he intended wasn’t going to work, and him recognising the value of that being something else." [21]


In April 2014, Warner Bros. set the film for a 22 July 2016 release, alongside Lights Out , but it was then moved by Warner Bros. to 17 February 2017, alongside Maze Runner: The Death Cure . [23] Warner Bros. moved the release date to 24 March 2017. [24] The title was changed to King Arthur: Legend of the Sword in July 2016. [25] In December 2016 the release date was again moved, this time to 12 May 2017, possibly so as not to compete with CHiPs . [26] [27]


The trailer was released on 23 July 2016, during the 2016 San Diego Comic-Con.

It was originally planned for an IMAX release on 22 July 2016, as evident in the Comic-Con trailer, [28] but was cancelled due to it being postponed and only received non-IMAX presentations.[ citation needed ] The first extended TV spot was released on 22 January 2017, and was shown on the 2017 NFC Championship Game on Fox Broadcasting Company between the Atlanta Falcons and the Green Bay Packers and the 2017 AFC Championship Game on CBS between the Pittsburgh Steelers and the New England Patriots.[ citation needed ]

A second trailer was released on 20 February 2017. The third and final trailer was released on 1 April 2017. All in all, Warner Bros. spent $135 million on marketing the film. [29]

The film was shown at select AMC Theatres in a special preview on 27 April 2017, in a promotional event titled "King for a Day." Demand for tickets led AMC to expand the event to 200 theatres. [30]

Home media

King Arthur: Legend of the Sword was released on DVD, Blu-ray, 3D Blu-ray and Ultra HD on 8 August 2017. [31]


Box office

King Arthur: Legend of the Sword grossed $39.2 million in the United States and Canada and $107 million in other territories for a worldwide total of $146.2 million, against a production budget of $175 million. [2] Deadline Hollywood calculated the film lost the studio $153.2 million, when factoring together all expenses and revenues. [32]

In North America, the film was released alongside Snatched and was initially projected to gross around $25 million from 3,702 theatres during its opening weekend. [5] It made $1.15 million from Thursday night previews at about 3,200 theatres, but after making just $5.3 million on Friday, weekend projections were lowered to $15 million. [33] It ended up debuting to $15.4 million, finishing third at the box office. Deadline Hollywood noted that due to the film's $175 million production budget, as well as at least an additional $100 million spent on marketing, the film was destined to be a box office bomb. [34] Regarding the cost of the film, the site quoted one finance expert as saying: "Make original IP [intellectual property] for a cost effective price. If it works then spend more if necessary on the sequel. King Arthur should have been done for $60–80 [million]. Warner Bros. had no reason to spend $175M-plus on this picture." [29] Comparing its opening to cost, IndieWire called the film's failings "historic". [35] The Hollywood Reporter noted that the film would likely lose about $150 million. [7] In its second weekend the film grossed $7.2 million (a drop of 53.5%), finishing 5th at the box office. [36]

The film debuted at No. 1 in an estimated 29 countries, including Russia, with openings to follow in the United Kingdom, France, South Korea and Australia. [37] Over its opening weekend, it made only $29.1 million worldwide, in 51 non-American countries. [38]

Critical response

On review aggregator website Rotten Tomatoes, the film has an approval rating of 30% based on 274 reviews and an average rating of 4.7/10. The site's critical consensus reads, "King Arthur: Legend of the Sword piles mounds of modern action flash on an age-old tale – and wipes out much of what made it a classic story in the first place." [39] On Metacritic, the film has a score 41 out of 100 based on 45 critics, indicating "mixed or average reviews". [40] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while PostTrak reporter filmgoers gave it an overall positive score of 78%; 56% of the opening weekend filmgoers were under the age of 35, and 59% were men. [29]

Writing for The Guardian , Peter Bradshaw gave the film a generally positive review: "Guy Ritchie’s cheerfully ridiculous Arthur is a gonzo monarch, a death-metal warrior-king. Ritchie’s film is at all times over the top, crashing around its digital landscapes in all manner of beserkness, sometimes whooshing along, sometimes stuck in the odd narrative doldrum. But it is often surprisingly entertaining, and whatever clunkers he has delivered in the past, Ritchie again shows that a film-maker of his craft and energy commands attention, and part of his confidence in reviving King Arthur resides here in being so unselfconscious and unconcerned about the student canon that has gone before." [41]

In a pan of the film for the Chicago Tribune , Michael Phillips questioned the long-term longevity of the projected series of six Arthur films from Ritchie: "I'm no businessman, but plans for a six-film franchise may be optimistic. Optimism is nowhere to be found in Ritchie's movie itself. It is a grim and stupid thing, from one of the world's most successful mediocre filmmakers, and if Shakespeare's King Lear were blogging today, he'd supply the blurb quote: 'Nothing will come of nothing.'." [42] Matt Zoller Seitz of gave the film one-and-a-half out of four stars, stating that despite the potential for a revisionist King Arthur story with "[t]he Ritchie sense of style", the overall problem is the film's lack of modulation: "Ritchie keeps rushing us along for two hours, as if to make absolutely certain that we never have time to absorb any character or moment, much less revel in the glorious, cheeky ridiculousness of the whole thing." [43]

Alissa Wilkinson of Vox writes that the film is "surprisingly good, and surprisingly political" in relation to the British withdrawal from the European Union, and "occasionally, it's even pretty great". [44] Chris Hartwell of The Hollywood Reporter expressed disappointment in the film's lackluster box office performance denying a sequel for the introduction of Merlin, stating it would have been more successful as a solo film instead of setting up a franchise. [45]

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