Lancelot du Lac | |
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Directed by | Robert Bresson |
Written by | Robert Bresson |
Produced by | Jean-Pierre Rassam Francois Rochas |
Starring | Luc Simon Laura Duke Condominas Humbert Balsan Vladimir Antolek-Oresek Patrick Bernhard |
Cinematography | Pasqualino De Santis |
Edited by | Germaine Artus |
Music by | Philippe Sarde |
Production companies | |
Distributed by | Compagnie Française de Distribution Cinématographique (CFDC) |
Release dates |
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Running time | 85 minutes |
Country | France |
Language | French |
Lancelot du Lac is a 1974 French fantasy drama film written and directed by Robert Bresson. [1] It retells the story of Lancelot and Guinevere's love as Camelot and the Round Table fall apart. It is based on Arthurian legend and medieval romances, especially the Lancelot-Grail cycle, and the works of Chrétien de Troyes.
In common with Bresson's later films, the cast was composed of amateur actors, several of whom did not appear in any other film. Bresson's direction demanded a purposeful lack of emotion in the acting style, and reduced or eliminated the fantastical elements of the Grail legend. While much of the production is intentionally stylized as Medieval "Romance", the film is punctuated with moments of graphic violence.
King Arthur has sent out 100 knights to retrieve the Holy Grail. Arthur is dismayed when it turns out that the mission was futile and 70 knights have died in its course. Among those who have returned is Lancelot, the lover of Queen Guinevere. He is haunted by the death of his comrades and torn between his duty and his love for the Queen. He wishes to end the affair, but Guinevere refuses. She implies that instead of being slain by enemies, the knights sent for the Grail turned on one another, Lancelot chief among them. To make matters worse, many knights of Camelot either are wary of or outright despise Lancelot, who is seen as a favorite even among the Round Table, save for a few, among them Gawain and Lionel, who are his greatest friends among the knights' ranks.
Lancelot, falling once more to his love for Guinevere, wishes to forgo an upcoming tournament to go on a tryst with the Queen. Gawain tries to convinces him otherwise, but fails. En route to the tournament, Mordred (who earlier came upon Lancelot and Guinevere's secret meeting spot and discovering her scarf there and suspects Lancelot missing the tourney for the Queen) tries and fails to convince the King of the affair. Later on, during the tourney, a strange knight bearing a white shield vanquishes one knight after another. Gawain and Arthur recognizes the knight as Lancelot, through his horse and the way he rides. Lancelot goes on to take down more knights, Mordred among them, before making his leave. As he departs, he staggers and falls, obviously injured. Gawain is later informed by the jilted Queen that Lancelot has "disappeared" and the knight with the white shield could not be him. Lionel (who had wounded the knight of the white shield earlier) wishes to defend Lancelot's honor, but is stopped by Gawain, who sends riders in search for Lancelot, to no avail. It is then believed that Lancelot is dead. Gawain later seeks out the Queen at her secret meeting place, but Guinevere is resigned to her love with Lancelot and refuses to leave.
Gawain departs, only to be met by Arthur accompanied with knights, including Mordred, who had tipped his King off. The King immediately imprisons Queen Guinevere in the very same tower she and Lancelot once had their dalliances. Lancelot is later revealed to be hiding and recovering in Escalot, cared for by an aging farmer. With the help of Lionel and knights loyal to Lancelot, he breaks out the Queen, killing two knights (one of them being Agravain, Gawain's brother). Arthur starts immediately a campaign against the castle where the lovers were looking for shelter. The resulting battles result in many losses and casualties, among them Gawain. Despite this and his brother's death, he does not begrudge his once-friend and believes that though he and Arthur tried to save Guinevere, only Lancelot succeeded. He then dies of his wounds.
Guinevere, guilt-ridden over the blood spilt for their love, compels Lancelot to return her to Arthur, which he begrudgingly complies. He is later informed of Mordred's betrayal. Lancelot immediately chooses to ride against him, on Arthur's side. The resulting Battle of Camlann is a bloodbath in which none survive, including King Arthur and Mordred. Lancelot, the last man standing, staggers across the battlefield. Whispering Guinevere's name, he slumps over, dead, the last thing he sees being a falcon flying high.
The film was shot from the end of June to the start of September 1973 in Noirmoutier-en-l'Île. [2] It was shot on 35 mm color film with an aspect ratio of 1.66 : 1. [3]
The film premiered at the 1974 Cannes Film Festival in May 1974, followed by its theatrical release in France on 26 September 1974. It had its world television premiere in West Germany on 4 May 1974. [4]
The film was well-received among critics, currently holding a 95% "fresh" rating on Rotten Tomatoes based on 16 reviews. [5]
It was Michael Haneke's second-place choice in the 2002 Sight & Sound poll of the greatest films ever made. [6]
The film won the FIPRESCI Prize at the 1974 Cannes Film Festival. [7]
David Lowery cites this movie as one of the inspirations behind The Green Knight , the adaption of the Arthurian legend, Sir Gawain and the Green Knight . [8]
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous, and opportunistic traitor to a noble and virtuous lady. The variably told motif of abduction of Guinevere, or of her being rescued from some other peril, features recurrently and prominently in many versions of the legend.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, alternatively written as Launcelot and other variants, is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
Mordred or Modred is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work Historia Regum Britanniae, which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the Historia and most other versions include Mordred's death at Camlann, typically in a final duel, during which he manages to mortally wound his own slayer, Arthur. Mordred is usually a brother or half-brother to Gawain; however, his other family relations, as well as his relationships with Arthur's wife Guinevere, vary greatly.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgause is a popular variant of the figure of the Queen of Orkney, an Arthurian legend character also known by various other names and appearing in different forms of her archetype. She is notably the mother of Gawain and often also of Mordred, both key players in the story of her brother King Arthur and his downfall.
Gareth is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in Le Morte d'Arthur, where one of its eight books is named after and largely dedicated to him, and in which he is also known by his nickname Beaumains.
King Arthur is a 2004 epic historical adventure film directed by Antoine Fuqua and written by David Franzoni. It features an ensemble cast with Clive Owen as the title character, Ioan Gruffudd as Lancelot and Keira Knightley as Guinevere, along with Mads Mikkelsen, Joel Edgerton, Hugh Dancy, Ray Winstone, Ray Stevenson, Stephen Dillane, Stellan Skarsgård and Til Schweiger.
Bors is the name of two knights in Arthurian legend, an elder and a younger. The two first appear in the 13th-century Lancelot-Grail romance prose cycle. Bors the Elder is the King of Gaunnes (Gannes/Gaunes/Ganis) during the early period of King Arthur's reign, and is the brother of King Ban of Benoic and the father of Bors the Younger and Lionel. His son Bors the Younger later becomes one of the best Knights of the Round Table and participates in the achievement of the Holy Grail.
Maleagant is a villain from Arthurian legend. In a number of versions of a popular episode, Maleagant abducts King Arthur’s wife, Queen Guinevere, necessitating her rescue by Arthur and his knights. The earliest surviving version of this episode names the abductor Melwas; as Maleagant, he debuts as Lancelot's archenemy in Chrétien de Troyes' French romance Lancelot, the Knight of the Cart. However, all surviving versions seem to be later adaptations of a stock narrative of significantly earlier provenance.
Gaheris is a Knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred. His figure may have been originally derived from that of a brother of Gawain in the early Welsh tradition and then later split into a separate character of another brother, today best known as Gareth. German poetry also described him as Gawain's cousin instead of brother.
Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris starting in the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at Lancelot's hand.
Lionel is a character in Arthurian legend. He is the younger son of King Bors of Gaunnes and Evaine and brother of Bors the Younger. First recorded in the Lancelot-Grail cycle, he is a double cousin of Lancelot and cousin of Lancelot's younger half-brother Hector de Maris. He is also the subject of a traditional ballad.
The Lancelot-Grail Cycle, also known as the Vulgate Cycle or the Pseudo-Map Cycle, is an early 13th-century French Arthurian literary cycle consisting of interconnected prose episodes of chivalric romance originally written in Old French. The work of unknown authorship, presenting itself as a chronicle of actual events, retells the legend of King Arthur by focusing on the love affair between Lancelot and Guinevere, the religious quest for the Holy Grail, and the life of Merlin. The highly influential cycle expands on Robert de Boron's "Little Grail Cycle" and the works of Chrétien de Troyes, previously unrelated to each other, by supplementing them with additional details and side stories, as well as lengthy continuations, while tying the entire narrative together into a coherent single tale. Its alternate titles include Philippe Walter's 21st-century edition Le Livre du Graal.
Lancelot, the Knight of the Cart, is a 12th-century Old French poem by Chrétien de Troyes, although it is believed that Chrétien did not complete the text himself. It is one of the first stories of the Arthurian legend to feature Lancelot as a prominent character. The narrative tells about the abduction of Queen Guinevere, and is the first text to feature the love affair between Lancelot and Guinevere.
The Knight of the Sacred Lake is a historical fantasy novel by Rosalind Miles. It was first published in 2000 by Simon & Schuster in the UK followed by Crown Books in the US. The book is a retelling of the Arthurian legend and follows the lives of Queen Guinevere, consort of King Arthur and her struggles with the king's nephews Agravain and Gawain; the queen is torn between her love for her husband, her land, and her lover, Lancelot. The book was part of a series, The Guinevere Novels, and was followed by The Child of the Holy Grail. Reviewing the book, Publishers Weekly described it as "a lush, feminist take on the English epic".
Sagramore, also known as Sagramor and other variations of this name, is a knight of the Round Table in Arthurian legend. He appears in many standalone and cyclical chivalric romances and other works, including some where he is the titular protagonist. Sagramore's characterisation varies from story to story, but generally he is characterised as a virtuous but hot-tempered knight who fights fiercely and ragefully.
Queen of Camelot is an Arthurian-legend based novel shown through the viewpoint of Queen Guinevere. It is a combination of two of Nancy McKenzie's previous books The Child Queen and The High Queen. She states in the foreword that she originally intended the novels to be combined, but they were split at the time of publication because of their length.
Bagdemagus, also known as Bademagu, Bademagus, Bademaguz, Bagdemagu, Bagomedés, Baldemagu, Baldemagus, Bandemagu, Bandemagus, Bangdemagew, Baudemagu, Baudemagus, and other variants, is a character in the Arthurian legend, usually depicted as king of the land of Gorre and a Knight of the Round Table. He originally figures in literature the father of the knight Maleagant, who abducts King Arthur's wife Queen Guinevere in several versions of a popular episode. Bagdemagus first appears in French sources, but the character may have developed out of the earlier Welsh traditions of Guinevere's abduction, an evolution suggested by the distinctively otherworldly portrayal of his realm. He is portrayed as a kinsman and ally of Arthur and a wise and virtuous king, despite the actions of his son. In later versions, his connection to Maleagant disappears altogether.