Piccadilly is a 1929 British silent and sound drama film directed by E.A. Dupont, written by Arnold Bennett and starring Gilda Gray, Anna May Wong, and Jameson Thomas. The film was shot on location in London, produced by British International Pictures.
Mabel Lilian Poulton was an English film actress, popular in Britain during the era of silent films.
The Yellow Ticket is a 1931 pre-Code American drama film based on the 1914 play of the same name by Michael Morton, produced by the Fox Film Corporation, directed by Raoul Walsh, and starring Elissa Landi, Lionel Barrymore and Laurence Olivier. Boris Karloff appears briefly in a small supporting role. The picture is also a noteworthy example of productions from the pre-Code era in that it includes brief nudity.
Koenigsmark is a 1935 British-French drama film directed by Maurice Tourneur and starring Elissa Landi, John Lodge and Pierre Fresnay.
The Ringer is a 1931 British crime film directed by Walter Forde and starring Patric Curwen, Esmond Knight, John Longden and Carol Goodner. Scotland Yard detectives hunt for a dangerous criminal who has recently returned to England. The film was based on the 1925 Edgar Wallace story The Gaunt Stranger, which is the basis for his play The Ringer. Forde remade the same story in 1938 as The Gaunt Stranger. There was also a silent film of The Ringer in 1928, and a 1952 version starring Donald Wolfit.
Taxi for Two is a 1929 part-talkie sound British romantic comedy film drama directed by Denison Clift and Alexander Esway and starring Mabel Poulton and John Stuart. Produced by Gainsborough Pictures, it was the first sound film made by Gainsborough to be released.
Hindle Wakes is a 1931 British drama film directed by Victor Saville for Gainsborough Pictures and starring Belle Chrystall and John Stuart. The film is adapted from Stanley Houghton's 1912 stage play of the same name, which had previously been filmed twice as a silent in 1918 and 1927. Saville had been the producer on the highly regarded 1927 version directed by Maurice Elvey. Both Stuart and Norman McKinnel returned in 1931 to reprise their roles from the 1927 film.
The Glad Eye is a 1927 British silent comedy film directed by Maurice Elvey and starring Estelle Brody, Mabel Poulton and Jeanne de Casalis. It was a remake of The Glad Eye, a 1920 film based on the play Le Zebre by Paul Armont. It was made at Twickenham Studios.
The Ball of Fortune is a 1926 British silent sports film directed by Hugh Croise and starring Billy Meredith, James Knight and Mabel Poulton. Based on the 1925 novel of the same title by Sydney Horler, the film is set against the backdrop of professional football. Top player Billy Meredith appears as himself. It was produced by an Leeds-based independent film company and involved footage shot at the city's Elland Road Stadium. It is now considered a lost film.
Bed and Breakfast is a 1938 British drama film directed by Walter West and starring Daphne Courtney, Barry Lupino and Frank Miller. It depicts the lives of the inhabitants in a boarding house. It was the last appearance of the silent star Mabel Poulton in a feature film as well as the last to be directed by West. The film was made at Southall Studios, with production beginning in May 1936.
The Hellcat is a 1928 British silent romance film directed by Harry Hughes and starring Mabel Poulton, Eric Bransby Williams and John F. Hamilton. It was based on a play by Florence Kilpatrick and made at the Nettlefold Studios in Walton-on-Thames.
Palais de danse is a 1928 British silent drama film directed by Maurice Elvey and starring Mabel Poulton, John Longden and Robin Irvine.
The Silent House is a 1929 British silent mystery film, directed by Walter Forde and starring Mabel Poulton, Gibb McLaughlin and Arthur Pusey. It was made in 1928 at the Nettlefold Studios in Walton-on-Thames and trade-shown in January 1929. The film was written by H Fowler Mear, based on a hit stage play by John G Brandon and George Pickett, but it was not a success at the box-office. A print of the film exists at the National Film Archive in London.
Number, Please is a 1931 British crime film directed by George King and starring Mabel Poulton, Warwick Ward and Richard Bird. It was a quota quickie made at the Nettlefold Studios in Walton-upon-Thames.
A Passport to Hell is a 1932 American pre-Code drama film directed by Frank Lloyd and written by Leon Gordon and Bradley King. The film stars Elissa Landi, Paul Lukas, Warner Oland, Alexander Kirkland, Donald Crisp and Earle Foxe. The film was released on August 14, 1932, by Fox Film Corporation.
The Woman in Room 13 is a 1932 American pre-Code mystery film directed by Henry King and adapted by Guy Bolton from the play of the same name. The film stars Elissa Landi, Ralph Bellamy, Neil Hamilton, Myrna Loy, Gilbert Roland and Walter Walker. The film was released on May 15, 1932, by Fox Film Corporation.
A Lucky Sweep is a 1932 British comedy film directed by A. V. Bramble and starring John Longden, Diana Beaumont and A. G. Poulton. It was made at Elstree Studios as a quota quickie.
Two Worlds is a 1930 British war drama film directed by Ewald André Dupont and starring Norah Baring, John Longden and Donald Calthrop. It was made at Elstree Studios by British International Pictures. It was made as an MLV, with a separate German-language version Zwei Welten and the French Les deux mondes.
The Ball of Fortune is a 1925 sports mystery novel by the British writer Sydney Horler, a prolific author. As with many other of his novels during the decade it was serialised by the News of the World.
The Price of Things is a 1930 British crime drama film directed by Elinor Glyn and starring Elissa Landi, Stewart Rome and Mona Goya. It was made as an independent production at the Elstree Studios of British International Pictures and was released by United Artists. It was one of two films Glyn directed that year based on her own novels along with Knowing Men.
