Two English Girls, is a 1971 French romantic drama film directed by François Truffaut and adapted from a 1956 novel of the same name by Henri-Pierre Roché. It stars Jean-Pierre Léaud as Claude, Kika Markham as Anne, and Stacey Tendeter as Muriel. Truffaut restored 20 minutes of footage, which fills out the characters, before his death in 1984.
Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
The Happiest Days of Your Life is a 1950 British comedy film directed by Frank Launder, based on the 1947 play of the same name by John Dighton. The two men also wrote the screenplay. It is one of a stable of classic British film comedies produced by Frank Launder and Sidney Gilliat for British Lion Film Corporation. The film was made on location in Liss and at Riverside Studios, London. In several respects, including some common casting, it was a precursor of the St. Trinian's films of the 1950s and 1960s.
"There'll Always Be an England" is an English patriotic song, written and distributed in the summer of 1939, which became highly popular following the outbreak of the Second World War. It was composed and written by Ross Parker and Hughie Charles. It was recorded in 1939 by Billy Cotton and his Band, whose recording is mentioned on the original 1939 sheet music, and supplied him with a finale for his show for years. A popular version was later recorded by Vera Lynn in 1962.
Judith Furse was an English actress.
London Belongs to Me is a British film released in 1948, directed by Sidney Gilliat, and starring Richard Attenborough and Alastair Sim. It was based on the novel London Belongs to Me by Norman Collins, which was also the basis for a seven-part series made by Thames Television shown in 1977.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Gordon Jackson, Anne Crawford, Basil Radford, Naunton Wayne, Moore Marriott and Eric Portman.
Madonna of the Seven Moons is a 1945 British drama film starring Phyllis Calvert, Stewart Granger and Patricia Roc. Directed by Arthur Crabtree for Gainsborough Pictures, the film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas of the mid-1940s popular with WW2-era female audiences.
The Story of Gilbert and Sullivan is a 1953 British musical drama film dramatisation of the collaboration between Gilbert and Sullivan. Librettist W. S. Gilbert and composer Arthur Sullivan, portrayed by Robert Morley and Maurice Evans, co-wrote fourteen extraordinarily successful comic operas, later referred to as the Savoy Operas, which continue to be popular today.
I See a Dark Stranger is a 1946 British World War II spy comedy film directed by Frank Launder and Sidney Gilliat and starred Deborah Kerr and Trevor Howard.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938).
Patricia Roc was an English film actress, popular in the Gainsborough melodramas such as Madonna of the Seven Moons (1945) and The Wicked Lady (1945), though she only made one film in Hollywood, Canyon Passage (1946). She also appeared in Millions Like Us (1943), Jassy (1945), The Brothers (1947) and When the Bough Breaks (1947).
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 that conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films that had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume dramas, such as The Man in Grey (1943) and The Wicked Lady (1945), and modern-dress dramas, such as Love Story (1944) and They Were Sisters (1945). The popularity of the films with audiences peaked mid-1940s when cinema audiences consisted primarily of women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
The Constant Husband is a 1955 British comedy film, directed by Sidney Gilliat and starring Rex Harrison, Margaret Leighton, Kay Kendall, Cecil Parker, George Cole and Raymond Huntley. The story was written by Gilliat together with Val Valentine, and the film was produced by Individual Pictures, Gilliat's and Frank Launder's joint production company. Because the film got caught up in the 1954 bankruptcy of British Lion Film Corporation, it was not released until more than seven months after it had been finished and reviewed by the British Board of Film Censors.
Freda Bedi, also known as Sister Palmo or Gelongma Karma Kechog Palmo, was an English-Indian social worker, writer, Indian nationalist and Buddhist nun. She was jailed in British India as a supporter of Indian nationalism and was the first Western woman to take full ordination in Tibetan Buddhism.
Folly to Be Wise is a 1952 British comedy film directed by Frank Launder and starring Alastair Sim, Elizabeth Allan, Roland Culver, Colin Gordon, Martita Hunt and Edward Chapman. It was written by James Bridie, John Dighton and Launder based on Bridie's play It Depends What You Mean. The film follows the efforts of a British Army chaplain attempting to recruit entertainment acts to perform for the troops and the complications that ensue when he does. The title is taken from the line by Thomas Gray "where ignorance is bliss, 'tis folly to be wise".
Endless Night is a 1972 British horror-mystery film directed by Sidney Gilliat and starring Hayley Mills, Britt Ekland, Per Oscarsson, Hywel Bennett, and George Sanders. Based on the 1967 novel Endless Night by Agatha Christie, the plot follows a newlywed couple who feel threatened after building their dream home on cursed land.
Fortune Is a Woman is a 1957 black and white British-American film noir crime film directed by Sidney Gilliat and starring Jack Hawkins and Arlene Dahl. The screenplay was by Gilliat and Frank Launder, from an adaptation by Val Valentine of the 1952 novel Fortune is a Woman by Winston Graham. Its plot concerns an attempted insurance fraud that goes badly wrong.
Rosemary Gilliat was an English photojournalist who traveled across Canada, documenting people and events for publications such as Weekend magazine and the National Film Board of Canada.
