Love Story | |
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Directed by | Leslie Arliss |
Written by | Rodney Ackland (dialogue) |
Screenplay by |
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Based on | "Love Story" by J. W. Drawbell |
Produced by | Harold Huth |
Starring | |
Cinematography | Bernard Knowles |
Edited by | Charles Knott |
Music by | Hubert Bath |
Production company | |
Distributed by |
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Release date |
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Running time | 113 minutes |
Country | United Kingdom |
Language | English |
Budget | £125,000 [1] [2] |
Box office | £200,000 [2] |
Love Story is a 1944 British black-and-white romance film directed by Leslie Arliss and starring Margaret Lockwood, Stewart Granger, and Patricia Roc. Based on a short story by J. W. Drawbell, the film is about a concert pianist who, after learning that she is dying of heart failure, decides to spend her last days in Cornwall. While there, she meets a former RAF pilot who is going blind, and soon a romantic attraction forms. [3] Released in the United States as A Lady Surrenders, [4] this wartime melodrama produced by Gainsborough Pictures was filmed on location at the Minack Theatre in Porthcurno in Cornwall, England. [5]
Concert pianist Felicity Crichton Lissa Campbell (Margaret Lockwood) leaves her successful music career to devote herself to the British war effort. She applies to be in the Women's Auxiliary Air Force, part of the RAF, but is rejected for health reasons. She then learns that she has a heart condition and does not have long to live.
Determined to live her final months fully, she goes to a resort in Cornwall. Not wanting to be recognised, she introduces herself as Lissa. She is soon befriended by Tom Tanner (Tom Walls), a salty old Yorkshireman, on government assignment to investigate mines. He sees her sadness, but does not pry.
She meets Kit Firth (Stewart Granger), a brash young engineer, and they form an association. She does not know Kit will soon be blind due to a war injury. The only one who knows is Judy (Patricia Roc), his childhood friend who is secretly in love with him. Meanwhile, Tom arranges for a piano to be provided for Lissa and she begins composing,(music later to become famous as the Cornish Rhapsody) inspired by her new environment and by Kit. Later, Kit introduces Lissa to Judy, who is working on an open-air play. Judy persuades Tom to invest in her production of The Tempest.
Kit and Lissa's romance grows but, whenever things become serious, Kit backs away. Lissa grows increasingly frustrated, especially after he refuses Tom's offer to supervise the reopening of a mine in which Kit has found much-needed molybdenum, and she finally breaks up with him. Kit confesses to Judy that he has never met anyone as understanding as Lissa.
The next day a mining accident traps Tom and his crew. When Kit descends the mine, he too becomes trapped but is able to escape and rescue them, proving he is not a coward. When Lissa finds him practising reading Braille, everything falls into place. She urges him to have surgery, but he says the doctors estimated his chances of surviving it were 100 to one, and that Judy had talked him out of it.
Lissa gets Judy to admit she views blindness as a godsend; Kit would have to turn to her. They agree Lissa will leave him if Judy persuades Kit to have the operation. After Kit leaves for surgery, Judy and her company prepare for their play. For the premiere, Judy is unable to go on until she hears the results of the imminent surgery. Lissa placates the audience for the delay by performing her new composition inspired by Kit. During her performance, she is overwhelmed by the same fear, and faints.
When Lissa recovers, she is reassured that Kit is well. When Judy thanks her for giving up Kit, Lissa admits that she is not giving up much—because she is dying. True to her word, she says goodbye to Kit, saying she will be going on a world tour and may not see him again. Despite his profession of love, Lissa leaves, heartbroken. In the coming weeks she travels the world, entertaining the troops. Meanwhile, Kit proposes to Judy and she accepts, but their relationship lacks passion. Despite Tom's advice to her to accept the truth and not cheat another woman out of the love she deserves, Judy insists she will not give up Kit.
Sometime later, Lissa is performing at the Royal Albert Hall. After her final number, she spots Kit in the wings in his RAF uniform, and runs into his arms before fainting. When she recovers, she sees Judy. Recognising that he will always love Lissa, Judy announces, to Kit's surprise, that they will not be getting married and leaves abruptly – Kit never belonged to her. Lissa finally reveals she only has months to live. Kit tells her they must take what happiness they can.
Arliss admitted gaining inspiration from a number of magazine stories, called "Love and Forget", "The Ship Sailed at Night" and "A Night in Algiers". [6]
Love Story was filmed at Gaumont-British Studios in Lime Grove, Shepherd's Bush, London, and the Minack Theatre in Porthcurno in Cornwall, England. [7] The final concert scenes were filmed at the Royal Albert Hall in London. [5]
Lockwood had not played piano since school but learned how to play the concerto for realism in her performance. She practiced for hours every day with Harriet Cohen, who performed on the soundtrack. "In the end I was able to play with not too many mistakes," wrote Lockwood. [8] She wrote that she and Roc had to "slap each other's faces constantly, til we both ached." [9]
Stewart Granger was making Waterloo Road at the same time as this film. He says Gainsborough was bombed while making Love Story, which he later called "a load of crap – and a smash hit!" [10]
The film was very popular at the British box office. [11] According to Kinematograph Weekly the 'biggest winners' at the box office in 1944 Britain were For Whom the Bell Tolls , This Happy Breed , The Song of Bernadette , Going My Way , This Is the Army , Jane Eyre , The Story of Dr Wassell , Cover Girl , White Cliffs of Dover , Sweet Rosie O'Grady and Fanny By Gaslight (the latter being from the same studio as Love Story, and also starring Stewart Granger). The biggest British hits of the year were This Happy Breed, with runners up being Fanny By Gaslight, The Way Ahead and Love Story. [12] [13]
In his review of the DVD release, Jeremy Arnold excused the film's overly melodramatic storyline and lack of realism and appreciated the context in which the film was released. "For wartime British audiences", Arnold wrote, "a melodramatic romance dealing with death, heroism and sacrifice, lushly photographed amidst the shores of Cornwall, must have served as a shot in the arm." [5] Arnold found the film to be "so skillfully made that what seems like contrived melodrama in the abstract comes off more as just a sweeping romantic aura on screen." [5] Arnold praised the acting in the film, writing that Lockwood "delivers a solid performance" and that the supporting actors, Tom Walls and Patricia Roc, stole the film. A well-known comic actor of the British stage and screen whose career began in 1905, Walls appeared in Love Story toward the end of his life. Patricia Roc was in some ways the more desirable of the two romantic choices, according to Arnold, who noted that "our eyes go to her more than to Lockwood whenever the two share the screen." [5]
Film scholar William K. Everson wrote that the film "enabled the housewives, themselves much put upon, to wallow in the greater and more artificial self-sacrifice shown on the screen and to find in it a kind of contemporary escapism." [5]
The Minack Theatre is an open-air theatre, constructed above a gully with a rocky granite outcrop jutting into the sea. The theatre is at Porthcurno, 4 miles (6.4 km) from Land's End in Cornwall, England. The Minack's performing season runs from Easter to the end of October and includes a wide range of music and theatre. Each year, the Minack produces several professional productions as well as hosting visiting companies. It has appeared in many lists of the world's most spectacular theatres.
Stewart Granger was a British film actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas.
Margaret Mary Day Lockwood, CBE, was a British actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
The Wicked Lady is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwaywoman for the excitement. It had one of the largest audiences for a film of its period, with an estimated British attendance of 18.4 million seeing it in cinemas, according to a 2004 ranking of the most popular sound films in Britain. In the list, compiled by the British Film Institute for Channel 4, it was placed ninth overall, and was the second-most successful British film, behind only Spring in Park Lane (1948).
Phyllis Hannah Murray-Hill, known professionally as Phyllis Calvert, was an English film, stage and television actress. She was one of the leading stars of the Gainsborough melodramas of the 1940s such as The Man in Grey (1943) and was one of the most popular movie stars in Britain in the 1940s. She continued her acting career for another 50 years.
The Man in Grey is a 1943 British film melodrama made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery from the 1941 novel The Man in Grey by Eleanor Smith. The film's sets were designed by Walter Murton.
London Belongs to Me is a British film released in 1948, directed by Sidney Gilliat, and starring Richard Attenborough and Alastair Sim. It was based on the novel London Belongs to Me by Norman Collins, which was also the basis for a seven-part series made by Thames Television shown in 1977.
Leslie Arliss was an English screenwriter and director. He is best known for his work on the Gainsborough melodramas directing films such as The Man in Grey and The Wicked Lady during the 1940s.
Madonna of the Seven Moons is a 1945 British drama film starring Phyllis Calvert, Stewart Granger and Patricia Roc. Directed by Arthur Crabtree for Gainsborough Pictures, the film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas of the mid-1940s popular with WW2-era female audiences.
Fanny by Gaslight is a 1944 British drama film, directed by Anthony Asquith and produced by Gainsborough Pictures, set in the 1870s and adapted from a 1940 novel by Michael Sadleir.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938).
Patricia Roc was an English film actress, popular in the Gainsborough melodramas such as Madonna of the Seven Moons (1945) and The Wicked Lady (1945), though she only made one film in Hollywood, Canyon Passage (1946). She also appeared in Millions Like Us (1943), Jassy (1945), The Brothers (1947) and When the Bough Breaks (1947).
Jassy is a 1947 British colour film historical melodrama directed by Bernard Knowles and starring Margaret Lockwood, Patricia Roc and Dennis Price. It was written by Dorothy Christie, Campbell Christie and Geoffrey Kerr based on the 1944 novel by Norah Lofts. Set in the early 19th century, it is a Gainsborough melodrama, the only one to be made in Technicolor, and was the last "official" Gainsborough melodrama.
Caravan is a 1946 British black-and-white drama film directed by Arthur Crabtree. It was one of the Gainsborough melodramas and is based on the 1942 novel Caravan by Eleanor Smith.
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 that conformed to a melodramatic style. The melodramas were not a film series but an unrelated sequence of films that had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume dramas, such as The Man in Grey (1943) and The Wicked Lady (1945), and modern-dress dramas, such as Love Story (1944) and They Were Sisters (1945). The popularity of the films with audiences peaked mid-1940s when cinema audiences consisted primarily of women. The influence of the films led to other British producers releasing similarly themed works, such as The Seventh Veil (1945), Pink String and Sealing Wax (1945), Hungry Hill (1947), The White Unicorn (1947), Idol of Paris (1948), and The Reluctant Widow (1950) and often with the talent that made Gainsborough melodramas successful.
The Magic Bow is a 1946 British musical film based on the life and loves of the Italian violinist and composer Niccolò Paganini. It was directed by Bernard Knowles. The film was entered into the 1946 Cannes Film Festival.
The Man in Grey was a novel by the British writer Lady Eleanor Smith first published in 1941. It was a melodrama set in Regency Britain. A young woman unhappily married to a cold aristocrat falls in love with a strolling actor, but her hopes of eloping to happiness are wrecked by an old school friend who murders her in order to be able to marry her husband.
Johnny Frenchman is a 1945 British comedy-drama romance war film produced by Ealing Studios and directed by Charles Frend. The film was produced by Michael Balcon from a screenplay by T. E. B. Clarke, with cinematography by Roy Kellino.
Doctor Syn is a 1937 British black-and-white historical dramatic adventure film, directed by Roy William Neill for Gainsborough Pictures. It stars George Arliss, Margaret Lockwood, Graham Moffatt, and Ronald Shiner. The film is based on the Doctor Syn novels of Russell Thorndike, set in 18th-century Kent. The character of Syn and the events at the film's climax were both softened considerably in comparison to Thorndike's original storyline.
I'll Be Your Sweetheart is a 1945 British historical musical film directed by Val Guest and starring Margaret Lockwood, Vic Oliver and Michael Rennie. It was the first and only musical film produced by Gainsborough Studios. Commissioned by the British Ministry of Information, it was set at the beginning of the 20th century, and was about the composers of popular music hall songs fighting for a new copyright law that will protect them from having their songs stolen. Copyright scholar Adrian Johns has called the film "propaganda" and "a one-dimensional account of the piracy crisis [about sheet music in the early 20th century] from the publishers' perspective", but also highlighted its value as historical document, with large parts of the dialogue "closely culled from the actual raids, court cases, and arguments of 1900-1905."
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