A Man About the House | |
---|---|
Directed by | Leslie Arliss |
Written by | J.B. Williams Leslie Arliss |
Based on | A Man About the House by Francis Brett Young |
Produced by | Edward Black |
Starring | Dulcie Gray Margaret Johnston Kieron Moore Guy Middleton |
Cinematography | Georges Périnal |
Edited by | Russell Lloyd |
Music by | Nicholas Brodszky |
Color process | Black and white |
Production company | |
Distributed by | British Lion Films (UK) 20th Century Fox (USA) |
Release date |
|
Running time | 94 minutes |
Country | United Kingdom |
Language | English |
Budget | £304,521 [1] |
Box office | £166,075 [1] |
A Man About the House is a British drama film directed by Leslie Arliss and released in 1947. The film is a melodrama adapted for the screen by J. B. Williams from the 1942 novel of the same name by Francis Brett Young. [2] A theatrical adaptation also titled A Man About the House by John Perry had been staged in London's West End in 1946, with Flora Robson as Agnes, Kieron Moore as Salvatore and Ernest Thesiger as Sanctuary. [3] The film was produced by Edward Black and edited by Russell Lloyd, with cinematography by Georges Périnal and music by Nicholas Brodszky. Shot at Shepperton Studios and on location around Naples, the film's sets were designed by the art director Andrej Andrejew.
English sisters Ellen and Agnes Isit inherit a Neapolitan villa from a dead uncle and move to Italy to view and sell their property. A local man, Salvatore, has been employed by the uncle his entire life and manages the villa and its vineyard. Exploring her late uncle's studio, Ellen uncovers a painting of a nude Salvatore as Bacchus.
Ellen becomes drawn to the carefree life of the locals and Salvatore's romantic charisma, while the prudish Agnes resists. Agnes and Salvatore are married, making Salvatore the master of the estate.
Ellen becomes aware of a change in Salvatore's behaviour toward Agnes. Not long after the marriage, Agnes's health begins to deteriorate and Ellen's suspicions are aroused. She expresses her concerns to visiting English doctor Benjamin Dench, who is Agnes's former fiancé. Ellen enlists Dench's help in trying to prove that Salvatore is slowly murdering Agnes with arsenic. The villa had once belonged to Salvatore's family, and he has long been determined to regain ownership. He had poisoned the sisters' uncle to inherit the estate.
Salvatore and Dench struggle on a clifftop, and Dench warns Salvatore to leave the country. Ellen and Dench return to the villa to tend the sick and weak Agnes. They learn that Salvatore is dead, as he threw himself from the clifftop in despair rather than losing the property. Ellen and Dench, who have fallen in love, depart to England and leave Agnes, now recovered and determined to remain at the villa and to fulfil her dead husband's wishes, tending the vineyard.
The movie was part of a slate of new films from Alex Korda which also included The Shop at Sly Corner (1947) and Night Beat (1948).
Producer Edward Black had worked for many years at Gainsborough before resigning in November 1943 to work for Alex Korda. Black spent several years announcing various projects, before proceeding with two, Man About the House and Bonnie Prince Charlie. Location work was done on Bonnie Prince then was halted. Filming for A Man About the House took place in Ravallo Italy for five weeks, with studio work done at Shepperton. [4] [5]
Dulcie Gray, who starred in the film, felt Leslie Arliss was "underestimated" because he had made The Man in Grey "and he was being rubbished by critics all the time." She added:
e helped very much indeed on the characterisations. He was shrewd, very kind and absolutely on one’s side, and he had a very firm, clear vision of Maggie Johnston and me. It is my great regret that that film wasn’t in colour, it was so beautifully photographed... It was decided to hold the opening at Eastbourne, I think, and there was a huge motorcade with a star in every limousine. The film was an absolute flop and Leslie saw at once why it had failed with the audience. He decided which scenes were failing and he was absolutely right; he cut those scenes and the film was then a great success. [6]
The film was considered a "notable box office attraction" in England in 1947. [7] As of 30 June 1949, the film earned £166,075 in the UK, of which £111,820 went to the producer. [1] Another account said it earned £187,115 in the UK. [8]
Variety wrote "Lack of marquee names is bound to have effect on pulling power of this picture, especially for America; and the best it can attain is the dualer spot. But with air its deficiencies, this... is good cinema, and should do well on its general release." [9]
Margaret Johnson reprised her performance in a radio version of the film. [10]
Sir Carol Reed was an English film director and producer, best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968), for which he was awarded the Academy Award for Best Director.
Sir Alexander Korda was a Hungarian–born British film director, producer, and screenwriter, who founded his own film production studios and film distribution company.
London Films Productions is a British film and television production company founded in 1932 by Alexander Korda and from 1936 based at Denham Film Studios in Buckinghamshire, near London. The company's productions included The Private Life of Henry VIII (1933), Things to Come (1936), Rembrandt (1936), and The Four Feathers (1939). The facility at Denham was taken over in 1939 by Rank and merged with Pinewood to form D & P Studios. The outbreak of war necessitated that The Thief of Bagdad (1940) be completed in California, although Korda's handful of American-made films still displayed Big Ben as their opening corporate logo.
Zoltan Korda was a Hungarian-born motion picture screenwriter, director and producer. He made his first film in Hungary in 1918 and worked with his brother Alexander Korda on film-making there and in London. They both moved to the United States in 1940 to Hollywood and the American film industry.
The Man in Grey is a 1943 British film melodrama made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery from the 1941 novel The Man in Grey by Eleanor Smith. The film's sets were designed by Walter Murton.
British Lion Films is a film production and distribution company active under several forms since 1919. Originally known as British Lion Film Corporation Ltd, it entered receivership on 1 June 1954. From 29 January 1955 to 1976, the company was known as British Lion Films Ltd, and was a pure distribution company.
Anna Karenina is a 1948 British film based on the 1877 novel of the same title by the Russian author Leo Tolstoy.
George Arliss was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor of any category to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932).
Kieron Moore was an Irish film and television actor whose career was at its peak in the 1950s and 1960s. He played Count Vronsky in the film adaptation of Anna Karenina (1948) with Vivien Leigh.
Leslie Arliss was an English screenwriter and director. He is best known for his work on the Gainsborough melodramas directing films such as The Man in Grey and The Wicked Lady during the 1940s.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938).
Bonnie Prince Charlie is a 1948 British historical film directed by Anthony Kimmins for London Films depicting the 1745 Jacobite Rebellion and the role of Bonnie Prince Charlie within it. Filmed in Technicolor, it stars David Niven, Jack Hawkins, and Margaret Leighton.
Mine Own Executioner is a 1947 British psychological thriller drama film starring Burgess Meredith and directed by Anthony Kimmins, and based on the novel of the same name by Nigel Balchin. It was entered into the 1947 Cannes Film Festival. The title is derived from a quotation of John Donne's "Devotions", which serves as an epigraph for the original book.
Home at Seven is a 1952 British mystery drama film directed by and starring Ralph Richardson, featuring Margaret Leighton, Jack Hawkins, Campbell Singer and Michael Shepley. It was written by Anatole de Grunwald based on the 1950 play Home at Seven by R. C. Sherriff. The film is Richardson's only work as director. Guy Hamilton was assistant director.
Julius Hagen (1884–1940) was a German-born British film producer who produced more than a hundred films in Britain.
Margaret Johnston was an Australian actress. Johnston was best known for her stage performances, but also appeared in 12 films and a handful of TV productions before retiring from acting in 1968 to devote herself to running a theatrical agency.
Saints and Sinners is a 1949 British comedy drama film directed by Leslie Arliss and starring Kieron Moore, Christine Norden and Sheila Manahan.
Walter Percy Day O.B.E. (1878–1965) was a British painter best remembered for his work as a matte artist and special effects technician in the film industry. Professional names include W. Percy Day; Percy Day; "Pop" or "Poppa" Day, owing to his collaboration with sons Arthur George Day (1909–1952) draughtsman, Thomas Sydney Day (1912–1985), stills photographer and cameraman, and stepson, Peter Ellenshaw, who also worked in this field.
A Man About the House is a 1942 novel by the British writer Francis Brett Young. Two sisters living a life of genteel poverty in North Bromwich discover that they have inherited a villa near Capri from an uncle. In the warmth of the Italian climate they both flourish, but the presence of the villa's handyman provides a troubling note.