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Marius | |
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Directed by | Alexander Korda |
Written by | Marcel Pagnol |
Based on | Marius a 1929 play by Marcel Pagnol |
Produced by | Robert Kane Marcel Pagnol |
Starring | Raimu Pierre Fresnay Orane Demazis Fernand Charpin Alida Rouffe *Paul Dullac Alexandre Mihalesco |
Cinematography | Theodore J. Pahle |
Edited by | Roger Mercanton |
Music by | Francis Gromon |
Distributed by | Les Films Paramount |
Release date |
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Running time | 127 minutes |
Country | France |
Languages | French and Occitan [1] |
Marius is a 1931 French romantic drama film directed by Alexander Korda and starring Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, and Alida Rouffe. Based on the 1929 play of the same name by Marcel Pagnol, it is the first part of the Marseille Trilogy, which also includes the films Fanny (1932) and César (1936). The film was made for the French subsidiary of Paramount Pictures. A separate Swedish-language version, titled Longing for the Sea and directed by John W. Brunius, was also released in 1931, and a German-language version, titled The Golden Anchor and also directed by Korda, was released the following year.
A restoration of the film was selected to be screened in the Cannes Classics section at the 2015 Cannes Film Festival. [2] The restored film was also given a limited re-release in the United States by Janus Films on 4 January 2017, first premiering at the Film Forum in New York City. [3]
César has a waterfront bar in Marseille. His son, Marius, works for him, and Fanny, Marius' friend since childhood, sells cockles at a stall just outside the door. Marius loves Fanny, but he tries to hide his feelings because he secretly longs to travel to exotic places on one of the ships that depart from the nearby docks, and he does not want Fanny to have to live the live of the wife of a sailor.
Honoré Panisse, a wealthy middle-aged widower who is an old friend of César, proposes to Fanny, and Marius gets jealous. He tells Fanny about a job on a ship that he hopes to get, and Fanny admits her feelings for him. The job falls through, and Marius and Fanny secretly begin a relationship.
When Fanny's mother catches Marius and Fanny sleeping together, she talks with César about getting the pair married. It is understood that Marius and Fanny are engaged, but Marius receives an offer to work on a ship that is going on a five-year voyage. He refuses the opportunity, but Fanny, realizing he will not be truly happy staying at home, decides to encourage him to leave by letting him think that she would rather marry Panisse. While Marius sneaks away to the boat, Fanny listens to César talk about how he will rearrange the apartment above the bar for her and Marius to live there. Eventually, Fanny cannot take it any longer and faints.
An audio cast recording of select scenes, with minor rewrites, was made at the studios Pelouze in Paris in March 1932 and on 2 and 14 December 1933 for Columbia Records by the main cast (Raimu, Fresnay, Demazis, Charpin, Dullac, Vattier) and Henri Vilbert. It was later re-issued on compact disc. [4]
No. | Title | Length |
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1. | "La leçon de bistrot" (The Bartending Lesson) | 03:11 |
2. | "Le retour de M. Brun" (Monsieur Brun’s Return) | 03:15 |
3. | "Je sors" (I’m Going Out) | 02:58 |
4. | "Pauvre Félicité" (Poor Félicité) | 03:13 |
5. | "Je t’aime bien, Papa" (I Like You Very Much, Papa) | 06:33 |
6. | "La partie de cartes" (The Card Game) | 06:11 |
7. | "Le petit déjeuner et l’histoire de Zoé" (The Breakfast and Zoé’s Story) | 05:57 |
In 1960, Pagnol’s distribution company, the Compagnie méditerranéenne de films, released the film soundtrack on disc, interspersed with narrative comments and descriptions spoken by Pagnol. In complement came a reading of Pagnol's preface to the play, which was written for the publication of his complete works and was later collected in the 1981 volume Confidences, and of recollections about the production of the film, which were later published as part of the augmented edition of his 1934 essay French : Cinématurgie de Paris. The album was re-issued on CD by Frémeaux & Associés, in their “Librairie sonore” series. [5]
Marcel Paul Pagnol was a French novelist, playwright, and filmmaker. Regarded as an auteur, in 1946, he became the first filmmaker elected to the Académie française. Pagnol is generally regarded as one of France's greatest 20th-century writers and is notable for the fact that he excelled in almost every medium—memoir, novel, drama and film.
Jules Auguste Muraire, whose stage name was Raimu, was a French actor. He is most famous for playing César in the 'Marseilles trilogy'.
Fanny is a 1961 American Technicolor romantic drama film directed by Joshua Logan. The screenplay by Julius J. Epstein is based on the book for the 1954 stage musical of the same title by Logan and S.N. Behrman, which in turn had been adapted from Marcel Pagnol's trilogy. Pagnol wrote two plays, Marius (1929) and Fanny (1931) and completed the cycle by writing and directing a film, César, in 1936. Meanwhile, Marius (1931) and Fanny (1932) were also produced as films.
Pierre Fresnay was a French stage and film actor.
The Baker's Wife is a 1938 French comedic drama film directed by Marcel Pagnol and featuring an ensemble cast lead by Raimu, Ginette Leclerc, and Fernand Charpin. It was adapted by Pagnol from a episode of French author Jean Giono's 1932 novel Blue Boy. In the film, the new baker in a Provençal village loses the will to bake after his wife runs off with a handsome shepherd, so, to regain their daily bread, the feuding villagers agree to put aside their bickering and work together to bring back the baker's wife.
Fanny is a musical with a book by S. N. Behrman and Joshua Logan and music and lyrics by Harold Rome. A tale of love, secrets, and passion set in and around the old French port of Marseille, it is based on Marcel Pagnol's trilogy of works titled Marius (1929), Fanny (1931), and César (1936).
Port of Seven Seas is a 1938 American drama film starring Wallace Beery and featuring Frank Morgan and Maureen O'Sullivan. The movie was written by Preston Sturges based on the plays of Marcel Pagnol and the films based on them, and was directed by James Whale, the director of Frankenstein (1931) and The Invisible Man (1933). The cinematography is by Karl Freund, who filmed Fritz Lang's Metropolis (1927) and I Love Lucy (1951-1957).
Marseille is the second-largest city of France.
Fanny is a 1932 French romantic drama film directed by Marc Allégret and starring Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, and Alida Rouffe. Based on the 1931 play of the same name by Marcel Pagnol, it is the second part of the Marseille Trilogy, which began with Marius (1931) and concluded with César (1936). The film was shot both at the Billancourt Studios in Paris and on location in Marseille, with sets designed by the art director Gabriel Scognamillo. Like Marius, Fanny was a box office success in France and is still considered to be a classic of French cinema.
César is a 1936 French romantic drama film written and directed by Marcel Pagnol and starring Raimu, Pierre Fresnay, Fernand Charpin, Orane Demazis, and André Fouché. It is the final film in Pagnol's Marseille Trilogy, which began with Marius (1931) and continued with Fanny (1932). Unlike the other two films in the trilogy, César was not based on a play by Pagnol, but was written directly as a film script. In 1946, Pagnol adapted the script for the film as a stage play.
Fernand Charpin was a French actor. He is known for his role as Honoré Panisse in Marcel Pagnol's Marseille trilogy, beginning with Marius in 1931.
Orane Demazis was a French actress.
Marius et Fanny is an opera in two acts composed by Vladimir Cosma. The libretto by Michel Lengliney, Jean-Pierre Lang, Michel Rivegauche, Antoine Chalamel, Michel Arbatz and Vladimir Cosma is based on Marcel Pagnol's stage and film trilogy Marius, Fanny and César. The opera premiered on 4 September 2007 at the Opéra de Marseille with Roberto Alagna and Angela Gheorghiu in the title roles.
Alida Rouffe (1874–1949) was a French actress.
Fanny is a 2013 film adaptation of the 1931 play of the same name by Marcel Pagnol. It stars Daniel Auteuil, Victoire Bélézy, Raphaël Personnaz, Marie-Anne Chazel, Jean-Pierre Darroussin, Daniel Russo, Ariane Ascaride and Nicolas Vaude. Auteuil also directed and wrote the screenplay.
Heartbeat is a 1938 French comedy film directed by Marcel Pagnol and starring Fernandel, Orane Demazis and Fernand Charpin. It was remade in 1999 as Le schpountz, directed by Gérard Oury.
The Golden Anchor is a 1932 German-French drama film directed by Alexander Korda and starring Albert Bassermann, Ursula Grabley, and Mathias Wieman. It is the German-language version of Marius (1931), based on Marcel Pagnol's play of the same title. Such multi-language versions were common during the early years of sound. It was made at the Joinville Studios by the European branch of Paramount Pictures.
Marius is a 1929 play by the French writer Marcel Pagnol. It takes place in Marseilles, where a young man named Marius working in a café dreams of going to sea, his obsession eventually overcoming his developing romance with Fanny, a local girl.
Fanny is a 1931 play by the French writer Marcel Pagnol. It is the sequel to the 1929 play Marius and the second part in Pagnol's Marseilles trilogy.
Longing for the Sea is a 1931 French-Swedish drama film directed by John W. Brunius and starring Edvin Adolphson, Carl Barcklind and Inga Tidblad. It is the Swedish-language version of the French film Marius directed by Alexander Korda and based on the 1929 play of the same title by Marcel Pagnol. It was shot at the Joinville Studios in Paris and on location in Marseilles. The film's sets were designed by the art director Vincent Korda.