Education of a Prince is a 1927 French silent comedy film directed by Henri Diamant-Berger and starring Edna Purviance, Pierre Batcheff and Flora le Breton. It was adapted by Henri Diamant-Berger from the 1900 play of the same title by Maurice Donnay. This was Purviance's last film before retiring in the next year. In 1938 Alexander Esway directed a remake Education of a Prince with adaptation and screenplay written by Henri-Georges Clouzot,.
Hercule is a 1938 French comedy film directed by Alexander Esway and starring Fernandel, Gaby Morlay and Pierre Brasseur. The film's sets were designed by Pierre Schild. Jean Grémillon was the film's original director, but he left shortly after production had begun. A simple fisherman from Provence inherits a Parisian newspaper, but finds some of his new staff are dishonest.
Josette is a 1937 French comedy film directed by Christian-Jaque and starring Fernandel, Mona Goya and Lucien Rozenberg. The film's sets were designed by the art director Pierre Schild.
The Prize is a 1950 French comedy film directed by Jean Boyer and starring Bourvil, Jacqueline Pagnol and Mireille Perrey. It is based on the 1887 novel Le Rosier de Madame Husson. It was shot at the Saint-Maurice Studios in Paris and on location in Normandy including around Eure. The film's sets were designed by the art director Robert Giordani. It was a sizeable box office hit, being the seventh most popular film of the year in France.
Good Luck is a 1935 French romantic comedy film directed by Sacha Guitry and Fernand Rivers and starring Guitry, Jacqueline Delubac and Pauline Carton. In it a woman becomes convinced a man she has met is a good luck charm after she wins a lottery.
Quadrille is a 1938 French comedy film directed by Sacha Guitry and starring Guitry, Gaby Morlay and Jacqueline Delubac. It was shot at the Joinville Studios in Paris and on location around the city. The film's sets were designed by the art director Jean Perrier. The title refers to the quadrille, a dance in which the participants keep changing partners. It was later remade as a film of the same title by Valérie Lemercier.
The New Testament is a 1936 French comedy film directed by Sacha Guitry and starring Guitry, Jacqueline Delubac and Christian Gérard. It was adapted by Guitry from his own 1934 play of the same title. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Maurice Dufrêne.
My Father Was Right is a 1936 French romantic comedy film directed by Sacha Guitry and starring Guitry, Betty Daussmond, Paul Bernard, Serge Grave and Gaston Dubosc. It is an adaptation of the 1919 play of the same title by Guitry.
Third at Heart is a 1947 French comedy film directed by Jacques de Casembroot and starring Georges Grey, Sophie Desmarets and Henri Guisol.
The Cupboard Was Bare is a 1948 French comedy crime film directed by Carlo Rim and starring Fernandel, Pauline Carton and Annette Poivre. It was shot at the Boulogne Studios in Paris. The film's sets were designed by the art director Emile Alex.
Francis the First is a 1937 French historical comedy film directed by Christian-Jaque and starring Fernandel, Mona Goya and Alexandre Rignault. It was shot at the Cité Elgé studios in Paris. The film's sets were designed by the art director Pierre Schild.
Murders is a 1950 French drama film directed by Richard Pottier and starring Fernandel, Mireille Perrey and Jacques Varennes. The film is adapted from a series of five novels by Belgian writer Charles Plisnier, published between 1939 and 1941. It marked a rare dramatic role for the comedian Fernandel. It was shot at the Neuilly Studios in Paris. The film's sets were designed by the art director Paul-Louis Boutié. The title is also written as Murders?.
The Grand Hotel Affair is a 1946 French comedy mystery film directed by André Hugon and starring Henri Alibert, Édouard Delmont and Noël Roquevert. It was shot at the Marseille Studios of Gaumont and on location around the city.. The film's sets were designed by the art director Gilbert Garcin.
Full House is a 1952 French mystery crime film directed by Henri Verneuil and starring Michel Simon, Raymond Rouleau, John Van Dreelen, Arlette Merry and Nathalie Nattier. It consists of three separate episodes, each featuring a popular detective character: Jules Maigret, Monsieur Wens and Lemmy Caution. It was shot at the Photosonor Studios in Paris and on location in the city and around Hamburg. The film's sets were designed by the art director René Moulaert.
Adhémar is a 1951 French comedy film directed by and starring Fernandel alongside Jacqueline Pagnol, Bernadette Lange and Meg Lemonnier. It made at the Victorine Studios in Nice. Location shooting took place in Paris, Nice and Monaco. The film's sets were designed by the art director Eugène Piérac.
The Most Beautiful Girl in the World is a 1951 French comedy film directed by Christian Stengel and starring Françoise Arnoul, Jacqueline Gauthier, Paul Bernard and Nadine Alari. It marked Arnoul's first starring role. The film's sets were designed by the art director Robert Hubert.
Room 13 is a 1942 French crime film directed by André Hugon and starring Jules Berry, Josseline Gaël and Robert Le Vigan. Production began in 1940 but its release was delayed. It was shot at the Marseille Studios of Marcel Pagnol.
Village Feud or The Hunting Ground is a 1951 French comedy film directed by Henri Verneuil and starring Fernandel, Maria Mauban and Andrex. It is based on the 1929 novel The Hollow Field by Marcel Aymé. It was filmed at the Marseille Studios and on location in Cabriès in Provence. The film's sets were designed by the art director René Moulaert. It was Verneuil's first feature film after directing a number of shorts.
Fernandel the Dressmaker is a 1956 French comedy film directed by Jean Boyer and starring Fernandel, Suzy Delair and Fred Pasquali. It was shot at the Saint-Maurice Studios in Paris and on location in the city's Place du Trocadéro. The film's sets were designed by the art director Robert Giordani.
The Snow on the Footsteps is a 1942 French drama film directed by André Berthomieu and starring Pierre Blanchar, Michèle Alfa and Georges Lannes. It was based on the 1911 novel of the same title by Henry Bordeaux. The film's sets were designed by the art director Robert Giordani. The novel had previously been adapted into the 1923 silent film The Snow on the Footsteps.
