The Golden Anchor | |
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Directed by | Alexander Korda |
Written by | |
Based on | Marius by Marcel Pagnol |
Starring | |
Production company | Les Films Marcel Pagnol |
Distributed by | Paramount-Film |
Release date |
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Running time | 82 minutes |
Countries |
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Language | German |
The Golden Anchor (German : Zum goldenen Anker) is a 1932 German-French drama film directed by Alexander Korda and starring Albert Bassermann, Ursula Grabley, and Mathias Wieman. [1] It is the German-language version of Marius (1931), based on Marcel Pagnol's play of the same title. Such multi-language versions were common during the early years of sound. It was made at the Joinville Studios by the European branch of Paramount Pictures.
Mathias Wieman was a German stage-performer, silent-and-sound motion picture actor.
L'Atlantide is a 1932 German-French adventure and fantasy film directed by G. W. Pabst and starring Brigitte Helm. It is based on the novel L'Atlantide by Pierre Benoît.
Patriots is a 1937 German film directed by Karl Ritter.
The term state actor has had different meanings in recent German history. In Nazi Germany, it was the highest title that could be awarded to a stage actor. Since 1945, the meaning has changed. In Baden-Württemberg, it is no longer simply a title of honor, but an official position.
The Eternal Mask is a 1935 Austrian-Swiss drama film directed by Werner Hochbaum and starring Peter Petersen, Mathias Wieman and Franz Schafheitlin. The film was amongst the best ten foreign films of the year judged by the 1937 American National Board of Review of Motion Pictures. It also ran in competition at the 3rd Venice International Film Festival.
The Marathon Runner is a 1933 German sports film directed by Ewald André Dupont and starring Brigitte Helm, Hans Brausewetter and Ursula Grabley. It was based on a 1928 novel by Werner Scheff, adapted by screenwriter Thea von Harbou. The film focuses on a love triangle between three German athletes competing at the 1932 Olympic Games in Los Angeles. It was shot at the Johannisthal Studios in Berlin with sets designed by the art directors Ernő Metzner and Erich Zander. The German premiere took place at the Ufa-Palast am Zoo. It was the last film Dupont made in Germany, before escaping into exile following the rise to power of the Nazis.
Man Without a Name is a 1932 German drama film directed by Gustav Ucicky and starring Werner Krauss, Helene Thimig and Mathias Wieman. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art directors Robert Herlth and Walter Röhrig. It was produced and distributed by UFA and premiered on 1 July 1932. It is inspired by the 1832 novel Colonel Chabert by Honoré de Balzac, updated to the modern era with the setting shifted from Restoration France to Weimar Germany. A separate French-language version Un homme sans nom was also produced.
Ursula Grabley was a German actress. She appeared in more than 80 films and television shows between 1929 and 1977. Her acting career started during the late silent era and blossomed in the sound era that soon followed. The cast of the 1929 silent film Katharina Knie included Ursula and her then husband Viktor de Kowa.
Togger is a 1937 German drama film directed by Jürgen von Alten and starring Paul Hartmann, Renate Müller, Heinz Salfner. It was Müller's final film before her mysterious death the same year. The making of the film was portrayed in the 1960 film Sweetheart of the Gods.
Inquest is a 1931 German crime film directed by Robert Siodmak and starring Albert Bassermann, Gustav Fröhlich and Hans Brausewetter. Along with another film that Siodmak made the same year Storms of Passion, it anticipates the later development of film noir. It was made by German's largest studio Universum Film, with sets designed by art director Erich Kettelhut. Paul Martin, who soon after emerged as a leading director, was assistant director to Siodmak on the film. It was based on a 1927 play of the same title by Max Alsberg and Ernst Hesse. A separate French-language version About an Inquest was also produced.
Bashful Felix or Felix is Right on Target is a 1934 German comedy film directed by Carl Boese and starring Rudolf Platte, Ursula Grabley, and Jakob Tiedtke. It was made by Terra Film, with sets designed by art directors Robert A. Dietrich and Bruno Lutz.
Scandal in Budapest is a 1933 German-Hungarian comedy film, filmed in Hungary in the German language and directed by Géza von Bolváry and Istvan Szekely and starring Franciska Gaal, Werner Pledath, and Lotte Spira. It was made at Budapest's Hunnia Studios by the European subsidiary of Universal Pictures, headed by Joe Pasternak, which had recently left Germany in the face of Hitler's "de-Judification" of that country. A separate Hungarian-language version was also made, with a different cast, titled Pesti Szerelem. Both versions were released in the United States by Arthur Mayer's DuWorld Pictures Inc.
The Love Hotel is a 1933 German comedy film directed by Carl Lamac and starring Anny Ondra, Mathias Wieman and Peter Voß. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander. A separate French-language version was also made.
Make Me Happy is a 1935 German musical comedy film directed by Arthur Robison and starring Julia Serda, Albert Lieven and Richard Romanowsky. It was made by Germany's largest film company UFA. A separate French-language version Les époux célibataires was released, also directed by Robison. It was shot at the Babelsberg Studios in Berlin. The film's sets were designed by the art director Otto Hunte and Willy Schiller.
Women's Sacrifice is a 1922 German silent film directed by Karl Grune and starring Henny Porten, William Dieterle and Albert Bassermann. It was adapted from the play by Georg Kaiser.
Annette in Paradise is a 1934 German-Czech musical film directed by Max Obal and starring Ursula Grabley, Hans Söhnker and Ida Wüst. A separate Czech language version was also released.
Spell of the Looking Glass is a 1932 German comedy drama film directed by Frank Wisbar and starring Franz Weber, Ursula Grabley, and Oskar Karlweis. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art directors Karl Machus and Fritz Maurischat.
A Girl from the Chorus is a 1937 German comedy film directed by Carl Lamac and starring Anny Ondra, Viktor Staal and Ursula Grabley. It is set in the theatre world of Berlin around the turn of the twentieth century.
When a Woman Loves is a 1950 West German comedy film directed by Wolfgang Liebeneiner and starring Hilde Krahl, Johannes Heesters and Mathias Wieman. It is based on the play Don't Promise Me Anything by Charlotte Rissmann, which Liebeneiner had previously made into a 1937 film of the same title.
The Call of the Jungle is a 1936 German adventure film directed by and starring Harry Piel and also featuring Paul Henckels, Ursula Grabley and Gerda Maurus. It was shot at the Johannisthal Studios in Berlin with sets designed by the art directors Karl Vollbrecht, Erich Grave and Artur Günther. Location shooting took place on Rügen in the Baltic Sea. It was based on a 1930 novel by Georg Mühlen-Schulte and features a hero in the style of Tarzan. The film premiered at the UFA-Palast am Zoo.