The Divorce of Lady X | |
---|---|
Directed by | Tim Whelan |
Written by | Gilbert Wakefield (play) Lajos Bíró (adaptation) Ian Dalrymple (scenario) |
Produced by | Alexander Korda |
Starring | |
Cinematography | Harry Stradling |
Edited by | Walter Stokvis |
Music by | Miklós Rózsa Lionel Salter |
Color process | Technicolor |
Production company | |
Distributed by | United Artists |
Release date |
|
Running time | 92 minutes |
Country | United Kingdom |
Language | English |
Budget | $500,000 [1] or £99,000 [2] |
The Divorce of Lady X is a 1938 British Technicolor romantic comedy film produced by London Films; it stars Merle Oberon, Laurence Olivier, Ralph Richardson and Binnie Barnes. It was directed by Tim Whelan and produced by Alexander Korda from a screenplay by Ian Dalrymple and Arthur Wimperis, adapted by Lajos Bíró from the play Counsel's Opinion by Gilbert Wakefield. The music score was by Miklós Rózsa and Lionel Salter and the cinematography by Harry Stradling. [3]
The film is a remake of the 1933 film Counsel's Opinion , also from London Films and in which Binnie Barnes appeared in the role played by Merle Oberon. [4]
A thick evening fog strands party guests at a smart London hotel. All rooms end up being taken. Leslie Steele, a young, pretty but madcap socialite, barges her way into Everard Logan's suite. He promptly registers one objection after another, but all his efforts to evict Leslie are to no avail. He thus agrees to a compromise, allowing her use of the bedroom, while he takes another room in the suite. She spends the entire time teasing and taunting him.
By breakfast, Logan changes his tune and insists they meet again. But while he's out of the room, dressing, she mysteriously bolts for home, which she shares with her grandfather/judge. He informs her that Logan is a barrister specializing in divorce cases. The zany, impulsive Ms. Steele then tells her grandfather she intends to marry Logan. To her surprise, she learns Logan will be pleading a case before her grandfather's court that day. So she attends the proceeding to observe her intended in action – and to her further surprise, she sees him mercilessly rip to shreds a woman accused of adultery.
As Leslie and Everard spend the rest of the film struggling to adjust to each other's whims and differences, a subplot involving Lord Mere, one of Logan's clients, is interwoven into the complicated story-line. A confusion of identities ensues, as at one point, Logan is led to mistakenly believe that Leslie is actually Lord Mere's wife. But after a weekend fox hunt at the lord's manor, all conflicts are satisfactorily explained away, and the two lovers are reconciled.
By the story's end, Leslie has successfully transformed Everard from the inhumane, hostile, woman-browbeating counselor she witnessed earlier into an empathetic, understanding, sensitive courtroom-interrogator of "the gentle sex".
A reviewer for Variety wrote: "Alexander Korda's Technicolored comedy is rich, smart entertainment", and also praised the acting: "Oberon impresses. Olivier does his role pretty well, retarded somewhat by an annoying bit of pouting business. Two key performances which sparkle are those of Ralph Richardson and Morton Selten". [5] whereas several decades later, Leonard Maltin described the film as a "Cute but extremely dated screwball comedy,"; [1] and the Radio Times found the whole thing "quite amusing...in a daft and inconsequential way". [4]
Emanuel Levy gave the film a "C" grade and wrote that "Though opulent in color costumes and design, this minor British screwball comedy is mostly known for its on-screen teaming of two young actors, Laurence Olivier and Ralph Richardson, in their pre-Hollywood era, who would become legendary stars". [6]
Vivien Leigh, styled as Lady Olivier after 1947, was a British actress. She won the Academy Award for Best Actress twice, for her performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). Although her career had periods of inactivity, in 1999 the American Film Institute ranked Leigh as the 16th-greatest female movie star of classic Hollywood cinema.
Laurence Kerr Olivier, Baron Olivier, was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, was one of a trio of male actors who dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career he had considerable success in television roles.
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Sir Ralph David Richardson was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century. He worked in films throughout most of his career, and played more than sixty cinema roles. From an artistic but not theatrical background, Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre. In 1931 he joined the Old Vic, playing mostly Shakespearean roles. He led the company the following season, succeeding Gielgud, who had taught him much about stage technique. After he left the company, a series of leading roles took him to stardom in the West End and on Broadway.
Sir Alexander Korda was a Hungarian–born British film director, producer and screenwriter, who founded his own film production studios and film distribution company.
Merle Oberon was a British actress who began her film career in British films as Anne Boleyn in The Private Life of Henry VIII (1933). After her success in The Scarlet Pimpernel (1934), she travelled to the United States to make films for Samuel Goldwyn. She was nominated for the Academy Award for Best Actress for her performance in The Dark Angel (1935). Oberon hid her mixed heritage out of fear of discrimination and the impact it would have had on her career.
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Gertrude Maud Barnes, known professionally as Binnie Barnes, was an English actress whose career in films spanned from 1923 to 1973.
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Wuthering Heights is a 1939 American romantic period drama film directed by William Wyler, produced by Samuel Goldwyn, starring Merle Oberon, Laurence Olivier and David Niven, and based on the 1847 novel Wuthering Heights by Emily Brontë. The film depicts only 16 of the novel's 34 chapters, eliminating the second generation of characters. The novel was adapted for the screen by Charles MacArthur, Ben Hecht and John Huston (uncredited). The supporting cast features Flora Robson and Geraldine Fitzgerald.
The Scarlet Pimpernel is a 1934 British adventure film directed by Harold Young and starring Leslie Howard, Merle Oberon, and Raymond Massey. Based on the 1905 play by Baroness Orczy and Montagu Barstow and the classic 1905 adventure novel by Orczy, the film is about an eighteenth-century English aristocrat (Howard) who leads a double life, passing himself off as an effete aristocrat while engaged in a secret effort to rescue French nobles from Robespierre's Reign of Terror. The film was produced by Alexander Korda. Howard's portrayal of the title character is often considered the definitive portrayal of the role. In 1941, he played a similar role in "'Pimpernel' Smith" but this time set in pre-WWII Germany.
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