I See a Dark Stranger | |
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![]() theatrical poster (US) | |
Directed by | Frank Launder |
Written by | Sidney Gilliat Frank Launder (story & screenplay) Wolfgang Wilhelm Liam Redmond (add'l dialogue) |
Produced by | Sidney Gilliat Frank Launder |
Starring | Deborah Kerr Trevor Howard |
Cinematography | Wilkie Cooper |
Edited by | Thelma Connell |
Music by | William Alwyn |
Distributed by | General Film Distributors (UK) Eagle-Lion Films (U.S.) |
Release dates |
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Running time | 112 minutes (UK) 98 minutes (U.S.) |
Country | United Kingdom |
Language | English |
I See a Dark Stranger (U.S. title: The Adventuress) is a 1946 British World War II spy comedy film directed by Frank Launder and Sidney Gilliat and starred Deborah Kerr and Trevor Howard.
Ireland, 1937. Young Bridie Quilty has grown up listening to her father's heroic tales of the Irish Revolution. As a result, she develops a hatred for everything and everyone British. By 1944, Mr. Quilty has died. Bridie, who is now 21, sets out for Dublin to carve a life of her own. On the train, she shares a compartment with J. Miller, a businessman returned from abroad. He is also a German agent who's entered Ireland unencumbered thanks to lax security. He shortly gets his assignment—to break a fellow spy out of prison. Miller recruits Bridie, who gets a job at a hotel and bar in Wynbridge Vale. Soon she becomes acquainted with a certain sergeant, who unwittingly provides her information about the prisoner's impending transfer to London. Meanwhile, Miller is disturbed by the arrival of Lieutenant David Baynes, a British officer he suspects of being a counter-intelligence agent. He tells Bridie to distract Baynes on the day of the transfer. The implication is clear. This enables Miller to free the spy.
However, the freed spy is later shot. Before dying, he tells Miller to recover a notebook on the Isle of Man that holds important information. Miller is wounded too, but he escapes. When Bridie returns to her room, he is there, dying. He gives her the location of the notebook to pass up the spy chain. Keeping his head to the last, he tells her to dispose of his body when he is dead, which she does. Bridie then sets out for the Isle of Man. She is trailed by David and a mysterious stranger – with British military intelligence patching the clues together and only a step behind. Successfully locating the notebook, she deciphers it, learning the location of the imminent D-Day landings. She decides to burn it. David later narrowly saves Bridie from being arrested as Miller's confederate, and after confessing his love for her, she tells him what she has done.
Bridie tries to turn herself in, but German agents kidnap her. David tracks them and ends up abducted too. When she refuses to tell what she knows, the two are taken to Ireland. The Nazis try to hide them amid a funeral procession, but the "mourners" are actually smugglers entering Northern Ireland. Things go wrong at the border crossing, a melee erupts, and the Bridie and David escape in the confusion. Believing that they are still in neutral Ireland, where Bridie would be merely interned, David calls the police from a pub. When he discovers that they are actually in Northern Ireland, and that Bridie could be shot as a spy, he tries to persuade her to flee across the border. But she insists on facing the consequences. A BBC broadcast then announces D-Day has begun, rendering what she knows useless to the Germans. David helps her escape, then discovers the pack of spies in a room upstairs. A fight breaks out, the police arrive, and arrest all. After the war Bridie and David wed, their troubles seemingly all behind them.
Frank Launder and Sidney Gilliat, writers who had worked on Alfred Hitchcock's 1938 spy film The Lady Vanishes , formed Individual Pictures in 1945. I See a Dark Stranger was the first of ten films released by the company, with Launder kicking off an intended rotation between the pair as director. [1]
The picture was filmed at various locations, including Dublin, Dundalk and around Wexford in Ireland, Dunster in England, and the Isle of Man. [1] [2]
During production, a rumour spread among crew members that a close relationship had developed between the "handsome, young" cinematographer Wilkie Cooper and Deborah Kerr. If it went beyond that, the affair was short-lived, as Kerr married Spitfire pilot Tony Bartley almost immediately after the film's completion. [3]
Charters and Caldicott, characters Launder and Gilliat first introduced in The Lady Vanishes (1938), were set to appear in the film but due to a disagreement with the actors Basil Radford and Naunton Wayne they were replaced by Captain Goodhusband and Lieutenant Spanswick. [4]
The film was released in the United States under the title The Adventuress, to good reviews but modest box office. Bosley Crowther, the critic for The New York Times called the film "keenly sensitive and shrewd." [1]
In 1990 Sidney Gilliat quipped the film "must have broken even now." [5]
Deborah Kerr won a 1947 New York Film Critics Circle Award for Best Actress for her performances in Black Narcissus and I See a Dark Stranger. [6] [7]
Deborah Jane Trimmer CBE, known professionally as Deborah Kerr, was a British actress. She was nominated six times for the Academy Award for Best Actress, becoming the first person from Scotland to be nominated for any acting Oscar.
Sidney Gilliat was an English film director, producer and writer.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Perfect Strangers, is a 1945 British drama film made by London Films. It stars Robert Donat and Deborah Kerr as a married couple whose relationship is shaken by their service in the Second World War. The supporting cast includes Glynis Johns, Ann Todd and Roland Culver. It was produced and directed by Alexander Korda from a screenplay by Clemence Dane and Anthony Pelissier based on a story by Clemence Dane. Dane won the Academy Award for Best Story. The music score was by Clifton Parker and the cinematography by Georges Périnal.
Green for Danger is a 1946 British thriller film, based on the 1944 detective novel of the same name by Christianna Brand. It was directed by Sidney Gilliat and stars Sally Gray, Trevor Howard, Rosamund John, Leo Genn, and Alastair Sim. The film was shot at Pinewood Studios in England. The title is a reference to the colour-coding used on the gas cylinders used by anaesthetists.
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley. The film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
The Hucksters is a 1947 American comedy drama film directed by Jack Conway and starring Clark Gable and Deborah Kerr, her debut in an American film. The supporting cast includes Sydney Greenstreet, Adolphe Menjou, Ava Gardner, Keenan Wynn, and Edward Arnold. It was produced by Metro-Goldwyn-Mayer. The movie is based on the novel The Hucksters by Frederic Wakeman Sr., a skewering of the post-World War II radio advertising industry with Gable's character alternating in pursuit of Kerr and Gardner.
Geordie is a 1955 British film directed and co-produced by Frank Launder, with Bill Travers in the title role as a Scotsman who becomes an athlete and competes at the 1956 Summer Olympics in Melbourne.
Dream Wife is a 1953 romantic comedy film starring Cary Grant and Deborah Kerr made by Metro-Goldwyn-Mayer.
The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance.
The Green Man is a 1956 black and white British black comedy film directed by Robert Day and starring Alastair Sim, George Cole, Terry-Thomas and Jill Adams. The screenplay was by Frank Launder and Sidney Gilliat, based on the play Meet a Body.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Gordon Jackson, Anne Crawford, Basil Radford, Naunton Wayne, Moore Marriott and Eric Portman.
Charters and Caldicott started out as two supporting characters in the 1938 Alfred Hitchcock film The Lady Vanishes. The pair of cricket-obsessed characters were played by Naunton Wayne and Basil Radford. The characters were created by Frank Launder and Sidney Gilliat. The duo became very popular and were used as recurring characters in subsequent films and in BBC Radio productions. Charters and Caldicott have also been played by other actors, and they eventually had their own BBC television series.
Separate Tables is a 1958 American drama film starring Rita Hayworth, Deborah Kerr, David Niven, Burt Lancaster, and Wendy Hiller, based on two one-act plays by Terence Rattigan that were collectively known by this name. Niven and Hiller won Academy Awards for Best Actor and Best Supporting Actress respectively. The picture was directed by Delbert Mann and adapted for the screen by Rattigan, John Gay and an uncredited John Michael Hayes. Mary Grant and Edith Head designed the film's costumes.
Ring of Spies is a 1964 British spy film directed by Robert Tronson and starring Bernard Lee, William Sylvester and Margaret Tyzack. It was written by Peter Barnes and Frank Launder based on the real-life case of the Portland spy ring, whose activities prompted "Reds under the bed" scare stories in the British popular press in the early 1960s.
Two Thousand Women is a 1944 British comedy-drama war film about a German internment camp in Occupied France which holds British women who have been resident in the country. Three RAF aircrewmen, whose bomber has been shot down, enter the camp and are hidden by the women from the Germans.
Folly to Be Wise is a 1952 British comedy film directed by Frank Launder and starring Alastair Sim, Elizabeth Allan, Roland Culver, Colin Gordon, Martita Hunt and Edward Chapman. It was written by James Bridie, John Dighton and Launder based on Bridie's play It Depends What You Mean. The film follows the efforts of a British Army chaplain attempting to recruit entertainment acts to perform for the troops and the complications that ensue when he does. The title is taken from the line by Thomas Gray "where ignorance is bliss, 'tis folly to be wise".
Endless Night is a 1972 British horror-mystery film directed by Sidney Gilliat and starring Hayley Mills, Britt Ekland, Per Oscarsson, Hywel Bennett, and George Sanders. Based on the 1967 novel Endless Night by Agatha Christie, the plot follows a newlywed couple who feel threatened after building their dream home on cursed land.
Leslie Gilliat was a British film producer and production manager. He was the younger brother of director Sidney Gilliat, with whom he worked on a number of films for British Lion Films.