I See a Dark Stranger | |
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Directed by | Frank Launder |
Written by | Sidney Gilliat Frank Launder (story & screenplay) Wolfgang Wilhelm Liam Redmond (add'l dialogue) |
Produced by | Sidney Gilliat Frank Launder |
Starring | Deborah Kerr Trevor Howard |
Cinematography | Wilkie Cooper |
Edited by | Thelma Connell |
Music by | William Alwyn |
Distributed by | General Film Distributors (UK) Eagle-Lion Films (U.S.) |
Release dates |
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Running time | 112 minutes (UK) 98 minutes (U.S.) |
Country | United Kingdom |
Language | English |
I See a Dark Stranger– released as The Adventuress in the United States – is a 1946 British World War II spy film with touches of light comedy, starring Deborah Kerr and Trevor Howard. It was written and produced by the team of Frank Launder and Sidney Gilliat, with Launder directing.
It's 1937, in a tiny rural village in Ireland. Young Bridie Quilty has grown up listening to nightly orations from her father regaling pub crowds with his bravery in the Irish Revolution fighting shoulder-to-shoulder with famous radical Michael O'Callaghan in the 1916 Easter Rising. By 1944 Mr. Quilty has passed, and Bridie turns 21, determined to leave on her May birthday for Dublin and carve a life of her own.
On the train she shares a compartment with J. Miller, a plain, inoffensive middle-aged business traveler returned from abroad. Believing him to be English, Bridie is very brusque with him. On arrival, she seeks out O'Callaghan, and asks him to help her join the IRA. However, he has mellowed since the 1921 treaty and its improvements, and tries to dissuade her.
World War II has been raging for five years, and Ireland - Eire - remains neutral. Miller turns out to be a German secret agent, who's entered unencumbered thanks to comparatively lax security there. He shortly gets his assignment, to break a fellow spy out of a British prison in Devon.
When Miller runs into Bridie again, he recruits her. She gets a job at a hotel and bar in nearby Wynbridge Vale, but cannot stop herself from a midnight defacing of a statue of Oliver Cromwell, whom she detests for his brutal conquest of Ireland. Soon she becomes acquainted with a certain sergeant, who unwittingly provides her with information about the prisoner's impending transfer to London.
Miller gets ready to put his plan in motion. However, he is disturbed by the arrival of Lieutenant David Baynes, a British officer claiming to be on leave whom he suspects of being a counter-intelligence agent. He orders Bridie to distract Baynes on the day of the transfer, using whatever wiles or charms that requires. The implication is clear.
Bridie lures Baynes well into the countryside on a date, which indeed turns "romantic". When she discovers Baynes is only in town to gather historical material for his thesis on Cromwell, she dashes off, leaving him confounded. Meanwhile, Miller frees the spy, Pryce.
Fleeing from a roadblock, the pair is cornered and Pryce is shot. With his last he tells Miller he hid a notebook on the Isle of Man. Miller is wounded too, but escapes. When Bridie returns to her room he is there, dying. He gives her the location to pass along up the spy chain. Keeping his head to the last, he tells her to dispose of his body after he is dead, which she does.
Bridie boards a train and seeks to meet her contact on it, who instead is arrested and hauled off. Not knowing what to do, Bridie decides to return home. However, David had followed her, who knew she was mixed up in something and wants to help. Her intention is foiled by the announcement of a ban on travel to Ireland.
She then decides to retrieve the notebook herself. She is trailed by David and a mysterious stranger – with British military intelligence patching the clues together and only a step behind. Successful, she deciphers that it reveals the location of the imminent D-Day invasion, which could result in the death of thousands of Allied soldiers—including Irishmen serving in the British armed forces. She decides to burn it, and does. David narrowly saves Bridie from being arrested as Miller's confederate, and after confessing his love for her, she tells him what she has done.
Bridie tries to turn herself in, but German agents kidnap her. David tracks them down, but ends up abducted as well. When she refuses to tell what she knows, the couple is taken to Ireland. The Nazi agents seek to hide the group amid a funeral procession, but the "mourners" are actually smugglers trying to enter Northern Ireland, a British possession. Things go wrong at the border crossing, a melee erupts, and the couple escapes in the confusion. Believing that they are still in Ireland, where Bridie would merely be interned, David calls for the police from a pub. When he discovers that they are actually in Northern Ireland, and that Bridie could be shot as a spy, he tries to persuade her to flee across the nearby border. She stubbornly insists on staying with him and facing the consequences. A BBC broadcast then announces that D-Day has begun, rendering what she knows useless to the Germans. David helps her escape, then discovers the pack of spies in a room upstairs. A fight breaks out, the police arrive, and arrest all.
After the war Bridie and David wed, their troubles seemingly all behind them. Not so! He's booked them into "The Cromwell Arms" for their honeymoon night, which sends his livid bride fleeing and spitting vituperations toward both.
Frank Launder and Sidney Gilliat, writers who had worked on Alfred Hitchcock's 1938 spy film The Lady Vanishes , formed Individual Pictures in 1945. I See a Dark Stranger was the first of ten films released by the company, with Launder kicking off an intended rotation between the pair as director. [1]
The picture was filmed at various locations, including Dublin, Dundalk and around Wexford in Ireland, Dunster in England, and the Isle of Man. [1] [2]
During production, a rumour spread among crew members that a close relationship had developed between the "handsome, young" cinematographer Wilkie Cooper and Deborah Kerr. If it went beyond that, the affair it was short-lived, as Kerr married Spitfire pilot Tony Bartley almost immediately after the film's completion. [3]
Charters and Caldicott, characters Launder and Gilliat first introduced in The Lady Vanishes (1938), were due to appear in the film but due to a disagreement with the actors Basil Radford and Naunton Wayne they were replaced by Captain Goodhusband and Lieutenant Spanswick. [4]
The film was released in the United States under the title The Adventuress, to good reviews but modest box office. Bosley Crowther, the critic for the New York Times called the film "keenly sensitive and shrewd." [1]
In 1990 Sidney Gilliat quipped the film "must have broken even now." [5]
Deborah Kerr won a 1947 New York Film Critics Circle Award for Best Actress for her performances in Black Narcissus and I See a Dark Stranger. [6] [7]
Deborah Jane Trimmer CBE, known professionally as Deborah Kerr, was a British actress. She was nominated six times for the Academy Award for Best Actress, becoming the first person from Scotland to be nominated for any acting Oscar. Kerr was known for her roles as elegant, ladylike but also sexually repressed women that deeply yearn for sexual freedom.
Quilty is an Irish family name which has spread throughout the English-speaking world.
Sidney Gilliat was an English film director, producer and writer.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Perfect Strangers, is a 1945 British drama film made by London Films. It stars Robert Donat and Deborah Kerr as a married couple whose relationship is shaken by their service in the Second World War. The supporting cast includes Glynis Johns, Ann Todd and Roland Culver. It was produced and directed by Alexander Korda from a screenplay by Clemence Dane and Anthony Pelissier based on a story by Clemence Dane. Dane won the Academy Award for Best Story. The music score was by Clifton Parker and the cinematography by Georges Périnal.
Green for Danger is a 1946 British thriller film, based on the 1944 detective novel of the same name by Christianna Brand. It was directed by Sidney Gilliat and stars Sally Gray, Trevor Howard, Rosamund John, Leo Genn, and Alastair Sim. The film was shot at Pinewood Studios in England. The title is a reference to the colour-coding used on the gas canisters used by anaesthetists.
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause.
Waterloo Road is a 1945 British film directed by Sidney Gilliat and starring John Mills, Stewart Granger, and Alastair Sim. It is based on the Waterloo area of South London. According to the British Film Institute database, it is the third in an "unofficial trilogy" by Gilliat, preceded by Millions Like Us (1943) and Two Thousand Women (1944).
Geordie is a 1955 British film directed and co-produced by Frank Launder, with Bill Travers in the title role as a Scotsman who becomes an athlete and competes at the 1956 Summer Olympics in Melbourne.
Dream Wife is a 1953 romantic comedy film starring Cary Grant and Deborah Kerr made by Metro-Goldwyn-Mayer.
The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance.
Thelma Connell was a film editor from England. She was known for her work on thrillers and mysteries, and she often collaborated with Frank Launder, Sidney Lumet, and Lewis Gilbert.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Gordon Jackson, Anne Crawford, Basil Radford, Naunton Wayne, Moore Marriott and Eric Portman.
Charters and Caldicott started out as two supporting characters in the 1938 Alfred Hitchcock film The Lady Vanishes. The pair of cricket-obsessed characters were played by Naunton Wayne and Basil Radford. The characters were created by Frank Launder and Sidney Gilliat. The duo became very popular and were used as recurring characters in subsequent films and in BBC Radio productions. Charters and Caldicott have also been played by other actors, and they eventually had their own BBC television series.
The Story of Gilbert and Sullivan is a 1953 British musical drama film dramatisation of the collaboration between Gilbert and Sullivan. Librettist W. S. Gilbert and composer Arthur Sullivan, portrayed by Robert Morley and Maurice Evans, co-wrote fourteen extraordinarily successful comic operas, later referred to as the Savoy Operas, which continue to be popular today.
Ring of Spies is a 1964 British spy film directed by Robert Tronson and starring Bernard Lee, William Sylvester and Margaret Tyzack. It is based on the real-life case of the Portland spy ring, whose activities prompted "Reds under the bed" scare stories in the British popular press in the early 1960s.
The Constant Husband is a 1955 British comedy film, directed by Sidney Gilliat and starring Rex Harrison, Margaret Leighton, Kay Kendall, Cecil Parker, George Cole and Raymond Huntley. The story was written by Gilliat together with Val Valentine, and the film was produced by Individual Pictures, Gilliat's and Frank Launder's joint production company. Because the film got caught up in the 1954 bankruptcy of British Lion Film Corporation, it was not released until more than seven months after it had been finished and reviewed by the British Board of Film Censors.
Two Thousand Women is a 1944 British comedy-drama war film about a German internment camp in Occupied France which holds British women who have been resident in the country. Three RAF aircrewmen, whose bomber has been shot down, enter the camp and are hidden by the women from the Germans.
Endless Night is a 1972 British horror-mystery film directed by Sidney Gilliat and starring Hayley Mills, Britt Ekland, Per Oscarsson, Hywel Bennett, and George Sanders. Based on the 1967 novel Endless Night by Agatha Christie, the plot follows a newlywed couple who feel threatened after building their dream home on cursed land.
Leslie Gilliat was a British film producer and production manager. He was the younger brother of director Sidney Gilliat, with whom he worked on a number of films for British Lion Films.