Night Train to Munich | |
---|---|
Directed by | Carol Reed |
Screenplay by | |
Based on | Report on a Fugitive 1939 short story by Gordon Wellesley |
Produced by | Edward Black |
Starring | |
Cinematography | Otto Kanturek |
Edited by | R. E. Dearing |
Music by | Louis Levy |
Production company | 20th Century Productions |
Distributed by | 20th Century Fox |
Release dates |
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Running time | 95 minutes |
Country | United Kingdom |
Language | English |
Night Train to Munich is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood and Rex Harrison. Written by Sidney Gilliat and Frank Launder, based on the 1939 short story Report on a Fugitive by Gordon Wellesley, the film is about an inventor and his daughter who are kidnapped by the Gestapo after the Nazis march into Prague in the prelude to the Second World War. A British secret service agent follows them, disguised as a senior German army officer pretending to woo the daughter over to the Nazi cause. [2]
As German forces take over Czechoslovakia in March 1939, Axel Bomasch, a Czechoslovak scientist working on a new type of armour-plate, is flown to Britain. Bomasch's daughter, Anna, is arrested before she can reach the airport and sent to a concentration camp, where she is interrogated by Nazis who are pursuing her father. Anna refuses to cooperate. Soon she is befriended by a fellow prisoner named Karl Marsen, who says he is a teacher imprisoned for his political views. Together they are able to escape and make their way to London. Marsen is in fact a Gestapo agent assigned to gain her trust and locate her father.
Following Marsen's suggestion, Anna places a cryptic newspaper advertisement to let her father know she is in the country. Soon after, she gets an anonymous phone call with instructions to go to the town of Brightbourne. There, Anna contacts Dickie Randall, a British intelligence officer working undercover as an entertainer named Gus Bennett. Randall takes Anna to her father, who is now working for the Royal Navy at the fictional Dartland naval base. Anna argues with Randall over her attempt to post a letter to Marsen (with an informative postmark). It does not matter, as Dr. John Fredericks, Marsen's undercover superior in London, had tailed her to Brightbourne.
Soon after, Marsen arranges the kidnapping of Anna and her father and brings them back to Germany by U-boat. Their captors threaten to put her in a concentration camp if Bomasch refuses to work for the Nazis. Randall's proposal to rescue the Bomasches is (unofficially) accepted. He travels to Berlin and infiltrates the building where the Bomasches are being held, posing as Major Ulrich Herzog of the Corps of Engineers. He dupes Captain Prada and Admiral Hassinger into believing he was Anna's lover years ago and can persuade her to get her father to co-operate. Randall spends the night with Anna in her hotel room to maintain the pretence. When the Bomasches are ordered to be sent to Munich, he plans to accompany them and arrange their escape. Marsen shows up just as they are about to leave the hotel; he has been assigned to escort them to Munich.
Randall's situation is further complicated at the railway station, where he is recognised by a former classmate named Caldicott, who is leaving Germany with his friend Charters. Randall denies knowing Caldicott but Marsen's suspicions are aroused. When the train makes an unscheduled stop (brought to a halt by a railway station guard played by Irene Handl in an early uncredited bit part) to take on troops, as Britain has declared war on Germany that morning, Marsen takes the opportunity to telephone his headquarters to have Herzog investigated. When Marsen's superiors call back to confirm there is no Major Herzog, Charters, attempting to use another telephone, overhears that Randall will be arrested when they reach Munich.
The two Englishmen barely manage to reboard the train before it leaves. Caldicott slips a warning to Randall, who is thus prepared when Marsen pulls out a gun as they near Munich. Charters and Caldicott overpower first the two guards, then Marsen. After swapping uniforms with Marsen, Randall commandeers a car. They speed up a mountain road, with Marsen and his men in hot pursuit. They reach an aerial tramway; at the other end is neutral Switzerland. Randall manages to shoot all of their pursuers except Marsen, while Anna and the others escape on the tram. Randall then boards the other tram and exchanges shots with Marsen, who reverses the direction of Randall's tram, but he manages to jump to the other tram as it passes. When he hits Marsen in the leg, the latter is either unable, or unwilling, to reach the controls and stop Randall from reaching safety. Randall and Anna embrace.
The film was based on a short story by Gordon Wellesley which Sidney Gilliat claims only constituted the first ten minutes of the film, the rest came from him and Launder. [3]
This was the last of the several films that Margaret Lockwood made for Carol Reed. Their professional relationship ended after she turned down the female lead in Kipps .
The film premiered at the Odeon Leicester Square in London on 26 July 1940. [1] The film has a rating of 89% "Fresh" on the review aggregation website Rotten Tomatoes, based on 18 critic reviews, with an average rating of 7.3/10. [4] Prior to the film's initial release, a review by Variety noted that "[m]uch of the film’s merit obviously stems from the compact, propulsive screenplay ... and the razor-edge direction", adding that "[t]here are countless touches of atmosphere and comedy that add immeasurable flavor and zest to the picture". [5]
Simon Abrams of Slant Magazine wrote of the film: "Come for Carol Reed's name, stay for Rex Harrison's performance and a few good cheap shots at the Nazis". [6] Stephen Mayne of PopMatters wrote that the film is "more than just a rerun of The Lady Vanishes ", stating that it "overcomes wobbly moments by being so persistently fun". [7]
The film was released on LaserDisc by the Roan Group on 14 February 1995. [8] A VHS release followed on 11 February 1997 by Kino Video. [9] It was released on DVD and Blu-ray by the Criterion Collection on 29 June 2010 and 6 September 2016, respectively. [10]
The title inspired the eponymous song on Al Stewart's interwar theme album, Between the Wars.
The film has been compared to The Lady Vanishes, with the Princeton academic Michael Wood describing it as an "ironic remake"; the publicity at the time of release erroneously claimed it is a sequel. [11] [12] It has a similar situation in a war-torn continental Europe and both have scripts by Launder and Gilliat. The two slightly eccentric and cricket-mad English travellers, Charters and Caldicott, are carried over. The films are otherwise similar in setting, and both feature similar lead character types: the damsel in distress and eccentric upper-class British gentlemen spy, manifesting in the first film as Iris (played by Margaret Lockwood) and Gilbert and in the second as Anna Bomasch (also played by Lockwood) and Dickie Randall.
Naunton Wayne, was a Welsh character actor, born in Pontypridd, Glamorgan, Wales. He was educated at Clifton College. His name was changed by deed poll in 1933.
Sir Carol Reed was an English film director and producer, best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968), for which he was awarded the Academy Award for Best Director.
Margaret Mary Day Lockwood, CBE, was an English actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
Sidney Gilliat was an English film director, producer and writer.
Frank Launder was a British writer, film director and producer, who made more than 40 films, many of them in collaboration with Sidney Gilliat.
Arthur Basil Radford was an English character actor who featured in many British films of the 1930s and 1940s.
British Lion Films is a film production and distribution company active under several forms since 1919. Originally known as British Lion Film Corporation Ltd, it entered receivership on 1 June 1954. From 29 January 1955 to 1976, the company was known as British Lion Films Ltd, and was a pure distribution company.
The Lady Vanishes is a 1938 British mystery thriller film directed by Alfred Hitchcock, starring Margaret Lockwood and Michael Redgrave. Written by Sidney Gilliat and Frank Launder, based on the 1936 novel The Wheel Spins by Ethel Lina White, the film is about an English tourist travelling by train in continental Europe who discovers that her elderly travelling companion seems to have disappeared from the train. After her fellow passengers deny ever having seen the elderly lady, the young woman is helped by a young musicologist, the two proceeding to search the train for clues to the old lady's disappearance.
The Lady Vanishes is a 1979 British mystery comedy film directed by Anthony Page and written by George Axelrod, based on the screenplay of 1938's The Lady Vanishes by Sidney Gilliat and Frank Launder, in turn based on Ethel Lina White's 1936 novel The Wheel Spins. The film stars Elliott Gould, Cybill Shepherd, Angela Lansbury, Herbert Lom, and Arthur Lowe and Ian Carmichael.
Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It stars Patricia Roc, Gordon Jackson, Anne Crawford, Basil Radford, Naunton Wayne, Moore Marriott and Eric Portman.
Charters and Caldicott started out as two supporting characters in the 1938 Alfred Hitchcock film The Lady Vanishes. The pair of cricket-obsessed characters were played by Naunton Wayne and Basil Radford. The characters were created by Frank Launder and Sidney Gilliat. The duo became very popular and were used as recurring characters in subsequent films and in BBC Radio productions. Charters and Caldicott have also been played by other actors, and they eventually had their own BBC television series.
The Stars Look Down is a British film from 1940, based on A. J. Cronin's 1935 novel of the same title, about injustices in a mining town in North East England. The film, co-scripted by Cronin and directed by Carol Reed, stars Michael Redgrave as Davey Fenwick and Margaret Lockwood as Jenny Sunley. The film is a New York Times Critics' Pick and is listed in The New York Times Guide to the Best 1,000 Movies Ever Made.
Crook's Tour is a 1940 British comedy spy film directed by John Baxter featuring Charters and Caldicott. It is adapted from a BBC radio serial of the same name.
I See a Dark Stranger – released as The Adventuress in the United States – is a 1946 British World War II spy film with touches of light comedy, starring Deborah Kerr and Trevor Howard. It was written and produced by the team of Frank Launder and Sidney Gilliat, with Launder directing.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry" and "one of the greatest figures in British film history, the maker of stars like Margaret Lockwood, James Mason, John Mills and Stewart Granger. He was also one of the very few producers whose films, over a considerable period, made money." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
Two Thousand Women is a 1944 British comedy-drama war film about a German internment camp in Occupied France which holds British women who have been resident in the country. Three RAF aircrewmen, whose bomber has been shot down, enter the camp and are hidden by the women from the Germans.
Gordon Wong Wellesley was an Australian-born screenwriter and writer of Chinese descent. Born in Sydney in 1894 He wrote over thirty screenplays in the United States and Britain, often collaborating with the director Carol Reed. He began his career in Hollywood in the early 1930s and worked in Britain beginning about 1935. He was married to the scriptwriter Katherine Strueby. He was nominated for an Oscar for Best Writing, Original Story at the 1942 Oscars for Night Train to Munich, which was based on his novel, Report on a Fugitive.
A Girl Must Live is a 1939 British romantic comedy film directed by Carol Reed that stars Margaret Lockwood, Renée Houston, Lilli Palmer, Hugh Sinclair, and Naunton Wayne. Based on a 1936 novel by Emery Bonett with the same title, the plot features three chorus line girls competing for the affection of a wealthy bachelor. It was one of a series of films Carol Reed made starring Margaret Lockwood.
State Secret is a 1950 British drama thriller film directed by Sidney Gilliat and starring Douglas Fairbanks Jr., Jack Hawkins, Glynis Johns, Olga Lowe and Herbert Lom. It was made at Isleworth Studios with Italian location shooting in Trento and the Dolomites. It was released in the United States under the title The Great Manhunt.
The Girl in the News is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood, Barry K. Barnes and Emlyn Williams. It was based on the eponymous novel by Roy Vickers, released the same year.