Odd Man Out | |
---|---|
Directed by | Carol Reed |
Written by | R. C. Sherriff |
Based on | Odd Man Out 1945 novel by F. L. Green |
Produced by | Carol Reed |
Starring | |
Cinematography | Robert Krasker |
Edited by | Fergus McDonell |
Music by | William Alwyn |
Production company | |
Distributed by | General Film Distributors |
Release date |
|
Running time | 116 minutes |
Country | United Kingdom |
Language | English |
Budget | >US$1 million [2] |
Box office | US$1.25 million (US rentals) [3] |
Odd Man Out is a 1947 British film noir directed by Carol Reed, and starring James Mason, Robert Newton, Cyril Cusack, and Kathleen Ryan. Set in Belfast, Northern Ireland, it follows a wounded Nationalist leader who attempts to evade police in the aftermath of a robbery. It is based on the 1945 novel of the same name by F. L. Green. [4]
The film received the first BAFTA Award for Best British Film, and was also nominated for the Academy Award for Best Film Editing. Filmmaker Roman Polanski repeatedly cited Odd Man Out as his favourite film.
Odd Man Out follows the Mason character "on an anguished journey through the alleys of Belfast that visually presages Harry Lime's shadowy flight through the sewers of Vienna" in Reed's 1949 film The Third Man . [5]
Irish nationalist 'organisation' member Johnny McQueen has been hiding for six months, since his escape from prison, in a house occupied by Kathleen Sullivan (who has fallen in love with Johnny) and her grandmother. He is ordered to rob a mill but his seclusion makes his men question his fitness; his lieutenant Dennis offers to take his place, but Johnny turns him down.
Johnny, Nolan, and Murphy carry out the robbery, While fleeing, Johnny falls behind the others and is tackled by an armed guard, whom he kills. Johnny is shot in the shoulder. He is pulled into the car, but falls out. Pat, the getaway driver, refuses to return to retrieve him. Weak and disorientated, Johnny hides in a nearby air raid shelter.
After telling Dennis what happened, Nolan, Murphy and Pat leave for "headquarters." On the way they are seen by police and pursued. Pat and Nolan stop off at Theresa O'Brien's well-to-do guest house, but Murphy does not trust her and goes elsewhere. Theresa betrays Pat and Nolan, who are killed in a gunfight with police.
Dennis finds Johnny, but the police show up nearby. Dennis is captured after drawing them away.
Johnny makes his way toward Kathleen's place, but collapses in the street. Passers-by Maureen and Maudie take him home, thinking he has been struck by a passing lorry. They attempt to give first-aid then see it is a gunshot wound, realising who they have found as the husband returns. An argument over what to do starts, Johnny hears their debate and departs, getting into a parked hansom cab. "Gin" Jimmy, the cab driver, comes out and starts looking for a fare, unaware he already has a wanted man for a passenger. When he finds out, he abandons Johnny in a vacant lot.
Shell spots him dumping the now nearly unconscious fugitive. He goes to Catholic priest Father Tom, hoping for a financial reward. Kathleen arrives shortly afterward, looking for help. Father Tom persuades Shell to fetch Johnny. Upon returning home, Shell has to fend off another resident, the eccentric painter Lukey, who wants him to pose for a portrait again; an argument starts between them. Meanwhile, Johnny revives and stumbles into a local pub where he is recognised by the landlord, who quickly deposits Johnny in a snug where no one else will see him, with the intention of getting rid of him later. Shell and Lukey who separately have converged on the bar start a fight with each other. Fencie breaks it up, closes for the evening, and persuades Lukey to take Johnny away as compensation for the damage he caused the pub. Lukey takes Johnny back to his studio to paint his portrait. Failed medical student Tober tends to Johnny's wound, and he flees.
Kathleen slips away from Father Tom during the visit to the rectory by a police inspector hunting for Johnny. She arranges passage on a ship for Johnny and goes searching for him. Shell starts Johnny toward Father Tom's, and Johnny encounters Kathleen. She takes Johnny toward the ship but sees the police closing in. She draws a gun and fires twice. The police return fire killing them both.
F.L. Green's novel, also used as the basis of the 1969 Sidney Poitier film The Lost Man , was published in 1945. It followed upon wartime action by the IRA in Belfast, in consequence of which Northern Ireland undertook its first and only execution of an Irish Republican, 19-year-old Tom Williams. [6] In the novel, an IRA plot goes horribly wrong when its leader, Johnny Murtah, kills an innocent man, and he is gravely wounded. The source of Green's familiarity with the Belfast IRA at the time is thought to be the Belfast writer Denis Ireland. [7] Ireland's anti-Partition Ulster Union Club had been infiltrated by the IRA intelligence officer and recruiter John Graham. [8]
According to Richard Burton, the lead role was originally offered to Stewart Granger. Burton wrote in his diaries:
Reminds me of Jimmy Granger being sent the script of Odd Man Out by Carol Reed and flipping through the pages where he had dialogue, deciding that the part wasn't long enough. He didn't notice the stage directions so turned it down and James Mason played it instead and made a career out of it. It's probably the best thing that Mason has ever done and certainly the best film he's ever been in while poor Granger has never been in a good classic film at all. Or, as far as I remember, in a good film of any kind. You could after all have a 'James Mason Festival' but you couldn't have a 'Stewart Granger' one. Except as a joke. Granger tells the story ruefully against himself. [9]
Aside from Mason, the supporting cast was drawn largely from Dublin's Abbey Theatre. Among the other members of the Organisation are Cyril Cusack, Robert Beatty, and Dan O'Herlihy. On his travels, Johnny meets an opportunistic bird-fancier played by F. J. McCormick, a drunken artist played by Robert Newton, a barman (William Hartnell) and a failed surgeon (Elwyn Brook-Jones). Denis O'Dea is the inspector on Johnny's trail, and Kathleen Ryan, in her first feature film, plays the woman who loves Johnny. Also notable are W. G. Fay—a founder of the Abbey Theatre—as the kindly Father Tom, Fay Compton, Joseph Tomelty, and Eddie Byrne. Albert Sharpe plays a bus conductor. A number of non-speaking parts were filled by actors who later achieved public attention, including Dora Bryan, Geoffrey Keen, Noel Purcell, Guy Rolfe and Wilfrid Brambell (a standing passenger in the tram scene). Few of the main actors in the film actually manage an authentic Ulster accent.
The cinematographer was Robert Krasker, in his first film for director Reed, lighting sets designed by Ralph Brinton and Roger Furse. Reed made extensive use of location filming, which was uncommon at the time. [10] Exterior scenes were shot in West Belfast, [11] although some were shot at Broadway Market in London. [12]
The bar set was based on the Crown Bar in Belfast but was a studio set built at D&P Studios in Denham, Buckinghamshire. [11] The duplication was so authentic that tourists in subsequent years would visit the Crown Bar, thinking it was the bar in the film. To further enhance the realism of the film, Reed used real sounds instead of standard sound effects, recording the "actual drum of mill machinery and the echo of hoof beats." The narrowness of Johnny's world is represented by scenes shot on location in small rooms and in alleys. [10]
The film went over budget and overschedule so although it was successful it hurt Reed's relationship with the Rank Organisation. [13]
Composer William Alwyn was involved writing the leitmotif-based film score from the very beginning of the production. It was performed by the London Symphony Orchestra and conducted by Muir Mathieson.
The film did not mention the IRA by name and, like John Ford's The Informer (1935), only "casually touched on the underlying conflict." Both use the backdrop of conflict in Ireland or Northern Ireland to present morality tales designed to appeal to the broadest possible audience. The IRA was portrayed as little more than a criminal gang. Politics and the cause of Irish nationalism was avoided to "circumvent controversy and pass the censors." [14]
With an eye toward distribution of the film in the United States, the film script was submitted to Joseph Breen of the Motion Picture Producers and Distributors of America, who advised the producers that the original ending, a murder-suicide, violated the Hollywood Production Code. Years earlier, Breen had similarly submitted the script of The Informer to the British Board of Film Censors, which requested numerous changes to omit references to the Anglo-Irish conflict. [14] [15]
Odd Man Out and The Informer are also similar in being "dramatic portrayals of lapsed Catholics rediscovering their lost faith," and "end with their dying protagonists assuming Christ-like poses." [5]
Writing in The IRA on Film and Television: A History, author Mark Connelly observes that Johnny is "more of a mob boss than revolutionary," and that the F.L. Green novel upon which the film was based took a dim view of Irish nationalism. [10]
Odd Man Out was "hailed as a masterpiece by many critics and a box office hit—at least in Europe, where Reed had gauged the mood of postwar despondency with caliper-like accuracy." [16]
New York Times film critic Bosley Crowther praised the performances and the plotting of the early sequences in the film, which he compared favorably to The Informer, but he criticized the subsequent portions of the film, which he described as "fumbled" by shifting attention away from Mason and his motivations to "cryptic characters," relieving the protagonist of his illustrative role, and "whatever it is they are proving—if anything—is anybody's guess." [4]
The Monthly Film Bulletin wrote "This film puts Reed high in the first rank of directors." [17]
It ranked eighth among more popular movies at the British box office in 1947, [18] and was one of the most successful films ever shown in South America. [5]
The film received the BAFTA Award for Best British Film in 1948. It was nominated for the Golden Lion award at the Venice Film Festival in 1947, and nominated for a Best Film Editing Oscar in 1948.
Award / Film Festival | Category | Recipients and nominees | Result |
---|---|---|---|
Academy Awards | Best Film Editing | Fergus McDonell | Nominated |
British Academy Film Awards | Best British Picture | Odd Man Out | Won |
Carol Reed biographer Robert F. Moss notes that Odd Man Out is "almost indisputably Reed's masterpiece." [19]
Filmmaker Roman Polanski repeatedly has cited Odd Man Out as his favourite film. [20] Polanski stated that Odd Man Out is superior to The Third Man , another film that has been considered to be Reed's masterpiece:
I still consider it as one of the best movies I've ever seen and a film which made me want to pursue this career more than anything else...I always dreamt of doing things of this sort or that style. To a certain extent I must say that I somehow perpetuate the ideas of that movie in what I do. [20]
Sam Peckinpah also cited it as a personal favorite.[ citation needed ]
American novelist, essayist and some-time screenwriter Gore Vidal called the film a "near-perfect film" and its screenwriter R. C. Sherriff "one of the few true film auteurs." [21]
Writing in 2006, Guardian film critic Peter Bradshaw gave the film three out of five stars. He wrote that the film was a "fascinating but imperfect thriller" that reflected "Belfast's forgotten identity as a bustling, prosperous provincial city, not obviously shattered by sectarianism or terrorism: a city in which a packed tram can head for the Falls Road, without any visible sense of fear." [22]
Leonard Maltin gave the movie 4 out of 4 stars naming it "Incredibly suspenseful."[ citation needed ]
Odd Man Out was presented on Suspense 11 February 1952. James Mason and his wife Pamela Mason starred in the 30-minute adaptation. [23]
The Informer is a 1935 American drama thriller film directed and produced by John Ford, adapted by Dudley Nichols from the 1925 novel of the same title by Irish novelist Liam O'Flaherty. Set in 1922, the plot concerns the underside of the Irish War of Independence and centers on a disgraced Republican man, played by Victor McLaglen, who anonymously informs on his former comrades and spirals into guilt as his treachery becomes known. Heather Angel, Preston Foster, Margot Grahame, Wallace Ford, Una O'Connor and J. M. Kerrigan co-star. The novel had previously been adapted for a British film of the same name in 1929.
John Adair, better known as Johnny Adair or Mad Dog Adair, is a Northern Irish loyalist and the former leader of the "C Company", 2nd Battalion Shankill Road, West Belfast Brigade of the Ulster Freedom Fighters (UFF). This was a cover name used by the Ulster Defence Association (UDA), a loyalist paramilitary organisation. In 2002 Adair was expelled from the organisation following a violent internal power struggle. Since 2003, he, his family and a number of supporters have been forced to leave Northern Ireland by the mainstream UDA.
Sir Carol Reed was an English film director and producer, best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968), for which he was awarded the Academy Award for Best Director.
Cyril James Cusack was an Irish stage and screen actor with a career that spanned more than 70 years. During his lifetime, he was considered one of Ireland’s finest thespians, and was renowned for his interpretations of both classical and contemporary theatre, including Shakespearean roles as a member of the Royal Shakespeare Company, and over 60 productions for the Abbey Theatre, of which he was a lifelong member. In 2020, Cusack was ranked at number 14 on The Irish Times' list of Ireland's greatest film actors.
Patrick Finucane was an Irish lawyer who specialised in criminal defence work. Finucane came to prominence due to his successful challenge of the British government in several important human rights cases during the 1980s. He was killed by loyalist paramilitaries from the Ulster Defence Association (UDA), acting in collusion with British security services. In 2011, the British Prime Minister, David Cameron, met with Pat Finucane's family and apologised for the collusion.
John McMichael was a Northern Irish loyalist who rose to become the most prominent and charismatic figure within the Ulster Defence Association (UDA) as the Deputy Commander and leader of its South Belfast Brigade. He was also commander of the "Ulster Freedom Fighters" (UFF), a cover name for the UDA, overseeing an assassination campaign against prominent republican figures whose details were included in a notorious "shopping list" derived from leaked security forces documents. The UDA used the UFF name when it wished to claim responsibility for attacks, thus allowing it to remain a legal paramilitary organisation until August 1992 when it was proscribed by the British Government.
The Shankill Road bombing was carried out by the Provisional Irish Republican Army (IRA) on 23 October 1993 and is one of the most well-known incidents of the Troubles in Northern Ireland. The IRA aimed to assassinate the leadership of the loyalist Ulster Defence Association (UDA), supposedly attending a meeting above Frizzell's fish shop on the Shankill Road, Belfast. Two IRA members disguised as deliverymen entered the shop carrying a bomb, which detonated prematurely. Ten people were killed: one of the IRA bombers, a UDA member and eight Protestant civilians, two of whom were children. More than fifty people were wounded. The targeted office was empty at the time of the bombing, but the IRA had allegedly realised that the tightly packed area below would inevitably cause "collateral damage" of civilian casualties and continued regardless. However, the IRA have denied this saying that they intended to evacuate the civilians before the explosion. It is alleged, and unearthed MI5 documents appear to prove, that British intelligence failed to act on a tip off about the bombing.
The Loughinisland massacre took place on 18 June 1994 in the small village of Loughinisland, County Down, Northern Ireland. Members of the Ulster Volunteer Force (UVF), a loyalist paramilitary group, burst into a pub with assault rifles and fired on the customers, killing six civilians and wounding five. The pub was targeted because it was frequented mainly by Catholics, and was crowded with people watching the Republic of Ireland play against Italy in the 1994 FIFA World Cup. It is thus sometimes called the "World Cup massacre". The UVF claimed the attack was retaliation for the killing of three UVF members by the Irish National Liberation Army (INLA) two days before.
Denis O'Dea was an Irish stage and film actor.
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William "Billy" Stobie was an Ulster Defence Association (UDA) quartermaster and RUC Special Branch informer who was involved in the shootings of student Adam Lambert in 1987 and solicitor Pat Finucane in 1989.
Tommy "Tucker" Lyttle, was a high-ranking Ulster loyalist during the period of religious-political conflict in Northern Ireland known as "the Troubles". A member of the Ulster Defence Association (UDA) – the largest loyalist paramilitary organisation in Northern Ireland – he first held the rank of lieutenant colonel and later was made a brigadier. He served as the UDA's spokesman as well as the leader of the organisation's West Belfast Brigade from 1975 until his arrest and imprisonment in 1990. According to journalists Henry McDonald and Brian Rowan, and the Pat Finucane Centre, he became a Royal Ulster Constabulary (RUC) Special Branch informer.
Alex Kerr is a Northern Irish former loyalist paramilitary. Kerr was a brigadier in the Ulster Defence Association (UDA)'s South Belfast Brigade. He is no longer active in loyalism.
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Odd Man Out is a 1945 crime thriller novel by the British writer F. L. Green. The novel is set in present-day Northern Ireland and portrays an IRA heist gone wrong.