The Night My Number Came Up | |
---|---|
Directed by | Leslie Norman |
Written by | R. C. Sherriff Victor Goddard (story) |
Produced by | Michael Balcon |
Starring | Michael Redgrave Sheila Sim Alexander Knox Denholm Elliott |
Cinematography | Lionel Banes |
Edited by | Peter Tanner |
Music by | Malcolm Arnold |
Production company | |
Distributed by | General Film Distributors (UK) Continental Film Distributors (US) |
Release date |
|
Running time | 94 minutes |
Country | United Kingdom |
Language | English |
The Night My Number Came Up is a 1955 British supernatural drama film directed by Leslie Norman and starring Michael Redgrave, Sheila Sim and Alexander Knox. [1] The screenplay by R. C. Sherrif was based on an incident in the life of British Air Marshal Sir Victor Goddard whose journal was published in The Saturday Evening Post of 26 May 1951. [2]
Air Marshal Hardie is at a dinner party in Hong Kong at which a naval commander talks about a dream he had, in which an air marshal and seven companions flew in a Douglas Dakota which crashed on a rocky shore. Hardie is due to fly to Tokyo the following day, but is not concerned because many of the details differ from his planned voyage, including a different kind of aircraft.
However, when problems ground the planned aircraft, it is replaced by a Douglas Dakota – as in the dream. Additional passengers arrive, making the total number of people eight passengers and five crew members – as in the dream. As the flight proceeds, eventually most of the details correspond to the dream. The Dakota climbs to avoid bad weather, but ices up. The pilot puts it into a steep dive to unfreeze the undercarriage. This succeeds, but they are now in heavy cloud and the plane has lost its guidance and radio. They believe they are heading for Yokohama Bay in Japan, but having to fly on visuals alone they need to land before sunset.
They become lost and fly around in circles. Events increasingly unfold as in the dream, and the pilot, who knows of the premonition, starts to panic. The senior officer demands that they ditch in the sea, but the pilot wants to attempt an emergency landing on the beach. They run out of fuel and glide towards the mountains, but instead of crashing as in the dream, the pilot manages to bring the aircraft down in a controlled emergency landing. All on board survive.
The film was made by J Arthur Rank at the Ealing Studios.[ citation needed ]
Leslie Norman said he found the original magazine article and suggested it become a film. He wrote a synopsis and sent it to Michael Balcon, who agreed to make the film – although he refused to let Leslie Norman write the script and insisted on R.C. Sheriff. Norman later said "I don't think R.C. Sheriff added anything to it." [3] : 440
Part of the film was shot in Hong Kong, at Kai Tak Airport. Norman said he was "pretty pleased with" the film but felt "Ursula Jeans was a weak link". [3] : 441
This was Sheila Sim's final film before her retirement from acting.
The Manchester Guardian wrote: "For a taut, tense, efficient, and unpretentious little thriller it would be hard to beat The Night My Number Came Up." [4]
Monthly Film Bulletin said "Someone relates a dream; and the dream comes true – except for the climax, in which the passengers survive instead of being killed. This makes for a certain lack of surprise in The Night My Number Came Up, particularly as the flashback construction informs us trom the first reel that the plane has crashed, anyway, and reduces the whole story to a single item of doubt. The players are not given much scope with some conventionally written parts, though Nigel Stock creates a genuinely individual figure as the pilot. Direction is efficient." [5]
Variety reviewed the film as "A highly competent piece of filmmaking, it is packed with suspense. [...] Leslie Norman's incisive direction sustains the tension and Lionel Banes has lensed the production with commendable skill." [6]
In British Sound Films David Quinlan writes: "Suspense drama holds the attention all the way." [7]
Leslie Halliwell said: "Intriguing little melodrama which badly lacks a twist ending and foxes itself by flashback construction which leaves very little open to doubt." [8]
In the Time Out Film Guide Trevor Johnston wrote: "Clever plot construction, a plane-load of top British thesps, and smooth handling from director Leslie Norman (Barry's dad) all give good value." [9]
The film was nominated for four 1956 BAFTA Awards: Michael Redgrave as Best British Actor, R.C. Sherriff for Best British Screenplay, Best Film from any Source, and Best British Film. [10]
Sir Michael Scudamore Redgrave CBE was an English actor and filmmaker. Beginning his career in theatre, he first appeared in the West End in 1937. He made his film debut in Alfred Hitchcock's The Lady Vanishes in 1938.
Indiscreet is a 1958 British romantic comedy film produced and directed by Stanley Donen, and starring Ingrid Bergman and Cary Grant.
Air Marshal Sir Robert Victor Goddard, was a senior commander in the Royal Air Force during the Second World War.
The Green Man is a 1956 black and white British black comedy film directed by Robert Day and starring Alastair Sim, George Cole, Terry-Thomas and Jill Adams. The screenplay was by Frank Launder and Sidney Gilliat, based on the play Meet a Body.
Our Girl Friday is a 1953 British comedy film starring Joan Collins, George Cole, Kenneth More and Robertson Hare. It is about a woman who is shipwrecked with three men on a deserted island.
Time Without Pity is a 1957 British film noir thriller film directed by Joseph Losey and starring Michael Redgrave, Ann Todd, Leo McKern, Paul Daneman, Peter Cushing, Alec McCowen and Renee Houston. It is about a father trying to save his son from execution for murder.
Crooks Anonymous is a 1962 British comedy film directed by Ken Annakin, and starring Leslie Phillips and Stanley Baxter and Julie Christie, in her film debut. It was written by Henry Blyth and Jack Davies.
Dry Rot is a 1956 British comedy film directed by Maurice Elvey, and starring Ronald Shiner, Brian Rix, Peggy Mount, and Sid James. The screenplay is by John Chapman, adapted from his 1954 Whitehall farce of the same name.
Climbing High is a 1938 British comedy film directed by Carol Reed and produced by Michael Balcon with a screenplay by Sonnie Hale, Marion Dix and Lesser Samuels. It stars Jessie Matthews, Michael Redgrave, Noel Madison, Margaret Vyner and Alistair Sim, and was first released in the U.K. in November 1938.
They Came to a City is a 1944 British black-and-white film directed by Basil Dearden and starring John Clements, Googie Withers, Raymond Huntley, Renee Gadd and A. E. Matthews. It was adapted from the 1943 play of the same title by J. B. Priestley, and is notable for including a cameo appearance by Priestley as himself.
Upstairs and Downstairs is a 1959 British comedy film directed by Ralph Thomas and starring Michael Craig, Anne Heywood, Mylène Demongeot, Claudia Cardinale, James Robertson Justice, Joan Sims, Joan Hickson and Sid James. It features the first English-language performance of Claudia Cardinale.
Law and Disorder is a 1958 British crime comedy film directed by Charles Crichton and starring Michael Redgrave, Robert Morley, Joan Hickson, and Lionel Jeffries. It was based on the 1954 novel Smugglers' Circuit by Denys Roberts. The film was initially directed by Henry Cornelius, who died while making the film. He was replaced by Crichton.
Broken Journey is a 1948 British drama film directed by Ken Annakin and featuring Phyllis Calvert, James Donald, Margot Grahame, Raymond Huntley and Guy Rolfe. Passengers and crew strugge to survive after their airliner crashes on top of a mountain; based on a true-life accident in the Swiss Alps.
The Man in the Sky is a 1957 British thriller drama film directed by Charles Chrichton and starring Jack Hawkins and Elizabeth Sellars. The screenplay was by John Eldridge and William Rose. A test pilot strives to land a stricken prototype plane.
Behind the Mask is a 1958 British drama film directed by Brian Desmond Hurst and starring Michael Redgrave, Ian Bannen and Lionel Jeffries. It portrays the life of a surgeon in a busy hospital.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
The Green Scarf is a 1954 British mystery film directed by George More O'Ferrall and starring Michael Redgrave, Ann Todd, Leo Genn, Kieron Moore, Richard O'Sullivan and Michael Medwin. The film's plot concerns a man who is accused of a seemingly motiveless murder. The film was shot at Shepperton Studios with sets designed by the art director Wilfred Shingleton. It was written by Gordon Wellesley based on the 1951 Guy des Cars novel The Brute.
As Long as They're Happy is a 1955 British musical comedy film directed by J. Lee Thompson and starring Jack Buchanan, Susan Stephen and Diana Dors. It was written by Alan Melville based on the 1953 play of the same name by Vernon Sylvaine. It was shot in Eastmancolor at Pinewood Studios near London with sets designed by the art director Michael Stringer.
Just My Luck is a 1957 British sports comedy film directed by John Paddy Carstairs and starring Norman Wisdom, Margaret Rutherford, Jill Dixon and Leslie Phillips. It was written by Peter Cusick, Alfred Shaughnessy and Peter Blackmore.
Blackout is a 1950 British crime drama film directed by Robert S. Baker and starring Maxwell Reed and Dinah Sheridan. It was made as a supporting feature.