Scott of the Antarctic (film)

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Scott of the Antarctic
Scott of the Antarctic film poster.jpg
Original cinema poster
Directed by Charles Frend
Written byWalter Meade
Ivor Montagu
Mary Hayley Bell
Produced by Michael Balcon
Starring John Mills
James Robertson Justice
Barry Letts
Cinematography Osmond Borradaile
Jack Cardiff
Geoffrey Unsworth
Edited by Peter Tanner
Music by Ralph Vaughan Williams
(as Vaughan Williams)
Color process Technicolor
Production
company
Distributed by General Film Distributors (UK)
Release date
  • 29 November 1948 (1948-11-29)(UK)
Running time
110 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£371,599 [1]
Box office£214,223 [1]

Scott of the Antarctic is a 1948 British adventure film starring John Mills as Robert Falcon Scott in his ill-fated attempt to reach the South Pole. The film more or less faithfully recreates the events that befell the Terra Nova Expedition in 1912.

Contents

The film was directed by Charles Frend from screenplay by Ivor Montagu and Walter Meade with "additional dialogue" by the novelist Mary Hayley Bell (Mills' wife). The film score was by Ralph Vaughan Williams, who reworked elements of it into his 1952 Sinfonia antartica . The supporting cast included James Robertson Justice, Derek Bond, Kenneth More, John Gregson, Barry Letts and Christopher Lee.

Much of the film was shot in Technicolor at Ealing Studios in London. Landscape and glacier exteriors were shot in the Swiss Alps and in Norway. Background scenes were shot in the Antarctic islands.

Plot

Captain Scott is given the men, but not the funds, to go on a second expedition to the Antarctic. As his wife works on a bust of him, she tells him that she is "not the least jealous" that he is going to the Antarctic again. The wife of Dr. E. A. Wilson, whom Scott hopes to recruit, is much less enthusiastic, but Wilson agrees to go on condition it is a scientific expedition. Scott also visits Fridtjof Nansen, who insists that a polar expedition must use only dogs, not the motor sledges or ponies that Scott proposes. Scott goes on a fundraising campaign, with mixed results, finding scepticism among Liverpool businessmen who are interested primarily in economic opportunities, but also enthusiasm among schoolchildren who help fund the sledge dogs. With the assistance of a government grant he finally manages to raise just enough money to finance the expedition, with some economies.

After a stop in New Zealand, the ship sets sail for Antarctica. They set up a camp at the coast, where they spend the winter and hold a Midwinter Feast on 22 June 1911. In the spring a small contingent of men, ponies and dogs begins the trek towards the pole. About halfway, the ponies are, as planned, shot for food and some of the men are sent back with the dogs. At the three-quarter mark, Scott selects the five-man team to make the push to the pole, hoping to return by the end of March 1912. They reach the pole only to find the Norwegian flag already planted there and a letter from Roald Amundsen asking Scott to deliver it to the King of Norway.

Hugely disappointed, Scott's team begins the long journey back. When reaching the mountains bordering the polar plateau, Wilson shows the men some sea plant and tree fossils he has found, also a piece of coal, proving that the Antarctic must have been a warm place once. Scott ironically notes the economic possibilities. Scott is increasingly concerned about the health of two men: Evans, who has a serious cut on his hand, and Oates, whose foot is badly frostbitten. Evans eventually collapses and dies, and is buried under the snow. Realising that his condition is slowing the team down, Oates says "I hope I don't wake tomorrow" but when he does, he sacrifices himself by crawling out of the tent, saying "I'm just going outside; I may be away some time." [2] ([ sic ]; the words as famously recorded by Scott are "...and may be some time"). Finally, just 11 miles short of a supply depot, the rest of the team dies in their tent trapped by a blizzard. Each man writes his farewell letters, with frostbitten Scott also writing his famous "Message to the Public", saying "I do not regret this journey..."

Months later, on a clear sunny day, the search party discovers the completely snowed-over tent. After a shot of Scott's diary being recovered, the film ends with the sight of a wooden cross with the five names of the dead inscribed on it as well as the quote: "To strive to seek to find and not to yield." (Commas left out; a line from the poem "Ulysses", by Alfred, Lord Tennyson.)

Cast

Production

Development

Towards the end of the war, Michael Balcon of Ealing Studios, was keen to "carry on the tradition that made British documentary film preeminent during the war. These were the days when we were inspired by the heroic deeds typical of British greatness." [3]

In 1944, Charles Frend and Sidney Cole pitched the idea of a film about the Scott expedition. Balcon was interested, so they wrote up a story treatment which Balcon approved. Ealing secured co-operation from Scott's widow (who would die in 1947). [3] [4] [5] Walter Meade wrote the first draft. [6] [7]

The extensive number of interviews that were done with surviving team members and relatives from Scott's expedition were acknowledged at the start of the film with the credit:

"This film could not have been made without the generous co-operation of the survivors and the relatives of late members of Scott's Last Expedition. To them and to those many other persons and organisations too numerous to mention individually who gave such able assistance and encouragement, the producers express their deepest gratitude."

Casting

In 1947 it was announced that John Mills, then one of the biggest stars in Britain, would play the title role. [8] [9]

"This is the most responsible thing I have done in films," said Mills. "I was only about four when the tragedy happened, but Scott has always been one of my heroes and it's jolly satisfying to feel that the job of helping to bring the great story of British enterprise and grit to the screen has fallen to me." [3] During the making of the film, Mills wore Scott's actual watch which had been recovered from his body. [10] [11]

It was an early role for Kenneth More whose audition was arranged by Stewart Granger, whose wife Elspeth March had appeared in a play with More. [12] He wrote "the script wasn't right. Scott was a bad film—despite John Mills' magnificent performance—and certainly it was not the happiest to work on." [13]

Filming

After three years' research for the film, cameraman Osmond Borradaile travelled 30,000 miles (48,000 km) and spent six months between 1946 and 1947 shooting footage in the Antarctic at Hope Bay, as well as in the South Shetland and South Orkney Islands. [5] [14]

Filming started in June 1947 in Switzerland for four weeks, at the Jungfrau Mountain and the Aletsch Glacier. In October 1947 there was a further nine weeks' location filming in Norway, near Finse, which was used to represent the area near the South Pole. The bulk of the scenes were shot at the Hardanger Jokul. [5] [15]

The film recreates this sombre photograph taken by Scott and his crew at the South Pole. Scott's party at the South Pole.jpg
The film recreates this sombre photograph taken by Scott and his crew at the South Pole.

The film's unit transferred to Ealing Studios in London for three months of studio work. [16] [17] [18] [19]

Release

The film was chosen for a Royal Command Film Performance in 1948. [20]

Reception

Critical

Variety felt the documentary-style approach robbed the piece of much of its drama. [21]

Box office

Scott of the Antarctic was the third-most-popular film at the British box office in 1949. [22] [23] According to Kinematograph Weekly the 'biggest winner' at the box office in 1949 Britain was The Third Man with "runners up" being Johnny Belinda , The Secret Life of Walter Mitty , Paleface , Scott of the Antarctic, The Blue Lagoon , Maytime in Mayfair , Easter Parade , Red River and You Can't Sleep Here . [24]

The film earned distributor's gross receipts of £214,223 in the UK of which £165,967 went to the producer. [1] The film also performed well at the box office in Japan. [25]

Music

In 1953 Ralph Vaughan Williams recast and expanded his score for the film into his Seventh Symphony, "Sinfonia antartica" and, thus, the music for the film has come to be better known than the film itself.[ citation needed ]

Historical accuracy

Differences

There are several differences in the film from the real events.

In the film, Scott receives a telegram in New Zealand, but does not read it for himself or to the crew until his ship is en route to the Antarctic. It says: "I am going south. Amundsen". Scott and his crew immediately comprehend that Amundsen is heading for the South Pole. In fact, Scott received this telegram a little earlier, in Australia, and Amundsen's true text was less clear: "Beg leave to inform you Fram proceeding Antarctic Amundsen." [Fram was Amundsen's ship.] As Amundsen had publicly announced he was going to the North Pole, the real Scott and his companions did not initially grasp Amundsen's ambiguous message, according to Tryggve Gran's diary (Gran was Scott's only Norwegian expedition member).

In the film, the Terra Nova disembarks Scott's team in the Antarctic, sails along the ice barrier without Scott and unexpectedly discovers Amundsen's Antarctic base camp. The ship therefore returns to Scott's base camp and informs Scott about Amundsen's presence in the vicinity. In fact, Scott was not at his base camp during this unscheduled return of his ship but was busy laying depots in the interior of the Antarctic.

The film quotes Scott's transport plans as "from the glacier to the pole and all the way back—man hauling". In reality, Scott had instructed the base camp team to meet and fetch him with dog teams on the return journey around 1 March at latitude 82 degrees. The order was never carried out and Scott and his men died on their way home. [26]

In the film, just before reaching the South Pole, Scott's team sight a distant flag, and realise the race is lost. In the next scene, the men arrive at Amundsen's empty tent flying a Norwegian flag at the Pole, and notice the paw prints of Amundsen's sledge-dogs. In reality, Scott and his men discovered the "sledge tracks and ski tracks going and coming and the clear trace of dogs' paws—many dogs" on the previous day when they came to a black flag Amundsen had left to mark his way back.

The film gives the impression that Scott starts to doubt at the South Pole whether he would manage to return to base camp safely, quoting "Now for the run home and a desperate struggle. I wonder if we can do it". In fact, Scott wrote "Now for the run home and a desperate struggle to get the news through first. I wonder if we can do it" (both he and Amundsen had lucrative agreements with the media on exclusive interviews, but Scott now had little chance to beat Amundsen to the cablehead in Australia). The published diary omitted these six words, which were only re-discovered long after the film was produced. [27]

Causes of the tragedy

Given that some 1912 expedition members were still alive and were consulted in the production process, the film depicts the causes of the tragedy as they were considered in 1948.

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References

  1. 1 2 3 Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 355. Gross is distributor's gross receipts.
  2. ↑ "Scott of the Antarctic (1948) – IMDb". IMDb .
  3. 1 2 3 "THE STARRY WAY". The Courier-mail . No. 3597. Queensland, Australia. 5 June 1948. p. 2. Retrieved 17 August 2018– via National Library of Australia.
  4. ↑ "Chips Rafferty saw Britain's idea-men". The Daily Telegraph . Vol. VIII, no. 6. New South Wales, Australia. 22 December 1946. p. 28. Retrieved 17 August 2018– via National Library of Australia.
  5. 1 2 3 "SCOTT of the ANTARCTIC". The Sunday Herald (Sydney) . No. 6. New South Wales, Australia. 27 February 1949. p. 5 (Magazine Section). Retrieved 17 August 2018– via National Library of Australia.
  6. ↑ "Hollywood star Milland to make English films". The Sun . No. 2209. New South Wales, Australia. 12 August 1945. p. 3 (SUPPLEMENT TO THE WEEK END MAGAZINE). Retrieved 17 August 2018– via National Library of Australia.
  7. ↑ "Scott's Expedition To Be Filmed". The Mercury . Vol. CLXII, no. 23, 362. Tasmania, Australia. 20 October 1945. p. 11. Retrieved 17 August 2018– via National Library of Australia.
  8. ↑ "FILM WORLD". The West Australian . Vol. 63, no. 18, 999. Western Australia. 6 June 1947. p. 20 (SECOND EDITION.). Retrieved 17 August 2018– via National Library of Australia.
  9. ↑ "CROSBY WAS BEST MONEY MAKER IN BRITAIN". The Mirror . Vol. 26, no. 1391. Western Australia. 15 January 1949. p. 14. Retrieved 17 August 2018– via National Library of Australia.
  10. ↑ "VIVIEN HAS TROUBLE WITH HER HAT FOR AUSSIE". Truth . No. 2497. Queensland, Australia. 1 February 1948. p. 17. Retrieved 17 August 2018– via National Library of Australia.
  11. ↑ Mills, John (8 May 1948). "Bringing the South Pole to Britain: How we made the Scott film". Answers. 114 (2953). London: 3.
  12. ↑ Vagg, Stephen (16 April 2023). "Surviving Cold Streaks: Kenneth More". Filmink.
  13. ↑ More, Kenneth (20 October 1959). "I tightened my belt and waited for the phone to ring". Liverpool Echo. p. 4.
  14. ↑ "FILM WORLD". The West Australian . Vol. 63, no. 19, 059. Western Australia. 15 August 1947. p. 19. Retrieved 17 August 2018– via National Library of Australia.
  15. ↑ REALISM ON ICE: Scott Polar Movie Being Made in Norway Fjords, The New York Times 21 December 1947: X6.
  16. ↑ "BRITISH FILMS". The Sun . No. 2311. New South Wales, Australia. 27 July 1947. p. 18. Retrieved 17 August 2018– via National Library of Australia.
  17. ↑ "Frostbites Made To Measure For Stars". Truth . No. 3012. New South Wales, Australia. 12 October 1947. p. 54. Retrieved 2 August 2024– via National Library of Australia.
  18. ↑ "John Mills in Scott Drama". The Mail (Adelaide) . Vol. 36, no. 1, 861. South Australia. 24 January 1948. p. 3 (SUNDAY MAGAZINE). Retrieved 17 August 2018– via National Library of Australia.
  19. ↑ "NOTES ON FILMS". The Sunday Herald (Sydney) . No. 25. New South Wales, Australia. 10 July 1949. p. 4 (Sunday Herald Features). Retrieved 17 August 2018– via National Library of Australia.
  20. ↑ "'Scott' command movie of 1948". The Mail (Adelaide) . Vol. 37, no. 1, 900. South Australia. 30 October 1948. p. 3 (SUNDAY MAGAZINE). Retrieved 17 August 2018– via National Library of Australia.
  21. ↑ "Scott of the Antarctic". Variety. 8 December 1948. p. 11.
  22. ↑ "TOPS AT HOME". The Courier-Mail . Brisbane: National Library of Australia. 31 December 1949. p. 4. Retrieved 24 April 2012.
  23. ↑ Thumim, Janet. "The popular cash and culture in the postwar British cinema industry". Screen. Vol. 32, no. 3. p. 258.
  24. ↑ Lant, Antonia (1991). Blackout : reinventing women for wartime British cinema. Princeton University Press. p. 232.
  25. ↑ "FILM SCENE ALONG THE BANKS OF THE THAMES: U.S. Industry Winner in Anglo-American Parley--Production Sheet in the Red Tax Takes Profits Freeze in Reverse Tom Brown". The New York Times . 20 August 1950. p. 83.
  26. 1 2 Evans, E.R.G.R (1949). South with Scott. London: Collins. pp. 187–188. About the first week of February I should like you to start your third journey to the South, the object being to hasten the return of the third Southern unit [the polar party] and give it a chance to catch the ship. The date of your departure must depend on news received from returning units, the extent of the depot of dog food you have been able to leave at One Ton Camp, the state of the dogs, etc ... It looks at present as though you should aim at meeting the returning party about March 1 in Latitude 82 or 82.30
  27. ↑ Race for the South Pole. The Expedition Diaries of Scott and Amundsen. Roland Huntford. 2010, Continuum, London, New York.
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