Ralph Vaughan Williams was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
Sir John Barbirolli was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.
English composer Ralph Vaughan Williams wrote his Symphony No. 5 in D major between 1938 and 1943. In style it represents a shift away from the violent dissonance of his Fourth Symphony, and a return to the gentler style of the earlier Pastoral Symphony.
Serenade to Music is an orchestral concert work completed in 1938 by English composer Ralph Vaughan Williams, written as a tribute to conductor Sir Henry Wood. It features an orchestra and 16 vocal soloists, with lyrics adapted from the discussion about music and the music of the spheres from Act V, Scene I from the play The Merchant of Venice by William Shakespeare. Vaughan Williams later arranged the piece into versions for chorus and orchestra and solo violin and orchestra.
Ralph Vaughan Williams dedicated his Symphony No. 4 in F minor to Arnold Bax.
A London Symphony is the second symphony that Ralph Vaughan Williams composed. The work is sometimes referred to as Symphony No. 2, though the composer did not designate that name for the work. First performed in 1914, the original score of this four-movement symphony was lost and subsequently reconstructed. Vaughan Williams continued revisions of the work into its final definitive form, which was published in 1936.
Crown Imperial is an orchestral march by William Walton, commissioned for the coronation of King George VI in Westminster Abbey in 1937. It is in the Pomp and Circumstance tradition, with a brisk opening contrasting with a broad middle section, leading to a resounding conclusion. The work has been heard at subsequent state occasions in the Abbey: the coronation of Queen Elizabeth II in 1953, the wedding of Prince William in 2011 and the coronation of King Charles III in 2023. It has been recorded in its original orchestral form and in arrangements for organ, military band and brass band.
Ralph Vaughan Williams composed his Symphony in E minor, published as Symphony No. 6, in 1944–47, during and immediately after World War II and revised in 1950. Dedicated to Michael Mullinar, it was first performed, in its original version, by Sir Adrian Boult and the BBC Symphony Orchestra on 21 April 1948. Within a year it had received some 100 performances, including the U.S. premiere by the Boston Symphony Orchestra under Serge Koussevitzky on 7 August 1948. Leopold Stokowski gave the first New York performances the following January with the New York Philharmonic and immediately recorded it, declaring that "this is music that will take its place with the greatest creations of the masters." However, Vaughan Williams, very nervous about this symphony, threatened several times to tear up the draft. At the same time, his programme note for the first performance took a defiantly flippant tone.
Ralph Vaughan Williams's Symphony No. 8 in D minor was composed between 1953 and 1955. Sir John Barbirolli, its dedicatee, conducted the Hallé Orchestra in the premiere at the Kings Hall in Manchester, on 2 May 1956. It is the shortest of the composer's nine symphonies, and is mostly buoyant and optimistic in tone.
The Symphony No. 9 in E minor was the last symphony written by the English composer Ralph Vaughan Williams. He composed it during 1956 and 1957, and it was given its premiere performance in London by the Royal Philharmonic Orchestra conducted by Sir Malcolm Sargent on 2 April 1958, in the composer's eighty-sixth year. The work was received respectfully but, at first, without great enthusiasm. Its reputation has subsequently grown, and the symphony has entered the repertoire, in the concert hall and on record, with the majority of recordings from the 1990s and the 21st century.
The Concerto in F Minor for Bass Tuba and Orchestra by British composer Ralph Vaughan Williams was written in 1954 for Philip Catelinet, principal tubist of the London Symphony Orchestra (LSO), who together gave the premiere on 13 June 1954 with Sir John Barbirolli conducting. The same musicians made the work’s first recording that same year. This concerto was the first concerto written for solo tuba.
James Muir Mathieson, OBE was a British musician whose career was spent mainly as the musical director for British film studios.
The ’’'Violin Concerto in A minor’’', Op. 82, by Alexander Glazunov is one of his most popular compositions. Written in 1904, the concerto was dedicated to violinist Leopold Auer, who gave the first performance at a Russian Musical Society concert in St. Petersburg on 15 February 1905. The British premiere of the concerto followed just over a year later, under the direction of Sir Henry Wood and with Mischa Elman as soloist. The American premiere of the work was not until 27 October 1911. It was performed by Efrem Zimbalist at his American debut with the Boston Symphony Orchestra.
Flos Campi: Suite for Solo Viola, Small Chorus, and Small Orchestra is a composition by the English composer Ralph Vaughan Williams, completed in 1925. Its title is Latin for "flower of the field." It is neither a concerto nor a choral piece, although it prominently features the viola and a wordless choir. The piece is divided into six movements, played without pause, each headed by a verse from the Song of Solomon:
- Sicut Lilium inter spinas (Lento)
- Jam enim hiems transiit
- Quaesivi quem diligit anima mea
- En lectulum Salomonis
- Revertere, revertere Sulamitis!
- Pone me ut signaculum
Sancta Civitas is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs.
The Symphony No. 3 by Arnold Bax was completed in 1929. It was dedicated to Sir Henry Wood and is perhaps the most performed and most immediately approachable of Bax's symphonies.
The Hallé is an English symphony orchestra based in Manchester, England. Since 1996, the orchestra has been resident at the Bridgewater Hall in Manchester.
The Symphony No. 8 is an orchestral composition by Peter Maxwell Davies, completed on 15 December 2001.
John Davie ("Dock") Mathieson was a Scottish musician. In between his early and late careers as a teacher, he was a musical director for British films in the 1940s and 1950s. He was instrumental in securing Ralph Vaughan Williams's score for the 1948 film Scott of the Antarctic, which the composer later reworked as the Sinfonia antartica. Other films on which Mathieson worked included The Lavender Hill Mob (1951), The Titfield Thunderbolt (1953) and The Ladykillers (1955).
