The Romance for Viola and Piano was one of many pieces found in Ralph Vaughan Williams' library after his death in 1958. The date of the composition is not known, but it is thought to date from around 1914. It is probable that it was written for the great English violist, Lionel Tertis, the dedicatee of Vaughan Williams's other pieces for viola: Flos Campi (1925) and the Suite for viola and small orchestra (1933–1934), the latter of which was written for Tertis. [1]
The Romance is composed in arch form. It opens with soft, pentatonic murmurings from the piano, expanding into a rather melancholy and songful aria for the viola. The middle is somewhat restless and anguished, before closing in a similar manner to the beginning. The pentatonic modality is used throughout, though there are also stirring false relations and chromatic sections.
The premiere took place at a New Macnaghten Concert on 19 January 1962 with Bernard Shore on viola and Eric Gritton on piano. [2] Despite its relative brevity and content, the piece has, since its publication by Oxford University Press in 1961, gained a place in the modern viola repertoire.
The viola ( vee-OH-lə, Italian:[ˈvjɔːla,viˈɔːla]) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4.
Ralph Vaughan Williams was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century.
Lionel Tertis, CBE was an English violist. He was one of the first viola players to achieve international fame, and a noted teacher.
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Rebecca Helferich Clarke was a British classical composer and violist. Internationally renowned as a viola virtuoso, she also became one of the first female professional orchestral players in London.
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Flos Campi: Suite for Solo Viola, Small Chorus, and Small Orchestra is a composition by the English composer Ralph Vaughan Williams, completed in 1925. Its title is Latin for "flower of the field." It is neither a concerto nor a choral piece, although it prominently features the viola and a wordless choir. The piece is divided into six movements, played without pause, each headed by a verse from the Song of Solomon:
Roger Steptoe is an English composer and pianist. He studied music at the University of Reading as an undergraduate and then at the Royal Academy of Music, London, from 1974 to 1977 as a post-graduate student. There he studied composition with Alan Bush and piano accompaniment with Geoffrey Pratley.
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The Lark Ascending is a short, single-movement work by the English composer Ralph Vaughan Williams, inspired by the 1881 poem of the same name by the English writer George Meredith. It was originally for violin and piano, completed in 1914, but not performed until 1920. The composer reworked it for solo violin and orchestra after the First World War. This version, in which the work is chiefly known, was first performed in 1921. It is subtitled "A Romance", a term that Vaughan Williams favoured for contemplative slow music.
Bernard Shore was an English viola player and author.
Harry Danks, (1912-2001) was a British violist and principal viola of the BBC Symphony Orchestra from 1946 to 1978. He was the founder and director of the London Consort of Viols.
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