The curse of the ninth is a superstition connected with the history of classical music. It is the belief that a ninth symphony is destined to be a composer's last and that the composer will be fated to die while or after writing it, or before completing a tenth.
The curse of the ninth superstition originated in the late-Romantic period of classical music. [1] According to Arnold Schoenberg, the superstition began with Gustav Mahler, who, after writing his Eighth Symphony, wrote Das Lied von der Erde , which, while structurally a symphony, was able to be disguised as a song cycle, each movement being a setting of a poem for soloist and orchestra. [2] Then he wrote his Ninth Symphony and thought he had beaten the curse, but died with his Tenth Symphony incomplete. [1] [3]
This superstition, however, was only hatched by Mahler. Before him, Beethoven and Schubert had died before or while writing their tenth symphonies. [1] Upon realizing this, Mahler created the curse of the ninth and led this superstition into popularity by seemingly proving it true. This superstition has, however, lost popularity, and while it is spoken about, any possible "proof" of it has not happened recently as it did in the era of Beethoven and Mahler. [1] As Maddy Shaw Roberts writes, "The Curse of the Nine is a great story, and it probably fueled a lot of the angst behind Mahler’s heart-wrenching symphonies. But perhaps it’s best to treat it as a superstition." [1]
After Beethoven, Schubert, and Mahler, some composers cited as examples of the curse include: [4] [5]
In 2012, composer Philip Glass stated, "Everyone is afraid to do a ninth. It is a jinx that people think about". [13]
The curse of the ninth symphony was addressed in the sixth episode of the 19th season of the British crime series Midsomer Murders in 2018 [14] and in the fifth episode of the ninth series of the British anthology series Inside No. 9, Curse of the Ninth (2024). [15]
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section, brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts.
Gustav Mahler was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
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The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. A typical performance takes about 75 to 90 minutes. A survey of conductors voted Mahler's Symphony No. 9 the fourth greatest symphony of all time in a ballot conducted by BBC Music Magazine in 2016. As in the case of his earlier Das Lied von der Erde, Mahler did not live to see his Symphony No. 9 performed.
Symphony No. 6 may refer to:
Symphony No. 4 may refer to:
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Symphony No. 9 most commonly refers to:
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