Hildegard Frieda Albertine Knef was a German actress, singer, and writer. She was billed in some English-language films as Hildegard Neff or Hildegarde Neff.
Emil Erich Kästner was a German writer, poet, screenwriter and satirist, known primarily for his humorous, socially astute poems and for children's books including Emil and the Detectives and Lisa and Lottie. He received the international Hans Christian Andersen Award in 1960 for his autobiography Als ich ein kleiner Junge war. He was nominated for the Nobel Prize in Literature in six separate years.
Checkpoint Charlie was the Western Allies' name for the best-known Berlin Wall crossing point between East Berlin and West Berlin during the Cold War (1947–1991),becoming a symbol of the Cold War, representing the separation of East and West.
The Looking Glass War is a 1970 British neo-noir action-thriller film directed by Frank Pierson based on the 1965 novel by John le Carré The Looking Glass War.
Emil and the Detectives is a 1929 novel set mainly in Berlin, by the German writer Erich Kästner and illustrated by Walter Trier. It was Kästner's first major success and the only one of his pre-1945 works to escape Nazi censorship. The book was immediately popular and the original version sold an initial two million copies. First published in English in 1931, it has never been out of print and has been translated into at least 59 languages.
Willy Fritsch was a German theater and film actor, a popular leading man and character actor from the silent-film era to the early 1960s.
Alraune, later renamed Unnatural: The Fruit of Evil, is a 1952 West German horror science fiction film, directed by Arthur Maria Rabenalt and starring Hildegard Knef and Erich von Stroheim. The film is based on the 1911 novel Alraune by German novelist Hanns Heinz Ewers. The plot involves a scientist who creates a woman (Knef) who is beautiful yet soulless, lacking any sense of morality.
Die Mörder sind unter uns, a German film known in English as Murderers Among Us in the United States or The Murderers Are Among Us in the United Kingdom was one of the first post-World War II German films and the first Trümmerfilm. It was produced in 1945/46 in the Althoff Studios in Babelsberg and the Jofa-Ateliers in Johannisthal. The film was written and directed by Wolfgang Staudte.
The Spy Who Came In from the Cold is a 1965 British spy film based on the 1963 novel of the same name by John le Carré. The film stars Richard Burton, Claire Bloom, and Oskar Werner. It was directed by Martin Ritt, and the screenplay was written by Paul Dehn and Guy Trosper.
"Is That All There Is?" is a song written by the American songwriting team Jerry Leiber and Mike Stoller. It became a hit for the American singer Peggy Lee in 1969. The song was originally performed by Georgia Brown in May 1967 for a television special. It was first recorded by disc jockey Dan Daniel in March 1968, but this was an unauthorized recording that went unissued at the songwriters' request. The first authorized recording was by Leslie Uggams in August 1968.
The Big Lift is a 1950 American drama war film on location in the city of Berlin, Germany, that tells the story of "Operation Vittles", the 1948–49 Berlin Airlift, through the experiences of two U.S. Air Force sergeants played by Montgomery Clift and Paul Douglas.
Schmargendorf is a south-western locality (Ortsteil) of Berlin in the district (Bezirk) of Charlottenburg-Wilmersdorf. Until 2001 it was part of the former district of Wilmersdorf.
Subway in the Sky is a 1959 British crime film directed by Muriel Box and starring Van Johnson, Hildegard Knef and Albert Lieven. Hildegard Knef, who changed career in the 1960s to become a cabaret singer and songwriter, sings one song in the film, "It Isn't Love." It was shot at Shepperton Studios near London. The film's sets were designed by the art director George Provis.
![<i>Everyone Dies Alone</i> 1976 [[West Germany]] film](https://upload.wikimedia.org/wikipedia/en/thumb/4/4e/Jeder_stirbt_f%C3%BCr_sich_allein_%281975%29.jpg/320px-Jeder_stirbt_f%C3%BCr_sich_allein_%281975%29.jpg)
Everyone Dies Alone / Alone in Berlin is a 1976 West German drama film adapted from the Hans Fallada novel Every Man Dies Alone. The book was based on the story of two ordinary Germans, Otto and Elise Hampel, who committed acts of civil disobedience against the Third Reich, were caught and sentenced to death.
Walter Linse was a German lawyer and Acting President of the Association of Free German Jurists, an organization with links to the CIA.
![<i>The Future of Emily</i> 1984 [[West Germany]] film](https://upload.wikimedia.org/wikipedia/en/7/73/FutureofEmilyposter.jpg)
The Future of Emily is a 1984 West German drama film directed by Helma Sanders-Brahms. Barbara Kosta, author of Recasting Autobiography: Women's Counterfictions in Contemporary German Literature and Film, states that The Future of Emily, along with Laputa, "pursue[s] traditional narrative patterns" compared to Germany, Pale Mother, and "lapse[s] further into awkward melodrama." Christian Schröder, author of Hildegard Knef: Mir sollten sämtliche Wunder begegnen, wrote that the film appears "very French" and "very German" at the same time and compared it to the films of Éric Rohmer.
Hildegard Johanna Maria Trabant was an East German woman who became the fiftieth known person to die at the Berlin Wall. Trabant was shot and killed by East German border guards during a crossing attempt, one of only eight women victims of the Berlin Wall, and was the only escapee victim known to have a record of loyalty toward the East German regime.
Condemned to Sin is a 1964 West German drama film directed by Alfred Weidenmann and starring Martin Held, Hildegard Knef and Heidelinde Weis.
A Love Story is a 1954 West German historical romantic drama film directed by Rudolf Jugert and starring Hildegard Knef, O.W. Fischer and Viktor de Kowa. It was shot at the Wandsbek Studios in Hamburg and on location in Celle and Umgebung. The film's sets were designed by the art directors Erich Kettelhut and Johannes Ott. It was produced by Erich Pommer's independent company Intercontinental Film. It was part of the tradition of Prussian films, which had enjoyed great popularity in the Weimair and Nazi eras.
