Orders Is Orders | |
---|---|
Directed by | Walter Forde |
Written by | Leslie Arliss James Gleason |
Based on | Orders Are Orders by Ian Hay and Anthony Armstrong |
Produced by | Michael Balcon |
Starring | Charlotte Greenwood James Gleason Cyril Maude |
Cinematography | Glen MacWilliams |
Edited by | Derek Twist |
Music by | Louis Levy |
Production company | |
Distributed by | Ideal Films |
Release date |
|
Running time | 88 minutes |
Country | United Kingdom |
Language | English |
Orders Is Orders is a 1933 British comedy film [1] starring Charlotte Greenwood, James Gleason and Cyril Maude about an American film crew who move into a British army barracks to start making a film, much to the commander's horror. Much of the film concerns the interaction between the American crew and the British officers. [2] [3] It is based upon the 1932 play Orders Are Orders by Ian Hay and Anthony Armstrong. It was shot at the Lime Grove Studios in London with sets designed by the art director Alfred Junge.
It was remade in 1954 as Orders Are Orders starring Peter Sellers, Sid James and Tony Hancock.
In The New York Times , Mordaunt Hall called the film, "a tepid farce...It is an adaptation of a minor stage work written by Ian Hay and Anthony Armstrong, and the wonder is that the producers, Gaumont-British, thought it worthy of such an excellent company of players. On the credit side of this piece of buffoonery and punning there are the interesting glimpses in a military barracks, splendid photography and sound recording and good-natured work by the cast." [4]
Those Were the Days is a 1934 British comedy film directed by Thomas Bentley and starring Will Hay, Iris Hoey and John Mills. It was based on Arthur Wing Pinero's 1885 farce The Magistrate and was the first of two Hay movies based on Pinero's plays, the other being Dandy Dick. The film also features music hall acts of the time – acts of a type rarely committed to film. It is primarily remembered as Will Hay's first major screen role.
Joan Maude was an English actress, active from the 1920s to the 1950s. She is probably best known for playing the Chief Recorder in the 1946 Powell and Pressburger film A Matter of Life and Death.
The Good Companions is a 1933 British comedy film directed by Victor Saville starring Jessie Matthews, John Gielgud and Edmund Gwenn. It is based on the 1929 novel of the same name by J.B. Priestley.
Orders Are Orders is a 1955 British comedy film directed by David Paltenghi, and featuring Brian Reece, Peter Sellers, Sid James, Tony Hancock, Raymond Huntley, and Bill Fraser. Eric Sykes contributed to the script and appears in a minor role. It was a remake of the film Orders Is Orders (1933), itself based on the play Orders Are Orders by Ian Hay and Anthony Armstrong.
Jew Süss is a 1934 British historical romantic drama film based on Lion Feuchtwanger's 1925 novel Jud Süß, about Joseph Süß Oppenheimer. Directed by Lothar Mendes, the film stars German actor Conrad Veidt in the role of Oppenheimer. The screenplay was written by Dorothy Farnum and Arthur Rawlinson.
The Frightened Lady is a 1932 British thriller film directed by T. Hayes Hunter and starring Emlyn Williams, Cathleen Nesbitt, Norman McKinnel and Belle Chrystall. It was adapted by Bryan Edgar Wallace from his father Edgar Wallace's 1931 play The Case of the Frightened Lady, which was adapted again later for a 1940 film.
Miss Fane's Baby Is Stolen is a 1934 pre-Code American comedy-drama film, starring Dorothea Wieck, Alice Brady, and Baby LeRoy, written by Adela Rogers St. Johns and Jane Storm from a novel and story by Rupert Hughes, and directed by Alexander Hall. The events depicted in the film were allegedly based on the Lindbergh kidnapping.
She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins. Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable.
I Was a Spy is a 1933 British thriller film directed by Victor Saville and produced by Michael Balcon. It stars Madeleine Carroll as Marthe Cnockaert, Herbert Marshall, and Conrad Veidt. Based on the 1932 memoir I Was a Spy by Marthe Cnockaert, the film is about her experiences as a Belgian woman who nursed German soldiers during World War I while passing intelligence to the British. The film was produced by Gaumont British Picture Corporation with Woolf & Freedman Film Service and Fox Film Corporation distributing in the United Kingdom and the United States respectively.
Admirals All is a 1935 British comedy film directed by Victor Hanbury and starring Wynne Gibson, Gordon Harker, Anthony Bushell and George Curzon. It was based on the 1934 play of the same title by Ian Hay and Stephen King-Hall.
Channel Crossing is a 1933 British crime film directed by Milton Rosmer and starring Matheson Lang, Constance Cummings, Anthony Bushell and Nigel Bruce.
The Midshipmaid is a 1932 British comedy film directed by Albert de Courville and starring Jessie Matthews, Frederick Kerr, Basil Sydney and Nigel Bruce. The film is based on the 1931 play of the same title by Ian Hay and Stephen King-Hall. it was released in the U.S. as Midshipmaid Gob. John Mills makes his film debut in a supporting role. It was shot at the Lime Grove Studios, with sets designed by the art director Alfred Junge.
The Amorous Prawn, also known as The Amorous Mr. Prawn, is a 1962 British comedy film directed by Anthony Kimmins and starring Ian Carmichael, Joan Greenwood and Cecil Parker. The film was based on a 1959 farcical play by Kimmins.
Deadly Advice is a 1994 British comedy drama film directed by Mandie Fletcher and starring Jane Horrocks, Brenda Fricker and Edward Woodward.
Jane Carr was the stage name of English stage and film actress Rita Brunstrom.
Sabotage at Sea is a 1942 British, black-and-white, drama, mystery, war film, directed by Leslie S. Hiscott and starring Jane Carr, Margaretta Scott, David Hutcheson and Ronald Shiner as Ernie the Cook. It was produced by British National Films and Shaftesbury Films.
Girls Will Be Boys is a 1934 British comedy film by French director Marcel Varnel and starring Dolly Haas, Cyril Maude and Esmond Knight. It is based on The Last Lord, a play by Kurt Siodmak. The film was shot at Elstree Studios with sets designed by the art director Cedric Dawe. Haas made this, her first English-language film, following a Nazi-led riot at the premiere of her previous film Das häßliche Mädchen. The riots protested the male lead, Max Hansen, who was supposedly "too Jewish." In 1936, Haas fled Germany altogether.
They Knew Mr. Knight is a 1946 British drama film directed by Norman Walker and starring Mervyn Johns, Nora Swinburne and Joyce Howard. It was based on a 1934 novel of the same title by Dorothy Whipple. A man is sentenced to twelve months in Lincoln jail following his involvement in a share scam, plunging himself and his family into despair. However, by the time of his release he is able to face his uncertain future with fortitude.
It's a King is a 1933 British comedy film directed by Jack Raymond and starring Sydney Howard, Joan Maude and Cecil Humphreys. It was made at Elstree Studios by the producer Herbert Wilcox's British and Dominions company.
Orders Are Orders is a 1932 comedy play by the British writers Ian Hay and Anthony Armstrong. A Hollywood film crew takes over a British Army barracks for a film shoot, with chaotic consequences.