Saloon Bar | |
---|---|
Directed by | Walter Forde |
Written by | John Dighton Angus MacPhail |
Based on | Saloon Bar by Frank Harvey |
Produced by | Michael Balcon Culley Forde |
Starring | Gordon Harker Elizabeth Allan Mervyn Johns |
Cinematography | Ronald Neame |
Edited by | Ray Pitt |
Music by | Ernest Irving |
Production company | |
Distributed by | Associated British Film Distributors |
Release date |
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Running time | 76 minutes |
Country | United Kingdom |
Language | English |
Saloon Bar is a 1940 British comedy thriller film directed by Walter Forde and starring Gordon Harker, Elizabeth Allan and Mervyn Johns. [1] It was made by Ealing Studios and its style has led to comparisons with the later Ealing Comedies, unlike other wartime Ealing films which are different in tone. [2] It is based on the 1939 play of the same name by Frank Harvey in which Harker had also starred. [3] An amateur detective tries to clear an innocent man of a crime before the date of his execution.
The action takes place in London over one evening in the saloon bar of the Cap & Bells pub, just before Christmas. The regulars discuss the forthcoming execution for robbery and murder of the boyfriend of one of the barmaids. A pound note from the robbery is found in the till. Convinced of the condemned man's innocence, and led by bookie Joe Harris, they trace how the note came to be there and unmask the true killer.
The film's sets were designed by the art director Wilfred Shingleton.
Kine Weekly said "Gordon Harker is the chief spokesman and has never been in better form; neither has the well-chosen supporting cast. The direction, too, reveals no little resource. What action there is, is not only well timed, but contributes to an exciting climax. As for the "pub" atmosphere, it will warm the heart of every man and, maybe, every woman. In all, a capital and refreshingly English novelty thriller." [4]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Verbose but winning mixture of mystery and comedy, with nice pub atmosphere." [5]
The Radio Times Guide to Films gave the film 3/5 stars, writing: "Gordon Harker was a familiar face in British thrillers during the 1930s, his mournful expression and throaty cockney accent enabled him to play characters on either side of the law. In this engaging Ealing whodunnit, he has a fine old time as a bookie playing detective in his local. Director Walter Forde makes effective use of the claustrophobic set to build tension, and he is well served by an efficient cast of suspects." [6]
Leslie Halliwell said: "Amusing, well-made little suspenser from a West End success." [7]
The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy. Many of the Ealing comedies are ranked among the greatest British films, and they also received international acclaim.
Hell Is a City is a 1960 British crime thriller film starring Stanley Baker, based on the 1954 novel of the same title by Maurice Procter.
David Mervyn Johns was a Welsh stage, film and television actor who became a fixture of British films during the Second World War. Johns appeared extensively on screen and stage with over 100 credits between 1923 and 1979.
The Good Die Young is a 1954 British crime film directed by Lewis Gilbert and starring Laurence Harvey, Gloria Grahame, Joan Collins, Stanley Baker, Richard Basehart and John Ireland. It was made by Remus Films from a screenplay based on the 1953 novel of the same name by Richard Macaulay. It tells the story of four men in London with no criminal past whose marriages and finances are collapsing and, meeting in a pub, are tempted to redeem their situations by a robbery.
The Green Man is a 1956 black and white British black comedy film directed by Robert Day and starring Alastair Sim, George Cole, Terry-Thomas and Jill Adams. The screenplay was by Frank Launder and Sidney Gilliat, based on the play Meet a Body.
The Ship That Died of Shame, released in the United States as PT Raiders, is a black-and-white 1955 Ealing Studios crime film directed by Basil Dearden and starring Richard Attenborough, George Baker, Bill Owen and Virginia McKenna.
Meet Mr. Lucifer is a 1953 black-and-white British comedy satire film directed by Anthony Pelisser starring Stanley Holloway, Peggy Cummins and Jack Watling. It is based on the 1951 play Beggar My Neighbour by Arnold Ridley. It opened on 26 November 1953 at the Haymarket Gaumont cinema in London. It was filmed at Ealing Studios, London, and is one of the Ealing comedies.
Dry Rot is a 1956 British comedy film directed by Maurice Elvey, and starring Ronald Shiner, Brian Rix, Peggy Mount, and Sid James. The screenplay is by John Chapman, adapted from his 1954 Whitehall farce of the same name.
Up the Creek is a 1958 British comedy film written and directed by Val Guest and starring David Tomlinson, Peter Sellers, Wilfrid Hyde-White, David Lodge and Lionel Jeffries.
A Tale of Five Cities is a 1951 British-Italian international co-production comedy drama film directed by Romolo Marcellini, Emil E. Reinert, Wolfgang Staudte, Montgomery Tully, Irma von Cube and Géza von Cziffra. The five cities cited in the title are: Rome, Paris, Berlin, London, and Vienna.
Dancing with Crime is a 1947 British film noir film directed by John Paddy Carstairs, starring Richard Attenborough, Barry K. Barnes and Sheila Sim. A man hunts down the killer of his lifelong friend.
Cheer Boys Cheer is a 1939 British comedy film directed by Walter Forde and starring Nova Pilbeam, Edmund Gwenn, Jimmy O'Dea, Graham Moffatt, Moore Marriott and Peter Coke.
A Touch of the Sun is a 1956 British comedy film directed by Gordon Parry and starring Frankie Howerd, Ruby Murray and Dennis Price.
Penny Paradise is a 1938 British comedy film directed by Carol Reed and starring Edmund Gwenn, Betty Driver and Jimmy O'Dea.
The Gang's All Here is a 1939 British black-and-white comedy-mystery, directed by Thornton Freeland and starring Jack Buchanan and Googie Withers. It was produced by Associated British Picture Corporation and released in the U.S. in 1943 as The Amazing Mr. Forrest.
The Flying Scot is a 1957 British 'B' crime film produced and directed by Compton Bennett and starring Lee Patterson, Kay Callard and Alan Gifford. The screenplay was by Norman Hudis based on a story by Jan Read and Ralph Smart.
The Diamond is a 1954 British film noir crime film directed by Montgomery Tully, and starring Dennis O'Keefe, Margaret Sheridan and Philip Friend. It is based on the 1952 novel Rich Is the Treasure by Maurice Procter. It was released by United Artists in Britain and in America, where it was known as The Diamond Wizard.
Saloon Bar is a 1939 British crime drama play written by Frank Harvey. It ran for a hundred and eighty performances at Wyndham's Theatre in London. The original cast included Gordon Harker, Mervyn Johns and Anna Konstam. It marked Margaret Johnston's West End debut. The regulars at a London pub attempt to prove that a man is about to be wrongly hanged for murder.
Mrs. Pym of Scotland Yard is a 1939 British comedy-drama film directed by Fred Elles starring Mary Clare in her only title role and Nigel Patrick in his film debut. It is based on the Mrs Pym novels by Nigel Morland, and written by Morland, who re-used the title for a 1946 book.
The Hornet's Nest is a 1955 British second feature ('B') crime comedy film directed by Charles Saunders and starring Paul Carpenter, June Thorburn, and Marla Landi. It was written by Allan MacKinnon.