The Black Abbot | |
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Directed by | George A. Cooper |
Written by |
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Produced by | Julius Hagen |
Starring | |
Cinematography | Ernest Palmer |
Edited by | Lister Laurance |
Production company | |
Distributed by | RKO |
Release date |
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Running time | 56 minutes |
Country | United Kingdom |
Language | English |
The Black Abbot is a 1934 British comedy crime film directed by George A. Cooper and starring John Stuart, Judy Kelly and Edgar Norfolk. [1] It was made at Twickenham Studios as a quota quickie for release by RKO Pictures. [2]
The film's sets were designed by the art director James A. Carter.
In a Monastery Garden is a 1932 British drama film directed by Maurice Elvey and starring John Stuart, Hugh Williams, Alan Napier, and Frank Pettingell. It was made at Twickenham Studios in London. The film's sets were designed by the art director James Carter.
Once Bitten is a 1932 British comedy film directed by Leslie S. Hiscott and starring Richard Cooper, Ursula Jeans and Frank Pettingell. It was made at Twickenham Studios as a quota quickie.
The Black Abbot may refer to
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The Skin Game is a 1921 British-Dutch silent drama film adapted from the 1920 play by John Galsworthy and directed by B. E. Doxat-Pratt.
The Four Masked Men is a 1934 British crime film directed by George Pearson and starring John Stuart, Judy Kelly and Richard Cooper. It was adapted by Cyril Campion from his play, "The Masqueraders." Its plot concerns a man who hunts down the criminal gang responsible for several robberies and the murder of his brother.
Julie Aileen Kelly, known professionally as Judy Kelly, was an Australian-born British actress. She arrived in Britain in 1932 after winning a competition organised by the Australian British Empire Films, which included 3 months tuition at the British International Studios at Elstree. She appeared in a number of films for British International Pictures during the 1930s. She was sometimes cast as a love interest for the comedian Leslie Fuller, and also appeared alongside the musical stars Gene Gerrard and Stanley Lupino.
Lilies of the Field is a 1934 British romantic comedy film directed by Norman Walker and starring Winifred Shotter, Ellis Jeffreys, Anthony Bushell and Claude Hulbert. It was made at British and Dominion Elstree Studios.
The Roof is a 1933 British crime film directed by George A. Cooper and starring Leslie Perrins, Judy Gunn, Russell Thorndike and Michael Hogan. It was shot at Twickenham Studios in London as a quota quickie for release by RKO Pictures. The film's sets were designed by Twickenham's resident art director James A. Carter. It was based on the novel of the same title by David Whitelaw.
Forging Ahead is a 1933 British comedy mystery film directed by Norman Walker and starring Margot Grahame, Garry Marsh and Anthony Holles. Its plot involves a gang of criminals who pretend a house is haunted in order to keep people away.
George A. Cooper (1894–1947) was a British screenwriter and film director.
Tangled Evidence is a 1934 British crime film directed by George A. Cooper and starring Sam Livesey, Joan Marion and Michael Hogan. It was made by Twickenham Studios and based on a 1924 novel by Rose Champion de Crespigny.
Mannequin is a 1933 British drama film directed by George A. Cooper and starring Harold French, Judy Kelly and Diana Beaumont. It was made at Twickenham Studios in London with sets designed by the art director James A. Carter. Produced as a quota quickie, it was released by the American distributor RKO.
Boys Will Be Girls is a 1937 British comedy film directed by Gilbert Pratt and starring Leslie Fuller, Nellie Wallace and Greta Gynt. The film was made by Fuller's own independent production company in the Rock Studios at Elstree. In order to gain his inheritance, a man has to give up drinking and smoking.
Men of Yesterday is a 1936 British drama film directed by John Baxter and starring Stewart Rome, Sam Livesey and Hay Petrie. It was made at Shepperton Studios with sets designed by John Bryan. The screenplay concerns an ex-army officer who organises a gathering of his former comrades while at the same time confronting a personal crisis.
Anything Might Happen is a 1934 British crime film directed by George A. Cooper and starring John Garrick, Judy Kelly and Martin Walker. It was made as a quota quickie at Twickenham Studios for release by the American company RKO.
A Star Fell from Heaven is a 1936 British comedy film directed by Paul Merzbach and starring Joseph Schmidt, Florine McKinney and Billy Milton. It was made at Elstree Studios. It was a remake of the 1934 Austrian film of the same name which had also starred Schmidt.
Kentucky Minstrels is a 1934 British musical film directed by John Baxter. It was made at Twickenham Studios as a quota quickie for release by Universal Pictures. Scott and Whaley, the stars of the film, were an African American comedy duo, and the first black performers to take a leading role in a British film. It also featured American actress Nina Mae McKinney. The show derived from the BBC radio programme, The Kentucky Minstrels, first broadcast in 1933, which was written and performed by the same team.
Home, Sweet Home is a 1933 British drama film directed by George A. Cooper and starring John Stuart, Marie Ney and Richard Cooper. It was made at Twickenham Studios as a quota quickie for release by RKO Pictures.
The Terror is a 1927 mystery thriller play by the British writer Edgar Wallace. It is based on Wallace's 1926 novel The Black Abbot.