| Fosse | |
|---|---|
 Original cast recording | |
| Music | Various |
| Lyrics | Various |
| Basis | Revue of Bob Fosse's choreography |
| Productions | 1999 Broadway 2000 West End |
| Awards | Tony Award for Best Musical Drama Desk Outstanding Revue |
Fosse is a three-act musical revue showcasing the choreography of Bob Fosse. The musical was conceived by Richard Maltby Jr., Chet Walker, and Ann Reinking.
The first idea for Fosse was conceived by Chet Walker, who was in many of Bob Fosse's shows and served as dance captain. Walker began workshops in New York City, where he hired numerous dancers to begin the process of putting the numerous pieces of choreography on its feet. Livent, a Canadian-based theatrical production company, was the producer of workshops and also the pre-Broadway tour. Fosse started its tour in Toronto. A two-month rehearsal period was held at The National Ballet of Canada studios and a month of performances were at the North York Performing Arts Theatre, now known as the Toronto Centre for the Arts, in July 1998. [1] Fosse then ran in Boston at the Colonial Theatre, in September 1998. The final leg of the tour before Broadway was at the Ahmanson Theatre in Los Angeles, California, in October and December 1998. [1] In Los Angeles, the show went through many changes. Producers wanted the three-hours and 10 minute show to be cut down to a shorter two-hours and 30 minute show. The producers felt it was too long for a Broadway dance review.
After 21 previews, the original Broadway production opened at the Broadhurst Theatre on January 14, 1999, and closed on August 25, 2001, after 1,093 performances. The musical was directed by Richard Maltby Jr. and Ann Reinking, with original choreography by Bob Fosse. The co-choreographer was Ann Reinking, with choreography re-creations by Chet Walker and dance reconstructions by Lainie Sakakura and Brad Musgrove with Gwen Verdon as artistic advisor. [2]
In 2002, Fosse, featuring Reinking and Ben Vereen, was aired as part of the Great Performances series on PBS television. [3] A London production opened at the West End Prince of Wales Theatre on February 8, 2000, and closed on January 6, 2001. [4]
The musical did not recreate the musical numbers as originally presented but instead had primarily black-and-white costumes (including the all-important hats), set against a simple setting. [5] Reviewer Ben Brantley of The New York Times describes the show: "The ghost of the man being celebrated -- blurred and fleeting but definitely there -- first shows up when the girl bursts onstage with a scream. That's the signal for a sequence lasting just 45 seconds, and it occurs halfway through the first act of Fosse, the hard-working but oddly affectless evening of dance by the choreographer Bob Fosse that opened last night at the Broadhurst Theater. At the sound of that scream, which echoes not with terror but with irrepressible energy, a slender, elfin-faced fellow with a goatee shoots into view, sliding on his side like a runaway roller skate. The orchestra is playing Cole Porter's "From This Moment On," as the couple perform an acrobatic, exuberant and exasperated mating dance, an ode to percolating hormones. You've just received, in darkest January, a quick infusion of springtime, and it's impossible not to grin. Those 45 seconds are famous. They had much to do with propelling Bob Fosse's career as a show-business-shaking choreographer and director of musical comedy. The vignette, here vibrantly performed by Andy Blankenbuehler and Lainie Sakakura, is a re-creation of the first sequence Fosse choreographed for film, a scene from the 1953 movie of Kiss Me, Kate, danced by Fosse and Carol Haney. It was a calling card, of sorts, announcing that an audacious new choreographic talent had arrived, and when you watch the film today, Fosse's pas de deux still seems to tear through the celluloid....There are only a few instances in which an infectious rush in the joy of performing gets past the footlights. You feel it in the athletic pride generated by Desmond Richardson's gymnastic Percussion 4 solo in the first act; in Scott Wise's satisfaction in turning tap steps into a personal stairway to heaven in Sing, Sing, Sing, and in, of all things, the salacious, watch-me delight that a young woman named Shannon Lewis draws from a 1970's artifact called I Gotcha, choreographed for Liza Minnelli's 1973 television special." [6]
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Valarie Pettiford, Jane Lanier, Eugene Fleming, Desmond Richardson, Sergio Trujillo, Scott Wise, Kim Morgan Greene, Mary Ann Lamb, Dana Moore, Elizabeth Parkinson, Julio Agustin, Brad Anderson, Andy Blankenbuehler, Marc Calamia, Holly Cruikshank, Lisa Gajda, Scott Jovovich, Christopher R. Kirby, Dede LaBarre, Shannon Lewis, Mary MacLeod, Brad Musgrove (Dance Captain), Michael Paternostro, Rachelle Rak, Lainie Sakakura (Dance Captain), Alex Sanchez.
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 1999 | Tony Award | Best Musical | Won | |
| Best Performance by a Featured Actor in a Musical | Desmond Richardson | Nominated | ||
| Scott Wise | Nominated | |||
| Best Performance by a Featured Actress in a Musical | Valarie Pettiford | Nominated | ||
| Best Direction of a Musical | Richard Maltby Jr. and Ann Reinking | Nominated | ||
| Best Orchestrations | Ralph Burns and Douglas Besterman | Won | ||
| Best Costume Design | Santo Loquasto | Nominated | ||
| Best Lighting Design | Andrew Bridge | Won | ||
| Drama Desk Award | Outstanding Musical Revue | Won | ||
| Outstanding Featured Actress in a Musical | Jane Lanier | Nominated | ||
| Outstanding Director of a Musical | Richard Maltby Jr. and Ann Reinking | Nominated | ||
| Year | Award | Category | Nominee | Result |
|---|---|---|---|---|
| 2001 | Laurence Olivier Award | Best New Musical | Nominated | |
| Best Actress in a Musical | Nicola Hughes | Nominated | ||
| Best Theatre Choreographer | Bob Fosse and Ann Reinking | Won | ||
Gwyneth Evelyn "Gwen" Verdon was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and she served as an uncredited choreographer's assistant and specialty dance coach for theater and film. Verdon was a critically acclaimed performer on Broadway in the 1950s, 1960s, and 1970s, having originated many roles in musicals, including Lola in Damn Yankees, the title character in Sweet Charity, and Roxie Hart in Chicago.
Robert Louis Fosse was an American choreographer, dancer, and film and stage director. Known for his work on stage and screen, he is arguably the most influential figure in the field of jazz dance in the twentieth century. He received numerous accolades including an Academy Award, a BAFTA Award, three Primetime Emmy Awards, nine Tony Awards, and the Palme d'Or.
Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal".
Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon alongside John McMartin. It is based on the screenplay for the 1957 Italian film Nights of Cabiria. However, whereas Federico Fellini's black-and-white film concerns the romantic ups-and-downs of an ever-hopeful prostitute, in the musical the central character is a dancer-for-hire at a Times Square dance hall. The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End as well as having revivals and international productions.
How to Succeed in Business Without Really Trying is a 1961 musical by Frank Loesser and book by Abe Burrows, Jack Weinstock, and Willie Gilbert, based on Shepherd Mead's 1952 book of the same name. The story concerns young, ambitious J. Pierrepont Finch, who, with the help of the book How to Succeed in Business Without Really Trying, rises from window washer to chairman of the board of the World Wide Wicket Company.
Peter Gennaro was an American dancer and choreographer.
Swing! is a musical conceived by Paul Kelly with music by various artists. It celebrates the music of the Swing era of jazz (1930s–1946), including many well-known tunes by artists like Duke Ellington, William "Count" Basie, Benny Goodman and others. It received a nomination for the 2000 Tony Award for Best Musical and other Tony awards.
Ann Reinking was an American dancer, actress, choreographer, and singer. She worked predominantly in musical theater, starring in Broadway productions such as Coco (1969), Over Here! (1974), Goodtime Charley (1975), Chicago (1977), Dancin' (1978), and Sweet Charity (1986).
Richard Eldridge Maltby Jr. is an American theatre director and producer, lyricist, and screenwriter. He conceived and directed the only two musical revues to win the Tony Award for Best Musical: Ain't Misbehavin' and Fosse.
Jack Cole was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance" for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood. Asked to describe his style he described it as "urban folk dance".
Chita Rivera: The Dancer's Life is a musical revue based on the life of Chita Rivera, with a book by Terrence McNally, original songs by Stephen Flaherty and Lynn Ahrens, and additional songs from various other composers' catalogs. It earned Rivera her ninth Tony Award nomination.
Thomas Joseph "Thommie" Walsh III was an American dancer, choreographer, director, and author.
Wayne Louis Cilento is an American director, choreographer, actor and dancer. He is best known for originating the role of Mike in the Broadway show A Chorus Line, and later becoming one of Broadway's most prolific choreographers.
Dancin' is a musical revue created, directed, and choreographed by Bob Fosse and originally produced on Broadway in 1978. The plotless, dance-driven revue is a tribute to the art of dance, and the music is a collection of mostly American songs, many with a dance theme, from a wide variety of styles, from operetta to jazz to classical to marches to pop. The original production received seven 1978 Tony Award nominations, with Fosse winning for best choreography.
The Visit is a musical with a book by Terrence McNally, lyrics by Fred Ebb, and music by John Kander.
Andy Blankenbuehler is an American dancer, choreographer and director primarily for stage and concerts. He has been nominated for the Tony Award for Best Choreography five times, and has won three times: for In the Heights (2008), Hamilton (2016), and Bandstand (2017). Blankenbuehler's other Broadway choreography work includes 9 to 5, Bring it On: The Musical, and the 2016 Cats revival. Blankenbuehler was awarded the Kennedy Center Honor in 2018 for his work on Hamilton. He also choreographed the movie adaptation of Cats. Most recently he choreographed, directed and co-wrote Only Gold - a new musical with Music by Kate Nash at MCC Theater.
The Look of Love is a musical revue of the songs of Burt Bacharach and Hal David. The revue was conceived by David Thompson, Scott Ellis, David Loud and Ann Reinking. It had a limited engagement on Broadway in 2003.
Sergio Trujillo is a Colombian theater director, choreographer, dancer, and actor. Born in Colombia and raised in Toronto, Canada, he is an American citizen and resides in New York City. Trujillo was the recipient of the 2019 Tony Award for Best Choreography for Ain't Too Proud and the 2015 Laurence Olivier Award for Best Theatre Choreographer for Memphis. He is the first ever Hispanic recipient of the Tony Award for Best Choreography.
Tony Stevens, born Anthony Pusateri, was an American choreographer, dancer, and director who worked with, danced with, and directed many of Broadway and Hollywood's theatre-centric actors and actresses, including Chita Rivera, Martin Short, Robert Redford, and Gene Kelly.
Julio Agustin is a Broadway performer and Broadway Legacy Robe winner. He performed in the original Broadway companies of Fosse, Women on the Verge of a Nervous Breakdown with actress Patti LuPone, Steel Pier, Never Gonna Dance, the revival of Bells Are Ringing, and was featured opposite Bebe Neuwirth in Chicago (musical). He appeared in the movies Center Stage and The Producers. In addition to his extensive work as a Broadway performer, he is a working director/choreographer, and was most nominated for an Audelco Award for his work as the director for the New Haarlem Arts Theatre’s Latina-inspired production of Sweet Charity.
