"From This Moment On" is a 1950 popular song written by Cole Porter, which has since become a jazz standard. It was originally written for the 1950 musical Out of This World , but director George Abbott dropped it from the musical before its Broadway premiere, possibly due to lackluster singing by cast member William Eythe. [1] It was then included in MGM's 1953 film Kiss Me Kate , an adaptation of Porter's stage musical Kiss Me, Kate [2] when it was sung by Ann Miller, Tommy Rall, Bob Fosse and Bobby Van. In theatrical versions of Kiss Me, Kate it goes now as a duet of Harrison Howell and Lilli Vanessi (since the 1999 revival).
Many versions of the song have been recorded, including those by:
"Too Darn Hot" is a song written by Cole Porter for his musical Kiss Me, Kate (1948).
"All of You" is a popular song written by Cole Porter and published in 1954.
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. NPR says "within three months of the show's opening, more than 30 artists had recorded the song."
"Let's Do It, Let's Fall in Love" is a popular song written in 1928 by Cole Porter. It was introduced in Porter's first Broadway success, the musical Paris (1928) by French chanteuse Irène Bordoni, for whom Porter had written the musical as a starring vehicle.
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
Ella Sings Broadway is a 1963 studio album by the American jazz singer Ella Fitzgerald, with an orchestra arranged and conducted by Frank DeVol. Shortly before the sessions for Ella Sings Broadway, Ella had recorded two singles with Marty Paich, the Antonio Carlos Jobim song 'Desafinado' and a Bossa Nova version of the jazz standard 'Stardust'. This prompted many Ella Fitzgerald fans and scholars to conclude that these sessions were also led by Paich. However, the original scores and parts exist in Ella Fitzgerald's library and it was determined that all the music was arranged by Frank DeVol. In fact, DeVol had previously worked with Ella Fitzgerald having written arrangements for Hello Love (1957), Get Happy (1957), Live Someone in Love (1957), Ella Sings Sweet Songs For Swingers (1958), and Ella Wishes You A Swinging Christmas (1960).
"So in Love" is a popular song, written by Cole Porter, from his musical Kiss Me, Kate, which was based on Shakespeare's The Taming of the Shrew. It was sung in the show by Patricia Morison, reprised by Alfred Drake, and further popularized by Patti Page in 1949.
"If I Were a Bell" is a song composed by Frank Loesser for his 1950 musical Guys and Dolls.
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
"Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical Kiss Me, Kate. It is based on Non Sum Qualis Eram Bonae sub Regno Cynarae, a similarly ironic poem by the English Decadent poet Ernest Dowson (1867–1900), which has the refrain 'I have been faithful to thee, Cynara! in my fashion,' and which was probably inspired by Dowson's lifelong friend Adelaide Foltinowicz, who never returned his devotion. The phrase "faithful in my fashion" entered the language before the song was written, and was the title of a 1946 Hollywood film.
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical Jubilee.
"Love Is Here to Stay" is a popular song and jazz standard composed by George Gershwin with lyrics by Ira Gershwin for the movie The Goldwyn Follies (1938).
"Anything Goes" is a song written by Cole Porter for his 1934 musical of the same name. Many of the lyrics include humorous references to figures of scandal and gossip from Depression-era high society.
"Down in the Depths (on the Ninetieth Floor)" is a torch song written by Cole Porter, for his 1936 musical Red, Hot and Blue, in which it was introduced by Ethel Merman. The lyric scheme juxtaposes images of high and low. It is a lament from the point of view of a rich woman in a penthouse apartment higher than any building but the Empire State Building, who looks down on the busy city life below her but nevertheless feels she is at the lowest and poorest point of her life because she is lonely. Porter's melody is musically intertwined with the lyric scheme in a similar manner to his song "Ev'ry Time We Say Goodbye."
"It's All Right with Me" is a popular song written by Cole Porter, for his 1953 musical Can-Can, where it was introduced by Peter Cookson as the character Judge Aristide Forestier.
"I Am in Love" is a 1953 popular song written by Cole Porter, for his musical Can-Can, where it was introduced by Peter Cookson.
"Ridin' High" is a 1936 popular song written by Cole Porter, for his musical Red, Hot and Blue, where it was introduced by Ethel Merman.
"(You'd Be So) Easy to Love" is a popular song written by Cole Porter for William Gaxton to sing in the 1934 Broadway show Anything Goes. However Gaxton was unhappy about its wide vocal range and it was cut from the musical. Porter re-wrote it for the 1936 film Born to Dance, where it was introduced by Eleanor Powell, James Stewart, and Frances Langford under its alternate title, "Easy to Love". The song was later added to the 1987 and 2011 revivals of Anything Goes under the complete title "You’d Be So Easy to Love".
"C'est Magnifique" is a 1953 popular song written by Cole Porter for his 1953 musical Can-Can, where it was introduced by Lilo and Peter Cookson. The song become a standard. The only version to chart was by Gordon MacRae which reached No. 29 for one week.