"Smalltown Boy" | ||||
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Single by Bronski Beat | ||||
from the album The Age of Consent | ||||
B-side |
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Released | 25 May 1984 (UK) [1] | |||
Studio | The Garden (London) | |||
Genre | ||||
Length |
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Label | London | |||
Songwriter(s) | ||||
Producer(s) | Mike Thorne | |||
Bronski Beat singles chronology | ||||
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Music video | ||||
"Smalltown Boy" on YouTube |
"Smalltown Boy" is the debut single by the British synth-pop band Bronski Beat, released in May 1984 by London Recordings. It was included on their debut album, The Age of Consent (1984). The lyrics describe a young man who decides to leave home because "the love that you need will never be found" there; the story in the song's music video is that he makes this decision after being gaybashed. "Smalltown Boy" is regarded as a gay anthem and is associated with the rise of British gay culture in the 1980s. The music video was directed by Bernard Rose and filmed in East London. In 2022, Rolling Stone named it the 163rd-greatest dance song.
"Smalltown Boy" features "ominous" discordant notes, an "electro-pop pulse", and falsetto vocals. [7] According to the Bronski Beat member Larry Steinbachek, it emerged from an attempt to cover the 1977 Sex Pistols song "Pretty Vacant" using an octave pattern sequenced on a Roland MC-202 synthesiser. [8]
The lyrics describe a young man who is bullied and decides to leave home. [7] In the Financial Times , David Gould wrote that it combines the hi-NRG tempo of 1980s gay clubs with "plaintive" lyrics. [7] Ian Wade, the author of 1984: The Year Pop Went Queer, interpreted the line "the love that you need will never be found at home" as a rebuke to the "family values" culture that demonised homosexuality at the time. [9] The singer, Jimmy Somerville, said he was embarrassed by the song for many years, as he felt his lyrics were inferior. [10]
The music video for "Smalltown Boy" was directed by Bernard Rose, who had directed the video for "Relax", by another openly gay band, Frankie Goes to Hollywood, the previous year. [11] Rose said Bronski Beat felt "Relax" was too mainstream and upbeat, and wanted to convey a more serious message. [11] The Independent described the "Smalltown Boy" video as "stark" and "grounded". [12] The original concept was to base the video on a cottaging scene, but this was vetoed by the London Recordings executive Colin Bell. [9] The video was filmed at a leisure centre in East London. [9]
In the video, a boy (played by Somerville) makes a pass at a man and is gay-bashed. As a policeman explains the incident to the boy's parents (outing him in the process), his mother breaks down and his father becomes angry to the point of almost striking the boy, who then resolves to leave his "small town" for London. As he leaves, his father gives him money but refuses to shake hands. On the train the boy is joined by other members of Bronski Beat. They smile and laugh as they disembark in London to start their new life. [12] [9]
Rose said the video depicted a common experience for gay people and that Bronski Beat wanted to draw attention to homophobia. [11] Wade likened it to the films of Mike Leigh and Ken Loach. [9] Bell said it created opportunities for later videos with gay themes by artists such as Pet Shop Boys and George Michael. [9]
Bell was unafraid to market "Smalltown Boy" as a gay record, and said "that was the point". [9] According to Bell, the first time it was played in a gay club, Heaven, in London, the "response was extraordinary" and the audience slowed down to listen. [9] Reviewing the single on release, Spin said it "fashioned a young man's bitter memories of being driven away from home, alienated from his family, and persecuted by his friends, into a sweetly moving pop song". [13]
"Smalltown Boy" reached number three on the UK singles chart [14] and number one in the Netherlands and Belgium. [15] [16] It reached the top 10 in Australia, Canada, France, Ireland, Italy, Switzerland and West Germany. It reached number 48 in the US pop chart and was a number-one US dance hit. [17] After the success, Bronski Beat released their debut album, The Age of Consent . [7]
"Smalltown Boy" is associated with the rise of British gay culture in the 1980s, alongside hits by the closeted George Michael and the openly gay Frankie Goes to Hollywood. [9] Writing in the Observer for its 40th anniversary, Paul Flynn wrote: "'Smalltown Boy' documents in empathetic, kitchen-sink detail the feelings of rejecting one archaic value system and moving to the big gay city to find your own... [It has] resisted fossilisation." [9] He concluded that it "can still make reasonable claims to being the British national anthem of gay", and counted it among the work of other major figures in British gay history, such as Oscar Wilde, Joe Orton, Derek Jarman and Peter Tatchell. [9]
Reviewing the Age of Consent reissue for Pitchfork in 2017, Laura Snapes wrote that "'Smalltown Boy' remains a perfect song. It is nimble and crushing, forlorn and relieved, frail yet determined." [18] In 2022, Rolling Stone named it the 163rd-greatest dance song, [19] and Time Out ranked it number 12 in its list of the "50 Best Gay Songs to Celebrate Pride All Year Long in 2022", writing that it "takes the pain of rejection and makes it danceable". [20] In 2023, Rolling Stone named "Smalltown Boy" the 38th most inspirational LGBTQ song. [21] In 2024, Wade said it was still popular with young people: "There are still some kids who are terrified in their own homes. For the teenager wondering whether they'll get fucked or stabbed by the person they chose to look at across the classroom, 'Smalltown Boy' still means something." [9] Bell said "Smalltown Boy" was the record he was proudest of signing. [9]
A remix by Stephen Hague was released on 24 December 1990. [22] For the song's 30th anniversary in 2014, Somerville released a new version, "Smalltown Boy Reprise". [23] A series of remixes were issued for the 40th anniversary in 2024, and the song became popular on the social media service TikTok. [9] It remains part of British gay culture, and posters with its lyrics were posted across London for the 2024 Pride event. [9]
"Smalltown Boy" was sampled by the German band Real McCoy in their 1994 song "Automatic Lover (Call for Love)". [24] The Swedish DJs Steve Angello and Axwell, as Supermode, sampled "Smalltown Boy" in their 2006 track "Tell Me Why". [25] The German industrial metal band Oomph! paid homage to "Smalltown Boy" in their 2012 song "Kleinstadtboy". [26] In 2015, the American singer Brandon Flowers sampled "Smalltown Boy" in his song "I Can Change", [27] and the Belgian singer Kate Ryan released a cover. [24]
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Credits sourced from Electronic Soundmaker and Sound on Sound. [8] [28]
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Year-end charts
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Region | Certification | Certified units/sales |
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Canada (Music Canada) [63] | Gold | 50,000^ |
France | — | 300,000 [56] |
Italy (FIMI) [64] | Gold | 25,000‡ |
United Kingdom (BPI) [65] | 2× Platinum | 1,200,000‡ |
^ Shipments figures based on certification alone. |
Bronski Beat were a British synth-pop band formed in 1983 in London, England. The initial lineup, which recorded the majority of their hits, consisted of Jimmy Somerville (vocals), Steve Bronski and Larry Steinbachek. Simon Davolls contributed backing vocals to many songs.
James William Somerville is a Scottish singer who rose to prominence in the 1980s with the synth-pop groups Bronski Beat and the Communards. With Bronski Beat, Somerville achieved commercial success with the 1984 single "Smalltown Boy" which reached the top spot in Belgium, Italy, the Netherlands and the US Hot Dance Club Play. Additionally, it reached the top five in the United Kingdom, West Germany, Ireland and New Zealand as well as charting within the US Billboard Hot 100. Bronski Beat's debut album The Age of Consent (1984) was the only release Somerville contributed to as lead vocalist before leaving the band in 1985 and joined The Communards.
The Communards were a British synth-pop duo formed in London in 1985. They consisted of Scottish singer Jimmy Somerville and English musician Richard Coles. They are best known for their versions of "Don't Leave Me This Way", originally by Harold Melvin & the Blue Notes featuring Teddy Pendergrass, and of the Jackson 5's "Never Can Say Goodbye".
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The Age of Consent is the debut album by British synth-pop band Bronski Beat, released on London Records in October 1984. This was the only album released by Bronski Beat to feature Somerville, who departed the band in 1985.
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For a Friend: The Best Of is a 34-track, double disc greatest hits compilation and career retrospective by Jimmy Somerville, featuring his work as a solo artist, as well as with Bronski Beat and The Communards.
Scottish recording artist Jimmy Somerville has entered the music industry as the frontman of the synth-pop act, known as Bronski Beat. Alongside, he would score an early international success with a series of top-ten hits, such as "Smalltown Boy", "Why?" and "I Feel Love Medley"; all taken from the trio's debut album, The Age of Consent (1984), as well the remix equivalent, Hundreds & Thousands (1985). A similar status enjoyed the follow-up hit singles: "Don't Leave Me This Way", "So Cold the Night" and "Never Can Say Goodbye"; these though, were recorded for the eponymous set of his later duo Communards (1986), or its Red successor (1987) yet. The singer's own full-length debut would see its eventual results at the very end of the 1980s, marking the ending of his former bands' years, or rather the beginning of his solo era since.
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