"Smalltown Boy" features electronic instrumentation, falsetto vocals and lyrics describing a young man who decides to leave home. The music video, directed by Bernard Rose and filmed in East London, depicts a boy who leaves home after being gay-bashed.
"Smalltown Boy" is a gay anthem and remains associated with the rise of British gay culture in the 1980s. It received positive reviews, and in 2022 Rolling Stone named it the 163rd-greatest dance song. It has been covered by numerous acts, and a series of remixes were issued for the 40th anniversary in 2024.
The lyrics describe a young man who is bullied and decides to leave home.[8] In the Financial Times, David Gould wrote that it combines the hi-NRG tempo of 1980s gay clubs with "plaintive" lyrics.[8] Ian Wade, the author of 1984: The Year Pop Went Queer, interpreted the line "the love that you need will never be found at home" as a rebuke to the "family values" culture that demonised homosexuality at the time.[10] The singer, Jimmy Somerville, said he was embarrassed by the song for many years, as he felt his lyrics were inferior.[11]
Music video
The music video for "Smalltown Boy" was directed by Bernard Rose, who had directed the video for "Relax", by another openly gay band, Frankie Goes to Hollywood, the previous year.[12] Rose said Bronski Beat felt "Relax" was too mainstream and upbeat, and wanted to convey a more serious message.[12] The Independent described the "Smalltown Boy" video as "stark" and "grounded".[13] The original concept was to base the video on a cottaging scene, but this was vetoed by the London Recordings executive Colin Bell.[10] The video was filmed at a leisure centre in East London.[10]
In the video, a boy (played by Somerville) makes a pass at a man and is gay-bashed. As a policeman explains the incident to the boy's parents (outing him in the process), his mother breaks down and his father becomes angry to the point of almost striking the boy, who then resolves to leave his "small town" for London. As he leaves, his mother hugs him, but while his father gives him money, he refuses to shake his hand. On the train the boy is joined by other members of Bronski Beat. They smile and laugh as they disembark in London to start their new life.[13][10]
Rose said the video depicted a common experience for gay people and that Bronski Beat wanted to draw attention to homophobia.[12] Wade likened it to the films of Mike Leigh and Ken Loach.[10] Bell said it created opportunities for later videos with gay themes by artists such as Pet Shop Boys and George Michael.[10]
Reception
Bell was unafraid to market "Smalltown Boy" as a gay record, and said "that was the point".[10] According to Bell, the first time it was played in a gay club, Heaven, in London, the "response was extraordinary" and the audience slowed down to listen.[10] Reviewing the single on release, Spin said it "fashioned a young man's bitter memories of being driven away from home, alienated from his family, and persecuted by his friends, into a sweetly moving pop song".[14]
"Smalltown Boy" reached number three on the UK singles chart[15] and number one in the Netherlands and Belgium.[16][17] It reached the top 10 in Australia, Canada, France, Ireland, Italy, Switzerland and West Germany. It reached number 48 in the US pop chart and was a number-one US dance hit.[18] After the success, Bronski Beat released their debut album, The Age of Consent.[8]
Legacy
"Smalltown Boy" is associated with the rise of British gay culture in the 1980s, alongside hits by the closeted George Michael and the openly gay Frankie Goes to Hollywood.[10] Writing in the Observer for its 40th anniversary, Paul Flynn wrote: "'Smalltown Boy' documents in empathetic, kitchen-sink detail the feelings of rejecting one archaic value system and moving to the big gay city to find your own... [It has] resisted fossilisation."[10] He concluded that it "can still make reasonable claims to being the British national anthem of gay", and counted it among the work of other major figures in British gay history, such as Oscar Wilde, Joe Orton, Derek Jarman and Peter Tatchell.[10]
Reviewing the Age of Consent reissue for Pitchfork in 2017, Laura Snapes wrote that "'Smalltown Boy' remains a perfect song. It is nimble and crushing, forlorn and relieved, frail yet determined."[19] In 2022, Rolling Stone named it the 163rd-greatest dance song,[20] and Time Out ranked it number 12 in its list of the "50 Best Gay Songs to Celebrate Pride All Year Long in 2022", writing that it "takes the pain of rejection and makes it danceable".[21] In 2023, Rolling Stone named "Smalltown Boy" the 38th most inspirational LGBTQ song.[22] In 2024, Wade said it was still popular with young people: "There are still some kids who are terrified in their own homes. For the teenager wondering whether they'll get fucked or stabbed by the person they chose to look at across the classroom, 'Smalltown Boy' still means something."[10] Bell said "Smalltown Boy" was the record he was proudest of signing.[10] In 2025, Billboard magazine ranked it number 56 in their list of "The 100 Greatest LGBTQ+ Anthems of All Time".[23]
A remix by Stephen Hague was released on 24 December 1990.[24] For the song's 30th anniversary in 2014, Somerville released a new version, "Smalltown Boy Reprise".[25] A series of remixes were issued for the 40th anniversary in 2024, and the song became popular on the social media service TikTok.[10] It remains part of British gay culture, and posters with its lyrics were posted across London for the 2024 Pride event.[10]
↑ Walters, Barry (20 June 2000). "His beat goes on". The Advocate. p.115. ISSN0001-8996. As Bronski Beat's falsetto leader, Somerville made gay politics a hot pop topic with such hi-NRG dance floor staples as "Why?" and "Smalltown Boy"
1 2 Adam Block (9 December 1986). "A Clarion Call from England's Communards: Syl's New "Attraction""(PDF). The Advocate. Retrieved 23 December 2022. The trio had met as friends and performed as a hoot, but their first single, "Smalltown Boy" (an autobiographical tale of a gay youth fleeing homophobia for the tolerance of the big city), became a Hi-NRG disco fave on both sides of the Atlantic.
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