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The Age of Consent | ||||
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Studio album by | ||||
Released | October 1984 [1] | |||
Studio |
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Genre | ||||
Length | 44:22 | |||
Label | London | |||
Producer | Mike Thorne | |||
Bronski Beat chronology | ||||
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Singles from The Age of Consent | ||||
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The Age of Consent is the debut album by British synth-pop band Bronski Beat (Steve Bronski, Larry Steinbachek and Jimmy Somerville), released on London Records in October 1984. This was the only album released by Bronski Beat to feature Somerville, who departed the band in 1985.
A re-recorded and expanded version was released in 2017 under the name of The Age of Reason, with Bronski, Ian Donaldson, and new singer Stephen Granville.
By 1984, many European countries had reduced the age of consent for homosexual acts to 16, but it remained at 21 in the United Kingdom, having only been partially decriminalised in 1967. Homosexuality was not ‘legalised’ in Scotland, where Somerville was born, until 1981. The wording of the legislation to decriminalise also included wording that placed restrictions such as making illegal the use of a hotel room for sex. [9] [10] Homosexuality was further stigmatised beyond the restrictions placed on homosexual individuals, and homophobia was a danger to gay individuals. [9]
Against this background, Bronski, Steinbachek, and Somerville met in Brixton in 1983, and soon formed Bronski Beat. [9] They signed a recording contract with London Records in 1984 after doing only nine live gigs.[ citation needed ]
The album was produced by Mike Thorne; the recording sessions took place in London and New York City. The first single, "Smalltown Boy", was recorded at The Garden studio (owned by former Ultravox singer John Foxx) and mixed at Maison Rouge studio, both of them based in London.[ citation needed ]
The song "Heatwave" features the tap-dancing rhythms of Caroline O'Connor.[ citation needed ]
The inner sleeve of the album has a table listing the minimum age for lawful homosexual relationships between men in each country in Europe, accompanied by the telephone number of a service giving gay legal advice. It was removed from the United States release of the album by MCA Records on the basis of "past sensitivities of several record store chains". [11]
The album produced four hit singles.
The band's debut single was released on 25 May 1984, peaking at number 3 in the UK Singles Chart in June, and reaching number one in Belgium, Italy, and the Netherlands. [12] [13] [14] [15] It is a poetically poignant, soul searching composition addressing homophobia, loneliness and family misunderstanding. It has been described as perfectly encapsulating "the experience of being young and gay in the '80s". [16]
It was accompanied by a video of Jimmy Somerville with fellow band member friends Larry Steinbachek and Steve Bronski, who, while cruising at a public swimming pool and changing room, are attacked and beaten up by a gang of homophobes. Somerville is returned to his family by the police; he leaves home alone and has a reunion with friends Steinbachek and Bronski, travelling to a new life on a train.
The band had the telephone number of the London Gay Switchboard (telephone support and information for gays and lesbians in central London) etched into the inner groove of the 12" vinyl version. [17]
Additional congas were played by John Folarin. Sleeve cover art was by Gill Whisson.
The follow-up single "Why?" (recorded at RPM Studios, NYC and mixed at Townhouse Studio, London) pursued a more energetic musical formula, while the lyrics focused more centrally and darkly on anti-gay prejudice. The song opened with a questioning vocal by Somerville and the shattering of breaking glass. Released in September 1984, the single made the top 10 in the UK.
The promotional video opens with Steinbachek and Bronski buying artificial bombs and a small statue of Michelangelo's David in a mad supermarket. At the checkout, because they are openly gay, the assistant telephones the management to enquire whether they can pay for the items. They are refused. Meanwhile, Somerville is singing behind a counter of sausages and salamis and, seeing the dilemma in progress, starts complaining to the checkout girl. All three are arrested by "the thought police" and made to appear for trial before a puppet court and senile judge (Somerville's father in "Smalltown Boy"). The band members are then sent to a workhouse. From the workhouse, Somerville rises up into the air and confronts "God". The workers revolt, and strip the thought police of authority and clothing. The band members are placed on pedestals, before "God" transforms all three of them into statues of salt for their alleged sins.
The thought-police actors who arrest the trio are the swimmer / homophobic gang-leader from the "Smalltown Boy" video and "Martin", a friend of the band whose situation in a gay relationship with a younger man actually inspired the lyrical content of the song. The video extras were mostly friends of the band; they went on strike during the video shoot, due to the excess labour endured by them in the production.
The "Smalltown Boy" and "Why?" videos were directed by Bernard Rose, who also directed the original video for Frankie Goes to Hollywood's "Relax".
The song is dedicated to the memory of playwright Drew Griffiths, a victim of a homophobic murder in 1984.
The sleeve cover art was by Robert McAulay.
The third single "It Ain't Necessarily So", the George and Ira Gershwin/ DuBose Heyward song (from the opera Porgy and Bess ) that expresses opposition to biblical literalism, was released in November 1984 and reached the UK top 20. The track features Arno Hecht from The Uptown Horns on solo clarinet and the openly gay male choir from London, The Pink Singers. It was recorded at The Garden studio, London and Skyline Studios, NYC.
The promotional video features Somerville and Steinbachek as inmates in a borstal with Somerville and "Martin" (the "thought police" actor from "Why?") having a Christmas pie-eating competition which takes place during the Christmas religious service, which Somerville wins. Bronski plays a closeted prison warden who has a keen eye for one of the other prisoners.
The cover sleeve art was a parody of The Wizard Of Oz , with Dorothy having the head of the devil.
A fourth (and final) single was released before Somerville left the band in 1985: a medley of "I Feel Love / Johnny Remember Me / Love to Love You Baby".
A version of the medley had already appeared on The Age of Consent, combining Donna Summer's seminal disco classic "I Feel Love" with John Leyton's "Johnny Remember Me", which had topped the UK charts in 1961. For its single release, former Soft Cell singer Marc Almond was enlisted to duet with Somerville, and another Summer disco song, "Love to Love You Baby", was added as the intro and coda. The single also featured a new backing track that was more synthpop-oriented than the original album version. As with the band's previous single, the choir providing backing vocals was The Pink Singers. Cellos were played by Beverly Lauridsen, Jesse Levy and Mark Shuman.
"I Feel Love (Medley)" was released in April 1985, with sleeve cover art by Gill Whisson. It became a big hit in the UK, entering the top 10 in its second week on the chart and peaking at number 3 for two weeks. [18]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Pitchfork | 7.2/10 [19] |
The Village Voice | C+ [20] |
The Village Voice 's Robert Christgau, in a contemporaneous review, noted the album's "two good singles" but added that "good politics don't have to be this monochromatic" and criticised the "narrow dynamic range that afflicts so many falsettos, even those with impeccable reasons for singing like women." [20] The album ranked at number 12 in CMJ 's "Top 20 Most-Played Albums of 1985" list. [21] John Dougan of AllMusic retrospectively described the album's songs as "compelling vignettes about the vagaries of life as a gay man" and The Age of Consent as "simply a great album, period." [2]
Spin wrote, "The album's principal songs all mine the rather overworked vein of late-'70s disco. This is clearly the music they grew up loving, and they approach it as fans rather than cynics. Disco really isn't the right vehicle to carry the weight of sadness, anger and lust that they load onto it." [4]
All tracks are written by Jimmy Somerville, Larry Steinbachek and Steve Bronski; except where noted
No. | Title | Writer(s) | Length |
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1. | "Why?" | 4:04 | |
2. | "It Ain't Necessarily So" | George Gershwin, Ira Gershwin, DuBose Heyward, Dorothy Heyward | 4:40 |
3. | "Screaming" | 4:13 | |
4. | "No More War" | 3:52 | |
5. | "Love and Money" | 5:08 | |
6. | "Smalltown Boy" | 5:00 | |
7. | "Heatwave" | 2:41 | |
8. | "Junk" | 4:17 | |
9. | "Need-a-Man Blues" | 4:19 | |
10. | "I Feel Love/Johnny Remember Me" | Giorgio Moroder, Pete Bellotte, Donna Summer, Geoff Goddard | 5:59 |
No. | Title | Length |
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11. | "Smalltown Boy" (full 12" version) | 9:04 |
12. | "Why?" (full 12" version) | 7:46 |
No. | Title | Length |
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11. | "I Feel Love" (medley with Marc Almond) | 8:22 |
12. | "Run from Love" (re-mix from Hundreds & Thousands ) | 8:14 |
13. | "Hard Rain" (re-mix from Hundreds & Thousands) | 7:54 |
14. | "Memories" | 2:54 |
15. | "Puit D'Amour" | 1:30 |
16. | "Heatwave" (re-mix from Hundreds & Thousands) | 5:44 |
No. | Title | Length |
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11. | "Why?" (12" version) | 7:47 |
12. | "Smalltown Boy" (12" version) | 9:05 |
13. | "It Ain't Necessarily So" (12" version) | 5:23 |
14. | "I Feel Love/Johnny Remember Me" (12" version) | 10:41 |
No. | Title | Length |
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11. | "Smalltown Boy" (7" edit) | 3:58 |
12. | "Why?" (remix) | 5:13 |
13. | "I Feel Love Medley" (Source mix) | 10:10 |
14. | "It Ain't Necessarily So" (12" version) | 5:22 |
15. | "Red Dance" | 6:53 |
No. | Title | Length |
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1. | "Heatwave" (Goldberg remix) | 5:44 |
2. | "Why?" (Goldberg remix) | 6:17 |
3. | "Run from Love" (Maita remix) | 8:14 |
4. | "Hard Rain" (Goldberg remix) | 7:52 |
5. | "Smalltown Boy" (Goldberg remix) | 5:54 |
6. | "Junk" (Goldberg remix) | 6:14 |
7. | "I Feel Love" (Fruit mix) | 8:03 |
8. | "Hard Rain" (demo) | 4:04 |
9. | "Screaming" (demo) | 4:06 |
10. | "Signs (And Wonders)" | 5:00 |
11. | "Potato Fields" | 2:59 |
12. | "Run from Love" (radio version) | 4:08 |
13. | "Puit D'Amour" | 1:38 |
14. | "Close to the Edge" | 4:44 |
15. | "Cadillac Car" | 3:54 |
No. | Title | Length |
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1. | "It Ain't Necessarily So" (Kid Jenson BBC session) | 2:21 |
2. | "Memories" (Kid Jenson BBC session) | 2:34 |
3. | "Crazy Maraquitta" (Kid Jenson BBC session) | 2:34 |
4. | "Why?" (Kid Jenson BBC session) | 3:00 |
5. | "No More War" (demo) | 4:11 |
6. | "Up and Down" (instrumental demo) | 3:42 |
7. | "Heatwave" (demo) | 2:50 |
8. | "Ultra Clone" (instrumental demo) | 2:50 |
9. | "Junk" (demo) | 5:13 |
10. | "The Other Side of the Tracks" (demo) | 3:41 |
11. | "I Feel Love/Johnny Remember Me" (rough mix) | 5:45 |
12. | "Smalltown Boy" (reprise 2014) | 2:45 |
13. | "Why?" (live at Stella Polaris) | 5:08 |
14. | "Smalltown Boy" (Arnaud Rebotini remix) | 5:36 |
15. | "Why?" (Wax Wings remix) | 5:30 |
16. | "Smalltown Boy" (KDA Pink Triangle remix) | 7:33 |
Note:
Bronski Beat
Additional personnel
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [44] | Platinum | 100,000^ |
France (SNEP) [45] | Gold | 100,000* |
Netherlands (NVPI) [46] | Gold | 50,000^ |
United Kingdom (BPI) [47] | Platinum | 300,000^ |
* Sales figures based on certification alone. |
Bronski Beat were a British synth-pop band formed in 1983 in London, England. The initial lineup, which recorded the majority of their hits, consisted of Jimmy Somerville (vocals), Steve Bronski and Larry Steinbachek. Simon Davolls contributed backing vocals to many songs.
Frankie Goes to Hollywood were an English pop band that formed in Liverpool in 1980. They comprised Holly Johnson (vocals), Paul Rutherford, Mark O'Toole (bass), Brian Nash (guitar) and Peter Gill (drums). They were among the first openly gay pop acts and made gay rights and sexuality a theme of their music and performances.
James William Somerville is a Scottish pop singer and songwriter from Glasgow, Scotland. He sang in the 1980s with the synth-pop groups Bronski Beat and the Communards, and has also had a solo career. He is known in particular for his powerful and soulful countertenor/falsetto singing voice. Many of his songs, such as "Smalltown Boy", contain political commentary on gay-related issues.
The Communards were a British synth-pop duo formed in London in 1985. They consisted of Jimmy Somerville and Richard Coles. They are most famous for their cover versions of "Don't Leave Me This Way", originally by Harold Melvin & the Blue Notes featuring Teddy Pendergrass, and of the Jackson 5's "Never Can Say Goodbye".
Truthdare Doubledare is the second album by the British dance band Bronski Beat. It is their first album to feature John Foster as lead vocalist, following the departure of Jimmy Somerville.
"I Feel Love" is a song by the American singer Donna Summer. Produced and co-written by Giorgio Moroder and Pete Bellotte, it was recorded for Summer's fifth studio album, I Remember Yesterday (1977). The album concept was to have each track evoke a different musical decade; for "I Feel Love", the team aimed to create a futuristic mood, employing a Moog synthesizer.
"Smalltown Boy" is the debut single by the British synth-pop band Bronski Beat, released in May 1984 by London Recordings. It was included on their debut album, The Age of Consent (1984). The lyrics describe a young man who is forced to leave home. "Smalltown Boy" is a gay anthem and is associated with the rise of British gay culture in the 1980s. The music video was directed by Bernard Rose and filmed in East London. In 2022, Rolling Stone named it the 163rd-greatest dance song.
"Hit That Perfect Beat" is a song by British synth-pop band Bronski Beat from their second album, Truthdare Doubledare (1986). It reached number three on the UK Singles Chart in January 1986 and entered the top 10 in several European countries, Australia, and South Africa.
"Why?" is a single by British synth-pop band Bronski Beat and appeared on their 1984 album The Age of Consent.
Hundreds & Thousands is a remix album by Bronski Beat released in 1985.
"You Make Me Feel (Mighty Real)" is a song by American disco/R&B singer Sylvester. It was written by James Wirrick and Sylvester, and released by Fantasy Records as the second single from the singer's fourth album, Step II (1978). The song was already a largely popular dance club hit in late 1978, as the B-side of his previous single "Dance (Disco Heat)", before it was officially being released in December. It rose to the number one position on the US Billboard Dance Club Songs chart. Music critic Robert Christgau has said the song is "one of those surges of sustained, stylized energy that is disco's great gift to pop music".
For a Friend: The Best Of is a 34-track, double disc greatest hits compilation and career retrospective by Jimmy Somerville, featuring his work as a solo artist, as well as with Bronski Beat and The Communards.
Depressive Age is a German thrash metal band from Berlin. The group released four studio albums throughout the 1990s before renaming themselves D-Age and disbanding in 2001.
Scottish recording artist Jimmy Somerville has entered the music industry as the frontman of the synth-pop act, known as Bronski Beat. Alongside, he would score an early international success with a series of top-ten hits, such as "Smalltown Boy", "Why?" and "I Feel Love Medley"; all taken from the trio's debut album, The Age of Consent (1984), as well the remix equivalent, Hundreds & Thousands (1985). A similar status enjoyed the follow-up hit singles: "Don't Leave Me This Way", "So Cold the Night" and "Never Can Say Goodbye"; these though, were recorded for the eponymous set of his later duo Communards (1986), or its Red successor (1987) yet. The singer's own full-length debut would see its eventual results at the very end of the 1980s, marking the ending of his former bands' years, or rather the beginning of his solo era since.
The discography of the British pop music group Bronski Beat contains albums, singles, and videos. They were a synthpop trio which achieved success in the mid-1980s.
Larry Steinbachek was an English-singer songwriter, director and composer best known for his time as part of Bronski Beat with Jimmy Somerville and Steve Bronski.
Steven William Forrest was a Scottish singer-songwriter, best known for his time as a member of synth-pop band Bronski Beat, with Jimmy Somerville and Larry Steinbachek.
The Singles Collection 1984/1990 is a compilation album covering Scottish pop singer Jimmy Somerville's career in the bands Bronski Beat, The Communards and as a solo artist. It was released in 1990. In Italy, the album was marketed under the alternate title, 1984/1990 Greatest Hits.
Jonathan Paul Hellyer known as Jonathan Hellyer is an English singer, theatre director and drag actor. He is best known for his time as the lead singer of Bronski Beat and collaborations with Wayne G.
"Cha Cha Heels" is a pop song recorded by Bronski Beat and Eartha Kitt, released in June 1989 from her album I'm Still Here as a tribute to drag actor and singer Divine.
Bronski Beat was described as "the new act of the year" and their album, The Age Of Consent, will be released this month with 100,000 pre-sales(p. 3)
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