Terence Nelhams Wright, known as Adam Faith, was an English singer, actor, and financial journalist. As a British rock and roll teen idol, he scored consecutive No. 1 hits on the UK Singles Chart with "What Do You Want?" (1959) and "Poor Me" (1960). He became the first UK artist to lodge his initial seven hits in the top 5, and was ultimately one of the most charted acts of the 1960s. He was also one of the first UK acts to record original songs regularly.
Robert George "Joe" Meek was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist.
John Lester Nash Jr. was an American singer-songwriter, best known in the United States for his 1972 hit "I Can See Clearly Now". Primarily a reggae and pop singer, he was one of the first non-Jamaican artists to record reggae music in Kingston.
Al Martino was an American traditional pop and jazz singer. He had his greatest success as a singer between the early 1950s and mid-1970s, being described as "one of the great Italian American pop crooners", and also became known as an actor, particularly for his role as singer Johnny Fontane in The Godfather.
Robert Colin Stigwood was an Australian-born British-resident music entrepreneur, film producer and impresario, best known for managing Cream, Andy Gibb and the Bee Gees, theatrical productions like Hair and Jesus Christ Superstar, and film productions including the successful Grease and Saturday Night Fever. On his death, one obituary judged that he had been for a time the most powerful tycoon in the entertainment industry: "Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights – not since Hollywood's golden days had so much power and wealth been concentrated in the hands of one mogul."
The Tornados were an English instrumental rock group of the 1960s that acted as backing group for many of record producer Joe Meek's productions and also for singer Billy Fury. They enjoyed several chart hits in their own right, including the UK and US no. 1 "Telstar", the first US no. 1 single by a British group.
Ronald Wycherley, better known by his stage name Billy Fury, was an English musician. An early star of rock and roll, he equalled the Beatles' record of 24 hits in the 1960s and spent 332 weeks on the UK chart. His hit singles include "Wondrous Place", "Halfway to Paradise" and "Jealousy". Fury also maintained a film career, notably playing rock performers in Play It Cool in 1962 and That'll Be the Day in 1973.
"Telstar" is a 1962 instrumental by the English band the Tornados, written and produced by Joe Meek. It reached number one on the UK Singles Chart and the US Billboard Hot 100 in December 1962. It was the second instrumental single to hit number one in 1962 on both the US and UK weekly charts.
Gordon William Mills was a successful London-based music industry manager and songwriter. He was born in Madras, British India and grew up in Trealaw in the Rhondda Valley, South Wales. During the 1960s and 1970s, he managed the careers of three highly successful musical artists - Tom Jones, Engelbert Humperdinck and Gilbert O'Sullivan. Mills was also a songwriter, penning hits for Cliff Richard, Johnny Kidd & the Pirates, Freddie and the Dreamers, the Applejacks, Paul Jones, Peter and Gordon and Tom Jones, most notably co-writing Jones's signature song "It's Not Unusual" with Les Reed.
John Valmore Pearson was a British composer, orchestra leader and pianist. He led the Top of the Pops orchestra for sixteen years, wrote a catalogue of library music, and had many of his pieces used as the theme music to television series.
The Honeycombs were an English beat group, founded in 1963 in North London, best known for their chart-topping, million-selling 1964 hit, "Have I the Right?" The band featured Honey Lantree on drums, one of the few high-profile female drummers at that time. They were unable to replicate the success of their first single and disbanded by 1967.
The Outlaws were an English instrumental band that recorded in the early 1960s. One-time members included Chas Hodges,, Bobby Graham, Ritchie Blackmore, Mick Underwood, Reg Hawkins, Billy Kuy, Don Groom, Roger Mingaye, Ken Lundgren and Harvey Hinsley.
Clemente Anselmo Agustino Cattini is an English rock and roll drummer of the late 1950s and 60s, who was a member of The Tornados before becoming well known for his work as a session musician. He is one of the most prolific drummers in UK recording history, appearing on hundreds of recordings by artists as diverse as Cliff Richard and Lou Reed, and has featured on 42 different UK number one singles.
Heinz Burt was a German-born British rock and roll bassist and singer who performed under the stage name Heinz. He was also known as a member of the instrumental group the Tornados.
John Worsley, more widely known under the pseudonyms Les Vandyke and Johnny Worth, was an English popular music songwriter from the 1950s to the 1980s, who started his career as a singer.
Geoffrey Goddard was an English songwriter, singer and instrumentalist. Working for Joe Meek in the early 1960s, he wrote songs for Heinz, Mike Berry, Gerry Temple, The Tornados, Kenny Hollywood, The Outlaws, Freddie Starr, Screaming Lord Sutch, The Ramblers and John Leyton. His song for Leyton, "Johnny Remember Me", reached number 1 in the UK Singles Chart.
"Johnny Remember Me" is a song which became a 1961 UK Singles Chart #1 hit single for John Leyton, backed by The Outlaws. It was producer Joe Meek's first #1 production. Recounting the haunting – real or imagined – of a young man by his dead lover, the song is one of the most noted of the 'death ditties' that populated the pop charts, on both sides of the Atlantic, in the early to mid-1960s. It is distinguished in particular by its eerie, echoing sound and by the ghostly, foreboding female wails that form its backing vocal, by Lissa Gray. The recording was arranged by Charles Blackwell. Despite the line, "the girl I loved who died a year ago" being changed to the more vague "the girl I loved and lost a year ago", the song was banned by the BBC, along with many other 'death discs', which were popular at the time.
"Have I the Right?" was the debut single and biggest hit of British band The Honeycombs. It was composed by Ken Howard and Alan Blaikley, who had made contact with The Honeycombs, a London-based group, then playing under the name of The Sheratons, in the Mildmay Tavern in the Balls Pond Road in Islington, where they played a date. Howard and Blaikley were impressed by the group's lead vocalist, Dennis D'Ell, and the fact that they had a female drummer, Anne (‘Honey’) Lantree. The group were looking for material to play for an audition with record producer Joe Meek, and they played the songs Howard and Blaikley had just given them. Meek decided to record one of them, "Have I the Right?", there and then. Meek himself provided the B-side, "Please Don’t Pretend Again".
Telstar: The Joe Meek Story is a 2008 film adaptation of James Hicks' and Nick Moran's play Telstar, about record producer Joe Meek, which opened at the New Ambassadors Theatre in London's West End in June 2005. The film is directed by Moran and stars Con O'Neill, who also played Joe Meek in the original play, while Kevin Spacey plays Meek's business partner, Major Wilfred Banks.
British rock and roll, or sometimes British rock 'n' roll, is a style of popular music based on American rock and roll, which emerged in the late 1950s and was popular until the arrival of beat music in 1962. It was important in establishing British youth and popular music culture and was a key factor in subsequent developments that led to the British Invasion of the mid-1960s. Since the 1960s, some stars of the genre, most notably Cliff Richard, have managed to sustain successful careers and there have been periodic revivals of this form of music.
